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Articles 1 - 21 of 21
Full-Text Articles in Art and Design
Nexus, Fall 2006, Wright State University Community
Nexus, Fall 2006, Wright State University Community
Nexus Literary Journal
Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.
Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies
Ua32/4/1 Women & Kids Learning Together Summer Camp, Wku Gender & Women's Studies
WKU Archives Records
Booklet reviewing events at Women & Kids Learning Together Summer Camp.
Zephyr: The Seventh Issue, Zephyr Faculty Advisor, Jamie Thompson, Emma Bouthillette, Brittany Campbell, Alissa Ehmke, Abby Elliott, Courtney Hartelius, Brady Potter
Zephyr: The Seventh Issue, Zephyr Faculty Advisor, Jamie Thompson, Emma Bouthillette, Brittany Campbell, Alissa Ehmke, Abby Elliott, Courtney Hartelius, Brady Potter
Zephyr
This is the seventh issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.
26: School Of Art Faculty (Exhibition Catalogue), Sam Yates, Paul Lee
26: School Of Art Faculty (Exhibition Catalogue), Sam Yates, Paul Lee
Ewing Gallery of Art & Architecture
This exhibition featured the work of current professors in the University of Tennessee School of Art.
Exhibiting faculty were: Emily Ward Bivens, Michael Brakke, Sally B. Brogden, Jason S. Brown, Marcia Goldenstein, Baldwin Lee, Paul Lee, Whitney Edward Leland, Wade Lough, Sarah Lowe, Beauvais Lyons, Norman Magden, Frank Martin, Tom Riesing, Deborah Shmerler, Jered Sprecher, Carolyn Staples, Patricia Tinajero-Baker, David Wilson, and Sam Yates.
Also included in the catalogue are art history faculty members: Alexis L. Boylan, William J. Dewey, Timothy W. Hiles, Dorothy Metzger Habel, Amy Neff, and Suzanne E. Wright.
Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner
Persistence Of Vision: The Value Of Invention In Independent Art Animation, Pamela Turner
Kinetic Imaging Publications and Presentations
The focus of this investigation is in the realm of animation that straddles the ever-shrinking gulf between a screening and an exhibition, the theater and the art gallery. There is a subtle maturity and movement in the animation art world that not only continues but also extends the often-overlooked legacy of independent animation while engaging the conceptual dialogue of contemporary art. This tradition of an art aesthetic is passed from the early inventors who fashioned the necessary tools and images. The myriads of techniques and concepts evidenced throughout this history inform the current practitioner, just as digital technology and the …
From The Edge, Leslie Corder Rousseau
From The Edge, Leslie Corder Rousseau
Theses and Dissertations
Paintings and drawings are the physical representations of my dialogue with the world around me. Art is how I connect to what is too large, or too vague, or too personally meaningful to express in any other way. Space and its transformation by light and color have always been central to this dialogue. I am particularly intrigued by spatial ambiguity. Space exists for us only in how it relates to us and so, space changes. One viewpoint or state of mind might make space seem freeing, while another makes the same space feel confining. Barriers are sometimes delineated, sometimes obscured. …
Nexus, Winter 2006, Wright State University Community
Nexus, Winter 2006, Wright State University Community
Nexus Literary Journal
Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.
Summer 2006, 90.9 Wmpg Fm
The Enduring Image, Michelle Lieb
The Enduring Image, Michelle Lieb
Theses and Dissertations
In my work, I have chosen to pursue the antiquated, experimental, and alternative processes of photography. A digital image, a web page, an e-book all point to the current pace of a society concerned with the beauty it can access in a moment of instant gratification. It often has no regard for a process that requires personal discipline to capture a moment, a place, or an idea. I find little enjoyment in the immediate, when I can instead experience what happens when the combination of chemicals, glass, wood, and the environment turn a potential photograph into an inimitable encounter. It …
Art As Business: Creating Marketing Strategies For Artists, Rachel Elizabeth Kokosenski
Art As Business: Creating Marketing Strategies For Artists, Rachel Elizabeth Kokosenski
Theses Digitization Project
The project takes marketing strategies learned in business and applies them to the work of visual artists. The project consists of two parts. The first part includes marketing materials and brand identity for a marketing/career counseling business (coach4artists). Materials for the counseling business consist of a corporate identity package, a brochure, a website, a business plan, and a marketing plan for the company. The second part includes marketing materials for a student artist (the "client") from California State University, San Bernardino. Materials for the client consist of a corporate identity package, a brochure, a postcard, a website, a business plan …
Trees, Kara M. Drinkwater
Trees, Kara M. Drinkwater
Theses and Dissertations
The intention behind my work is to draw the viewer's attention to the intimate, beautiful details found in nature. For example, I am awed and inspired by the unique qualities found in every tree whose varieties are seemingly infinite. The basic concept of my work is to portray the images of trees close to the viewer's eye to instill a sense of nature's grandness.
Through My Eyes, Candace B. Conklin
Through My Eyes, Candace B. Conklin
Theses and Dissertations
I am the one my friends call the creepy one. My art is not pretty or happy. It is an expression of my inner feelings and thoughts. I don't make pretty pictures because I find them void of true emotional substance. I developed my point of view when I photographed my eyes, which have become a consistent theme in my work. Eyes are the window to the soul and the key to my inner emotions. I have since expanded my work to include other images. I continue to seek ways to help my viewers experience my work both emotionally and …
Kick Me, Jennifer Stackpole
Kick Me, Jennifer Stackpole
Theses and Dissertations
Human experience, particularly the trials and tribulations of growing up, is the foundation on which I build. In this body of work, I represent these somewhat unsettling times. I use flattened space, strong diagonals, and vibrant color to add energy to the compositions. An underlying structure of fragmented shapes suggests the incomplete nature of adolescence.
Undone, Julie J. Johnson
Undone, Julie J. Johnson
Theses and Dissertations
My art has become rooted in a process of layering. I layer materials to explore technique and to express the concept of inside versus outside. The evidence of multiple layers of materials is symbolically connected to what is happening within my own life. I want the viewer to see an indication of deeper layers of process and materials rather than just the polished surface of an artwork. This layering process can also be seen as a metaphor for human nature, what we see on the outside is not always what is on the inside.
A Seamless Journey, Stefanie Neuner
A Seamless Journey, Stefanie Neuner
Theses and Dissertations
My quilts serve as a visual journal of some of my travels and experiences. Through my quilts, I remember the rich colors and memories of my European adventures. The methodical process of stitching quilts line by line is an important process for my recollection of the many steps taken during my trip abroad. Stitching fabric is the method that communicates the opportunities and experiences of my travel that I want to share with others.
Dirty Laundry, Mona Mullins Williams
Dirty Laundry, Mona Mullins Williams
Theses and Dissertations
Making art is cathartic for me. Working in a visual medium allows me to communicate ideas and feelings that I would find difficult to express in words. I use a wide variety of traditional and non-traditional materials as symbolic elements in my work. While the pieces are not always pretty, my goal is that they contain an element of irony and humor which helps us laugh at ourselves.
Growth, Peter Fitzgerald
Growth, Peter Fitzgerald
Theses and Dissertations
In nature we see a wide variety of bold colors and unique shapes. Trees personify these characteristics with their curved branches creating distinctive lines and shapes. Leaves and blossoms enhance their structures with an array of colors. Trees possess awe inspiring energy. Each tree is a living thing, its growth shaped by its environment.Similarly, my work is a response to the environment. I employ a spontaneous and bold technique in an attempt to capture the energy I perceive in nature. The use of vigorous lines and high keyed contrasting colors with varied textures conveys that trees are living, growing entities, …
Inaugural Catalogue : Lam Tung-Pang's Work, Tung Pang Lam
Inaugural Catalogue : Lam Tung-Pang's Work, Tung Pang Lam
Artists-in-Residence Programme : Exhibition Catalogues
The First Artist-in-Residence 首位駐校藝術家
The Path Is A Circle, Marylea Martin Harris
The Path Is A Circle, Marylea Martin Harris
Theses and Dissertations
While the pastoral environment that surrounds my studio is inspirational in itself, my treescapes and organic abstractions are reflections of referential places experienced along my life's path. Considering the constant onslaught of information in our increasingly rushed society, I hope my work, influenced by the natural world, may allow the viewer to slow down briefly and live in the moment.
Forging Space, Chance Burdick Liscomb
Forging Space, Chance Burdick Liscomb
Theses and Dissertations
I naturally like sculpture. My artistic medium of choice is sculpture because it occupies physical space commands attention and thought. The expressive qualities found in steel are numerous as they are in manipulation of found materials. Both materials involve a process of discovery on an evolving road towards any sculpture's ultimate conclusion. My primary goal is that my sculpture should be personal and capture the viewer's eye, stir his or her subconscious, and serve as a form of communication.
New Media Arts Scoping Study Report, Andrew Donovan, Sarah Miller, Elaine Lally
New Media Arts Scoping Study Report, Andrew Donovan, Sarah Miller, Elaine Lally
Sarah Miller
No abstract provided.