Art and Design Commons^™

Study Of Fashion And Politics, Jacqueline Arena

Library Award for Outstanding Undergraduate Research

The purpose of this research is to analyze the way fashion has been used as a vessel for

political statements; specifically through studying the work of artists Jean Paul Gaultier, Alexander Mcqueen and Vivienne Westwood. Gaultier and Mcqueen showcased shocking collections that caught the public eye by testing gender boundaries and reflecting historical events. Westwood’s work was a protest, and she was an activist. The sources included highlight the success of these unique designers. Furthermore, the research evaluates how political statements by fashion designers have become harmful because today newer designers are vying for the success of trailblazers such as …

Craftivism Between Nationalism And Activism In Ukraine And Belarus, Alla Myzelev

Art History

This article outlines the history and significance of Craftivism in Eastern Europe. Using two case studies of artists it investigates the use of the craft language in Eastern Europe and its usability for activism. Do-It-Yourself culture, of which Craftivism is part, rejects the commercialism, gender norms and the conventional lifestyle in the Global North. Use of crafts as a language of political and social struggle allows to convey the message in a less confrontational but nevertheless very pertinent way. The craftivism is a successful language for the feminist political struggle in the Eastern Europe.

Raising Canes: Crafting Disability Narratives, Charlotta Abernathy

WWU Honors College Senior Projects

Disability is a common part of life, but not a well understood part of our cultural conscience. Because of this, the oppression that disabled people face, ableism, is particularly pervasive and under addressed. In order to begin to chip away at the systemic ableism that is embedded in all parts of society, disabled people need better representation in the media. This means not just showing stories that involve disabled people or that are about disabled people, but actual stories by disabled people about disability. One area of particular interest to me is addressing ableist misconceptions about assistive technology. To take …

Heather C. Lou Interview, Katie O’Reilly

Asian American Art Oral History Project

Artist Bio: heather c. lou, m.ed. (she/her/hers) is an angry gemini earth dragon, multiracial, asian, queer, cisgender, disabled, survivor/surviving, depressed, and anxious womxn of color artist based in st. paul, minnesota. her mixed media pieces include watercolor, acrylic, gold paint pen, oil pastel, radical love, & hope. each piece comments on the intersections of her racial, gender, ability, & sexual identities, as they continue to shift and develop in complexity each day. her art is a form of healing, transformation, and liberation, rooted in womxnism and gender equity through a racialized borderland lens. heather works in education as an administrator. …

Womxn Of Color In Print Subculture: 1970-2018, Lenora Yee

Summer Research

My research is rooted in the archival analysis of primary alternative print mediums produced by womxn of color collectives. Through the exploration of numerous databases and archives, I analyzed and explored the different ways in which the written word was, and continues to be, utilized by womxn of color as a site for activism. Focusing on the work of five different womxn of color collectives spanning from 1970-2018, I evaluated works by the collectives Asian Lesbians of the East Coast (ALOEC), Las Buenas Amigas (LBA), The Groit Press (African Ancestral Lesbians), the book #NotYourPrincess Voices of Native American Women and …

Between The Bars, Unique Shaw-Smith Dr, Eliese Maxwell, Victoria Otero, Catherine Trujillo, Habib Placencia Adissi

Creative Works

“Between the Bars” is a senior project exhibition, in collaboration with Cal Poly Sociology Professor Dr. Unique Shaw-Smith. Featuring artwork produced by incarcerated artists, the goal is to undo negative stereotypes and to empower the rehabilitation of incarcerated artists individually and collectively through art.The exhibit demonstrates that rehabilitation does occur in prison and emphasizes that art has the power to transcend all social differences and divisions. The exhibit features more than 60 works in diverse mediums including sculpture, painting, and poetry by 34 incarcerated artists from California Men’s Colony.

This catalog represents the onsite exhibit of the same name, which …

Leila Abdelrazaq Interview, Quest Sawyer

Asian American Art Oral History Project

Artist Bio: Leila Abdelrazaq is a Palestinian author/artist, who was born in Chicago. Her work combines art and activism, addressing topics such as diaspora, refugees, history, memory, and borders. In 2015, she graduated from DePaul University with a BFA in Theatre and BA in Arabic Studies. She is best known for her graphic novel Baddawi (April 2015)- a story about her father’s refugee experience. Her website (https://lalaleila.com) also contains comics and zines, illustrations, and prints she’s created based on self- expression and her love of activism. Leila is also the founder of a blog called Bigmouth Press and Comix, …

Don’T Believe The Hype: The Radical Elements Of Hip-Hop, Jenell Navarro, Catherine Trujillo, Jeremiah Hernandez, Logan Kregness, John Duch, Anna Teiche

Creative Works

“Don’t Believe the Hype: the Radical Elements of Hip-Hop” is an installation that showcases the five elements of hip-hop culture. These elements—graffiti writing, breakdancing, deejaying, emceeing, and knowledge production— have been utilized to speak truth and justice about social ills in the United States and beyond. This exhibit illustrates the conscious roots of hip-hop culture from the South Bronx in the 1970s and follows that course to our current moment, where hip-hop still remains a powerful voice for those who are marginalized by dominant structures of power.

Augmented Interventions: Re-Defining Urban Interventions With Ar And Open Data, Conor Mcgarrigle

Books/Book Chapters

This chapter proposes that augmented reality art and open data offer the potential for a redefinition of urban interventionist art practices.

Data has emerged as a significant force in contemporary networked culture from the commercial commodification of online presence as practised by internet giants Facebook and Google to the 2013 revelations of the unprecedented scale of the US Government’s data collection regime carried out by the NSA (Gellman and Piotras, U.S., British intelligence mining data from nine U.S. Internet companies in broad secret program, http://www.washingtonpost.com/investigations/us-intelligence-mining-data-from-nine-us- internet-companies-in-broad-secret-program/2013/06/06/3a0c0da8-cebf-11e2-8845- d970ccb04497_story.html, 2013). Big data and its effective deployment is seen as essential to the …

Study Guide For United In Anger: A History Of Act Up, Matt Brim

Open Educational Resources

The United in Anger Study Guide facilitates classroom and activist engagement with Jim Hubbard’s 2012 documentary, United in Anger: A History of ACT UP. The Study Guide contains discussion sections, projects and exercises, and resources for further research about the activism of the New York chapter of ACT UP (AIDS Coalition to Unleash Power). The Study Guide is a free, interactive, multimedia resource for understanding the legacy of ACT UP, the film’s role in preserving that legacy, and its meaning for viewers' lives.