Art and Design Commons^™

Megan Brandow-Faller. The Female Secession: Art And The Decorative At The Viennese Women’S Academy. Penn State Up, 2020., Christa Spreizer

Studies in 20th & 21st Century Literature

Review of Megan Brandow-Faller. The Female Secession: Art and the Decorative at the Viennese Women’s Academy. Penn State UP, 2020. 304 pp.

When Valerie Solanas Shot Andy Warhol: A Feminist Tale Of Madness And Revolution, Phyllis Chesler

Dignity: A Journal of Analysis of Exploitation and Violence

In 1967 Valerie Solanas published the Society for Cutting Up Men (the SCUM) Manifesto. She shot artist Andy Warhol in 1968. Her Manifesto raises issues about whether a revolution can be fought or won without using violence. “Nice” girls were of no use to her Radical feminists, especially Ti-Grace Atkinson and Flo Kennedy, saw Solanas as a symbol of a feminist fighting back and rushed to her side. They found a smart, very paranoid woman who was a decided loner. Ultimately, Solanas would not work with Atkinson and Kennedy; she refused to allow them to help her or explain …

Film On Paper, Graphics On Screen, Feminism In Story: An Exegesis Of A Feminist Graphic Novel Project, Jingwei Xu

SANE journal: Sequential Art Narrative in Education

This research is the second stage of my entire graphic novel practice looking at a feminist topic – women’s awakening from marriage. In this phase, the study carries out the practical process of the creative work, involving a graphic novel (body), an opening title (hook) and a package of visual communication design (promotion), in order to convey my feminist claim that women’s real emancipation depends on whether they can rouse their subject awareness and break through the chain of marriage. Based on this practice-led research, my personal knowledge is generated, including the value of combining graphic novels and title sequences, …

My Big Fat Catholic Queer Wedding, Kourtney Baker

Comparative Woman

No abstract provided.

Feminist Theory And Technical Communication, Olivia Duffus

Channels: Where Disciplines Meet

This essay explores feminism, socially-constructed norms, and the relationship between feminism and technical communication. It argues that undergraduate technical communication programs should include courses that study feminist history and theories as related to the field, claiming that studying feminist theory will improve user-centered design and broaden students' spheres of influence as professionals.

Silhouettes Of A Silent Female’S Authority: A Psychoanalytic And Feminist Perspective On The Art Of Kara Walker, Angelica E. Perez

The Kennesaw Journal of Undergraduate Research

The focus of my research centers on the contemporary work of Georgia-based artist, Kara Elizabeth Walker. In conducting extensive research on the life of the artist as well as three select artworks which recall the antebellum slave era within the south, I argue the explicit presence of the power of the enslaved prepubescent girl and young woman. The three select works that I intend to analyze are Burn, a cut-paper silhouette on canvas created in 1998, The Invisible Beauty, a mixed media piece made in 2001, and Cut, a paper cut-out silhouette made in 1998.

In a …

100% Pure Pigs: New Zealand And The Cultivation Of Pure Auckland Island Pigs For Xenotransplantation, Rachel Carr

Animal Studies Journal

In 2008, the New Zealand based company Living Cell Technologies (LCT) was granted approval for human clinical trials of animal-to-human transplantation (xenotransplantation) in New Zealand. This was one of the first human clinical trials to go ahead globally following regulatory tightening in the 1990s due to concerns over disease transmission. In response to these disease concerns LCT is using special pigs, isolated on Auckland Island for 200 years and deemed to be the cleanest in the world. This article explores the way that LCT leverages off New Zealand national narratives of purity to market the Auckland Island pigs as safe …

Warm Journal: Special Issue On Competition Volume 1 Issue 3, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM’s focus in this issue is on competition and its impacts on personal and professional life. Within this issue is a conversation between the women on the WARM Journal Committee entitled “Dividing the Pie” which discusses women and societal images. There were compositions on competition, artwork, and poems followed by a calendar of events. Also found is information on WARM Exhibitions and a piece about Jaci Schacht’s work authored by Fran Addington. This issue concludes with reviews of local displays, an open letter to Sam Sachs, and details about WARM members and membership.

Warm Journal Volume 1 Issue 2, 1972-2021 Women's Art Registry Of Minnesota

WARM Journal

This issue contains two interviews, one with Pat Olson about her graphic design work and life as an artist, and one with B.J. Shigaki about her life and being the director of the Rochester Art Center. There is a collection of poetry by Jill Breckenridge-Haldeman, and a review of Obstacle Race by Germaine Greer, a book on women’s “fine art” from the Middle Ages to the mid-20th century. Also included in the issue were submissions of artistry with descriptions from members of WARM.

Warm Journal Volume 1 Issue 1, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

The main articles of this issue concern Julia Barkley’s trip to China, Taiwan, and Japan, an interview with Sally Brown, an art instructor in the Twin Cities, and a review of the Women’s Art Weekend by Roseanne Sullivan. Barkley’s travelogue, although it contains language dated by modern standards, is an insightful exposé of what life was like for female artists in East Asia at the start of the 1980s. Brown’s interview provides a window into the development of women’s artistry in the 1960s. The Women’s Art Weekend documented women speaking about their struggles against racism and sexism at MCAD, and …

Warm Newsletter 1978 January-March, 1973-2021 Women's Art Registry Of Minnesota

WARM Journal

WARM provides a newsletter for January-March of 1978. Its contents include meetings, announcements, openings, and membership information. The coordinator provides congratulations to grant winners, grants given for Women Invite Women and Visiting Artist Program, and thanks for work on grant proposals. Readers are given information about membership fees, the annual meeting, and an invitation to the open discussion during the annual meeting. Article 1: Membership amendment (includes levels of membership) to the by-laws of WARM has been revised and clarified within this newsletter. The letter concludes with upcoming events of Joan Snyder and Marcia Tucker, a Wild Rice television date, …