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Articles 1 - 30 of 100
Full-Text Articles in Art and Design
Mending What’S Invisible, Chaehee Yoon
Mending What’S Invisible, Chaehee Yoon
Masters Theses
A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood in Korea. The project comes out of a personal need to …
The Cunning Little Vixen: A Folktale Illustrated On Stage, Mikayla Reid
The Cunning Little Vixen: A Folktale Illustrated On Stage, Mikayla Reid
Masters Theses
This thesis paper reflects upon the costume design process taken by Mikayla Reid to explore how color choice and application within designs can help create storybook characters off the page and onto the stage. This concept is explored through the costume designs for the opera The Cunning Little Vixen, a production theoretically staged at the Alice Busch Opera Theater for the Glimmerglass Festival in New York. The paper discusses Reid’s attempt to create designs that still feel like watercolor illustrations, even when realized in physical garments. It follows her process as she tests different dye techniques in search for what …
Your New Best Friends: An Exploration Of Furby, Siri, And Other Sociable Electronics, Avery Forbes
Your New Best Friends: An Exploration Of Furby, Siri, And Other Sociable Electronics, Avery Forbes
Masters Theses
Your New Best Friends: An Exploration of Furby, Siri and Other Sociable Electronics is focused around interactive electronic systems and the effect these systems can have on our human psyches. My work focuses on two particular periods of development: the late 80’s to early 90’s, and the 2010’s to present. One period represents my childhood and the other my early adulthood. By comparing the two I can examine trends in the ways we engage with robotics and can better understand the ubiquity of electronically mediated interactions today. I utilize these new understandings to manipulate the capabilities of devices from both …
Physical To Virtual: A Model For Future Virtual Classroom Environments, Stephen J. Fink
Physical To Virtual: A Model For Future Virtual Classroom Environments, Stephen J. Fink
Masters Theses
Virtual reality is a technology that has seen unprecedented growth since the turn of the century with increasing applications within business, entertainment, and educational applications. As virtual reality technologies continue to develops and markets expand, the world may see an increased demand for virtual classrooms: virtual environments (VEs) that students may access through immersive virtual reality technologies to receive guided instruction, conduct simulations, or perform tasks typical in a classroom setting. While many studies document how virtual reality is beneficial to educational processes, there is little discussion on how virtual environments should be architecturally designed. Thus one may hypothesize that …
Accumulations Of (Not) Doing, Richenda Cope
Accumulations Of (Not) Doing, Richenda Cope
Masters Theses
As I encounter life during a global pandemic, caused by a virus that has us all homebound, I continue my own struggle with a different virus that keeps me not only homebound, but bed bound as well. In this thesis project, I make my way around and through the questions of chronic illness, self-worth, productivity and a changing relationship to time that arise in this dual viral experience - situating the personal within a larger social/political context.
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Dissonant Forms: Landscape, Nature-Love, And Art, Taylor F. Benoit
Masters Theses
As artists continue the long and storied lineage of Landscape, are there aesthetic responsibilities that come with representing the forces that afford you the capacity to do so? As we delineate spaces into places, endless interconnectivity into knowable “systems”, and living matter into thing based taxonomies, who do these delineations serve and with what intentions do we proceed? My studio art practice explores what it means to give form to our Former—the Former being that from which we came, the here and now, our explicit ecological reality, the stuff of what we call nature. …
In And Of The Body, Nicola Difusco
In And Of The Body, Nicola Difusco
Masters Theses
This practice traces information as it moves through physical and digital spaces, asking questions surrounding how technology alters meaning as it makes interpretations. Led by my own personal interests and the memetic bodies of popular culture I was embedded, questions arise surrounding how individuals communicate with and experience the networks they are embedded within. Furthermore, this practice expands to investigate what happens when the body becomes a technological interface, and how issues of ownership affect our interactions.
Contemporary Art Warfare, Zongxian Huang
Contemporary Art Warfare, Zongxian Huang
Masters Theses
Being an artist represents a lifelong commitment to nonstop development, despite life circumstances. I fully utilized my two years at graduate school to develop a sustainable way of living an artist’s life by creating a standard operating procedure (SOP), guiding my research and practice. An SOP is a strategic method designed to reach an objective in a systemic manner. Mine shows it is possible for an artist to stay productive, creative, and healthy under high pressure, even during unexpected contingencies like the COVID-19 pandemic. My personal experience completing graduate school during a pandemic presents a possibility to other artists of …
The Story Of Water, Zhanyi Chen
The Story Of Water, Zhanyi Chen
Masters Theses
Propelled by questions about the genuine understanding of weather, I attempt to find various collaborative methods with water in different states in the hydrological cycle. Through these methods, I receive input from water directly, mediating with technologies humans use as a way to understand and perceive the world. The marks that emerge from these inputs are crypto-linguistic scripts that whisper water’s memories and characteristics, a form of gestural automatism where the immediate experience of (nature’s) creating is emphasized and the (human’s) conscious mind is diluted. This state of receptivity enables us to dissolve the hard shell of vision so we …
Bootstrapped: The Cowboy Nomad From Silicon Valley, Emily Bright
Bootstrapped: The Cowboy Nomad From Silicon Valley, Emily Bright
Masters Theses
Silicon Valley is a place that grew out of the legends of the frontier. It has followed in the footsteps of Hollywood Westerns, counterculture frontiersmen, and cyberspace cowboys.
In Silicon Valley, the frontier has been a physical and a metaphorical landscape found between everything existing and everything new-- between ideas of the future shaping technology and technology shaping ideas of the future. This seemingly vast open landscape allows the well-meaning cowboy to use his unique position of privilege to spot and solve systemic technological and social issues.
As these Silicon Valley Cowboys enter the frontier in search of new unclaimed …
The Ephemeral Altar & The Floating Grave, Hannah Suzanna
The Ephemeral Altar & The Floating Grave, Hannah Suzanna
Masters Theses
Using tarot and machine learning, I actively de-compose the narrative of four disintegrating sites — a conservation cemetery in North-Central Florida, my Dad’s house in California, an abandoned parking lot near my apartment in Providence, RI, and myself as an inherently mortal human.
Rather than a tool for prediction, I see tarot as a system of decay — breaking down human experiences into archetypes to allow presence with our existence.
What happens when we look at other predictive technologies, such as machine learning, as means of breaking apart our reality too? When talking about science fiction or speculative fiction, a …
Objects And Images, Jack Lovell
Objects And Images, Jack Lovell
Masters Theses
My work often involves photographic source material as well as surrealistic forms. Two primary influences, René Magritte and Gerhard Richter, can be seen as at odds with each other in many respects. Drawing parallels and distinctions, I explore relationships in the work of Magritte, Richter and myself.
Listening To The Unhearable, Ollie Rosario
Listening To The Unhearable, Ollie Rosario
Masters Theses
My work lives in the world of trees, lakes, oceans, sunrises, starlight, hurricanes, and mountains, the world centered on the rumbling sounds of the earth and water, the quiet roars of silence in the air, in space, in the depths beneath, and all that lives in between. In approaching this world, I have found myself unable to hear everything it shares. The hard to perceive, often soundless parts of environments — those facets of climate, the ground we stand on, the subtle changes in noise - are often unobserved, or under-observed, and underappreciated. I have cultivated a practice of seeking …
Feral Devices : An Additive Fabrication, Kat Jarvinen
Feral Devices : An Additive Fabrication, Kat Jarvinen
Masters Theses
This collection of stories takes place in a nearby dimension, in which objects and entities that are obsolete, mundane, discarded, or overlooked, define alternative rules for value and purpose. Here, a broken machine suffers an existential crisis while a hungry spider explores its interior; a dog imagines life as a moth; a feral creature escapes from a woman’s mind; and a worker suffers spam email induced headaches. United by the destructive capitalist logic of planned obsolescence and an attraction to blue light, these characters traverse mind, matter, metaphor, and technology to find their way into new forms, reinventing themselves and/as …
Tracking Traces, Songan Kyung
Tracking Traces, Songan Kyung
Masters Theses
My art practice in RISD is to reveal violent narratives embedded beneath the surface of digital traces. By taking the role of investigator — crime 71 scene investigator, conspiracy theorist —, I experiment in ways to dismantle and reconstruct the ongoing social phenomena caused by the circulation of harmful digital traces. My practice comprises careful choices of protecting the ones harmed by the malignant digital traces and disclosing the toxicity.
Knowledge From Below, Meghan Surges
Knowledge From Below, Meghan Surges
Masters Theses
This thesis elucidates artistic research on the programmed world and its brutal machines. It describes a practice that hones a deviant worldview while confronting ubiquity. Applying web scraping as an investigative tool and a filmmaking methodology, I work with archives of traffic images. The pictures, portraying the smart city through its scattered, self-surveilling eyes, offer a cinematic mirror of reality. I select, annotate, and edit sequences to expose agents of administrative violence. Rejecting a vision of progress that rests on exploitation, I aim to destabilize readings of surveillance and policing as beacons of safety. My work proposes models for seeing …
Cloak Wood, Thomas Brett
Cloak Wood, Thomas Brett
Masters Theses
Over the last two years, I have been developing films and video games that hybridise techniques of live action and animation. This has primarily been done by reconstructing and modifying scenes from 3D photogrammetric scans that I make of objects, people, and places, allowing me to assemble new, imaginary spaces informed by the actual architecture and dimensions of my surroundings.
The film Cloak Wood was entirety is shot on 16mm Kodak stock. The physicality of this analogue technique confers the modified virtual space and its inhabitants with the aesthetic integrity of the actual. The virtual space, constructed from real objects …
House Of Reincarnation, Xinyu Li
House Of Reincarnation, Xinyu Li
Masters Theses
In this book, I will introduce my practice as an artist interested in nightmares, monsters, and abandoned places. My works are personal, so I have designed a character as a guide for the book; the creature is another version of me. This book will describe the adventures of the creature as the main storyline; the stories run through Hakka cultures and my personal experience, and gradually explain the source of my inspirations and design process. With the creature as company, readers won't feel lonely while reading the book.
Unfold The Body, Fan Su
Unfold The Body, Fan Su
Masters Theses
I was born into a physical body of flesh and bone, so I thought that I was one with it. As a carrier of my mind and soul, I believed that it was singular to me; that I had full ownership of it. So, why was I refusing womanhood? Was this devaluation of women a legacy? Was this a legacy unique to Chinese women?
As a woman born and raised in a metropolitan center in China, I proceeded through childhood and adolescence questioning my power as a woman. Feminine maturity and the societal pressure to follow the expectation of being …
An Invitation, Ashley Harris
An Invitation, Ashley Harris
Masters Theses
I am currently navigating between the concepts of body, material, space, and surface. I’m exploring ways to document and understand the full extent of my physical body in relation to the boundary and extent of my personal space. Each of my works displays strategies to understand my body and personal space. My intention is to confidently advocate for myself, particularly when my presence is questioned. At a time in which my body and presence are inherently political, I’m finding an urgency in how I articulate what my body is, the spaces my body navigates, and the surfaces to which my …
Balancing The Tangible And Intangible, Shiqi Wu
Balancing The Tangible And Intangible, Shiqi Wu
Masters Theses
I love reading stories, but until now, I had never written my own. Balancing the Tangible & Intangible is organized around my experiences and stories, which are inseparable from my work. Together they constellate a narrative of remembrance. Memories surface, and so do connections, allowing for assurance and conviction during a time of personal flux and global unsettledness. As a choreographer and composer of relationships between the tangible and intangible, I rebuild networks of connections linking memories of my relationship to China, my home country, to my experience of living in the West.
In today's global society, population migration is …
Sometimes Like Butterflies, Edward Steffanni
Sometimes Like Butterflies, Edward Steffanni
Masters Theses
Perhaps the most radical thing to do is to embrace the tension, being between the heavens and earth. Maybe regardless of identity, sometimes the earth is not enough but there are moments I’ve experienced where the distance between heaven and earth blurs. These are instants where my troubles do melt like lemon drop: the smell of freshly cut hay in a field nearby, seeing a baby goat’s tail wiggle while he nurses his mother, or making love behind the barn. These are moments on earth when something else comes into focus.
Phefumula Nami, Ndivhuho Rasengani
Phefumula Nami, Ndivhuho Rasengani
Masters Theses
Cosmos: Building a cosmology (mid 17th century: from French cosmologie or modern Latin cosmologia, from Greek kosmos ‘order or world’ + -logia ‘discourse’,) which mirrors and exhumes hidden narratives from our current reality. It is in this tracing that I teeter between visual codes in the form of memories impressed upon my mind from generations of old and Aesthetic symphonies from the present.
The Body Extended, Yi Yang
The Body Extended, Yi Yang
Masters Theses
The book isn’t meant to have a center. The book is not meant to be read in order.
A book is made up of different dates and different speeds.
The chapters of the book delve nonlinearly into a range of philosophic, scientific, and political subjects connected by threads of ideas that go off in different directions at different speeds and different intensities.
Accompanying my research, memories, and project documentation, I record personal anecdotes that reflect my passion and my obsessions, as well as lay the foundation for the included work.
The book is a map book, a roots book, an …
Sapping, Smudging, Staining: A Feminized Body, Breslin Shea Bell
Sapping, Smudging, Staining: A Feminized Body, Breslin Shea Bell
Masters Theses
This book—of poetry, prose, and lists—muses on the effects of liquidity and leakiness of a feminized body. By bringing echo narrative, illegibility, de-telling, and that which is continuously wet to the viewer’s body and space, this book and accompanying multimedia installation provides a lens to consider reproductive rights, body autonomy, and gender-based aggression and violence. Work of matter and color investigates interiority, both bodily and spatial, as it relates to surface, access, and space-making.
Security Blanket, Danni Xu
Security Blanket, Danni Xu
Masters Theses
I draw upon the stories of people who have experienced nostalgia to identify a sense of belonging to home. I create familiar objects specific to the stories of diasporic peoples to establish a connection between myself and the viewer or wearer, even when I am not present. As a former hotelier adept at initiating conversation, the goal of this work is to serve as a communication mediator, a way to find mutual interests among people in a proactive way.
This thesis addresses the following questions: Can jewelry build networks of connection across time and space? How does the format of …
Prepositions, Alexis Hill
Prepositions, Alexis Hill
Masters Theses
My work is a conscious engagement with traditions of process art that emphasize making over outcome and the desire to create art that cannot be predetermined. The art objects are primarily a by-product of engagement with my material reality. This is hard to pin down and harder to talk about. Historian Kim Grant’s introduction to the circular and sometimes impenetrable creative process is a good summation of one of the essential problems of my art [school] experience: “The artist’s hard work often takes place without a clearly denied goal, thereby rendering the artist’s labors endless, and any results resistant to …
Hybrid Garment, Diya Wang
Hybrid Garment, Diya Wang
Masters Theses
What is in the overlap between jewelry and clothing? Does the combination of jewelry and apparel create a new, significant,way of seeing art?
Hybrid Garment is a series of work that explores the overlap between fashion and Jewelry. As an artist and designer, my background and training prepared me to dissect and rebuild the relationship between and potential of jewelry and garments. The potential of hybridity serves as a methodology to combine and conflate the two disciplines.The essence of this work carries the idea of inclusivity, it encourages people at all levels to wear them. In addition, anyone wearing it …
All Bodies Wander, Haley Mackeil
All Bodies Wander, Haley Mackeil
Masters Theses
This thesis describes how aspects of the environment can evoke the presence of a living organism. It discusses several projects by Haley MacKeil that are based on research within the natural world that includes documentation of sites, processes, installations, and artifacts made through video, glass, and papermaking. MacKeil’s practice forms a threshold between two worlds, two bodies, two different understandings—it creates sites for connections with something, someone, or a place that cannot be directly accessed.
El Suelo En Duelo, Mariana Ramos Ortiz
El Suelo En Duelo, Mariana Ramos Ortiz
Masters Theses
This is a thesis about colonialism.
When I was seven years old I interrogated my mom about the consequences of Puerto Rico achieving its independence from the United States. I remember asking her “If Puerto Rico gains its independence, would that mean that we would no longer be able to purchase apples at the store?” The warm climate prohibits apples from growing in Puerto Rico. I never liked apples, and would much rather have had oranges, but I guess that concerned me at that time. She looked at me with a funny look. With that funny look that any parent …