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Articles 1 - 7 of 7
Full-Text Articles in Art and Design
Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter
Humanities, Sciences Must Be United -- For Our Collective Success, Carla Poindexter
UCF Forum
When Pablo Picasso presented his first cubist paintings to the world, even most educated people thought them hideous and irrational, yet his peers saw them to be ingenious.
Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter
Can We Own Art? Or Just Be Its Legal Guardian?, Carla Poindexter
UCF Forum
How can we effectively teach students to be professional artists at a time when some of society’s economic values are so unrealistic? It is true the high-end art market is thriving, but the contemporary art community is arguing whether such outrageous public auctions and private sales are good or bad for art.
Art Is Always A Series Of Questions To Contemplate, Not Solve, Carla Poindexter
Art Is Always A Series Of Questions To Contemplate, Not Solve, Carla Poindexter
UCF Forum
Why do people value a painting or drawing? An elementary-school student I know recently answered: “Because when we look at art we can see how the artist felt about things.”
Artists Making Their Mark
Nathan Lewis
Profile of the artist Nathan Lewis in the Today's Masters column of Fine Art Connoisseur.com (Jul/Aug 2012): 69.
Transcendent Materiality, Lauren E. Mabry
Transcendent Materiality, Lauren E. Mabry
School of Art, Art History, and Design: Theses and Student Creative Work
I make painterly, abstract, ceramic objects. My obsession with surface and materiality compels me to investigate the relationship between images and objects through the inherent qualities of ceramic material. Primarily my work communicates directly, through its formal and aesthetic qualities, but it may also be understood in relationship to abstract painting, minimal work, and process art. I exploit the intrinsic qualities of ceramic material producing works that are warm, seductive, and surprising. Ultimately, my work is a synthesis of intuitive, expressive surfaces and elemental forms.
In this body of work there are two main forms: cylinders and curved planes- as …
Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham
Stitching As Knowing: Mapping Nebraska With Textiles And Thread, Elizabeth Ingraham
School of Art, Art History, and Design: Faculty Publications and Creative Activity
Mapping Nebraska is a drawn, stitched and digitally imaged cartography of the state (physical, social, cultural, sociological) where I live. The interrelated components of this on-going project are:
- A 15 foot wide hand-drawn “Locator Map” of Nebraska, with every city, town, park, railroad, river, lake and creek drawn to scale on 95 Tyvek sections which were then stitched together.
- Terrain Squares, quilted and embroidered fabric relief forms of the physical topography of selected locations, using software to be able to see the terrain at a much larger scale (1 inch = 596 feet) than the Locator Map.
- Surveys, or on-the-ground …
A Selection Of Artists' Books From Murray Library's Special Collections, Murray Library
A Selection Of Artists' Books From Murray Library's Special Collections, Murray Library
Friends of Murray Library
Visually exciting and intellectually provocative, artists' books push to the outermost limits our assumed definition of what a book is, and turn the practice of reading into a novel experience. Simply defined, artists' books are a hybrid art form in which books and art intersect. Many of the over 100 artists' books in Murray Library's collection are the work of well-known book artists, including works by Messiah College art faculty. Friends funds new acquisitions to the collection each year, enhancing its use as an interdisciplinary teaching resource.