Art and Design Commons^™

The Myth Of ‘Mare Nostrum’: Themes And Exhibitions, Legacy And Experimentation In The Construction Of Mediterranean Fascist Italy, Aurora Roscini Vitali

Artl@s Bulletin

This essay aims to analyse the ways in which the myth of the Mare nostrum entered into the artistic iconography of the early twentieth century. It was highly amplified during the Fascist regime thanks to some relevant graphic works, monumental commissions and, above all, temporary exhibitions that were characterized by a propagandistic overtone. The representation of a Mediterranean (in fact Italian) common identity became a fundamental part of a pervasive political strategy. The stylistic choices were conditioned both by the need to emphasize the glorious return of “Latinness” and the incardination of the “new” fascist modernity.

Resistance, Catita Guardado

The Tuxedo Archives

No abstract provided.

Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez

Gettysburg Social Sciences Review

For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which empowers …

The Anxiety Of Presenting Identity, Savannah Fleming

PANDION: The Osprey Journal of Research and Ideas

This work explores aspects of Queer identity, historical reflection, and acceptance through painting, printmaking, and collage. Savannah Fleming's artwork intends to reclaim art history and alter it to include those excluded from its canon. Through the use of prints, paint, and collage, they create works that address the bias of art history, while tackling contemporary problems of identity and acceptance. References and alterations to art history are her way of addressing the erasure of Queer and BIPOC (Black, Indigenous, and people of color) from the art historical canon, while battling with modern-day confines on individuality.

Ikkuma: An Artistic Vr Storytelling Experience, Yangli Liu

Frameless

Ikkuma is an interactive storytelling experience utilizing Tilt Brush and Unity. It is about a land being swallowed by the sea, where conflict cracks ice and fire tears families apart. Ikkuma is the Inuvialuit word for fire, a central element to the work. The fundamental theme of Ikkuma is global warming and its impact on the Arctic ecosystem. The players must learn to tame the fire in their hearts and the Inuit traditional knowledge if they hope to survive the harsh yet fragile Arctic tundra.

The Literary Controversies Of Michelangelo's Sistine Ceiling, Victoria Duehring

The Forum: Journal of History

This literary review will focus on Michelangelo’s most significant work of color: the Sistine ceiling. Michelangelo’s work has spawned a plethora of literature, but this paper will focus on three main controversial topics: assistants (or lack thereof), the ignudi’s purpose, and restoration. I will also apply a psycho-historical approach to these controversies and identify potential avenues for future research.

Before Beachie Creek, Raine Welterlen

Anthós

An account of the biodiversity observed on a hiking trip in July 2020, three months before devastating wildfires destroyed much of the Opal Creek Wilderness

Untitled, Mahi Sutaria '23

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Cool Sunset, Michael Trombetta '21

Heliotrope: IMSA's Arts & Literary Magazine

No abstract provided.

Projection, K Hope Tarleton

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

Abstractions, Eazel I. Abbott

TYGR: Student Art and Literary Magazine 2018-present

No abstract provided.

Ethereal Axiom Paintings, Ophelia Cornet

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

Ophelia Cornet is a painter, illustrator, and installation artist. She was born in Belgium to a family of musicians and designers. After a life-threatening car accident in her early 20’s, Ophelia moved to New Mexico for the dry climate which would assist her recovery. Equipped with knowledge in photography and painting from Rutgers University, she continued her artwork. Today, Ophelia pairs photographed images and oil paint to fête female protagonists in an intimate otherworldliness, creating dreamlike snapshots of the human experience.

Ophelia has been Lead Art Instructor at the Albuquerque Museum for the past 20 years. She has facilitated many …

Paintings By Anita O. Rodríguez, Anita O. Rodriguez Ms

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

No abstract provided.

Missing, Murdered, Indigenous, Matthew Bollinger

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

The missing and murdered Indigenous women epidemic is an issue currently affecting Indigenous people in North America. To articulate my concept visually, old photographs that showcase American culture (predominantly white) are drawn on, cut-up, and recomposed into portraits of missing Navajo women.

Añiles De Mi Tierra, Francisco Lefebre

Chamisa: A Journal of Literary, Performance, and Visual Arts of the Greater Southwest

This image painted in 1990 is an homage to my hometown, the village known as Wagon Mound. Wagon Mound is located in northern New Mexico in the County of Mora off of Interstate I25.

Comparison, Julia Covelle

The Purple

No abstract provided.

Life Repurposed: Finding A New Calling Through Meaningful Occupation, Jennifer K. Fortuna

The Open Journal of Occupational Therapy

Kelly Allen, an occupational therapist and artist based in Grand Rapids, MI, provided the cover art for the Spring 2021 edition of the Open Journal of Occupational Therapy (OJOT). “Follow” is a 16” x 20” painting made from oil on panel. The painting, which features a coati from Central America, is from Kelly’s Animal Totem series. After more than 2 decades as a fine artist and educator, she began searching for a career change. Kelly’s background in fine art and her desire to help others prepared her for a career in occupational therapy. Certain events in Kelly’s life aligned not …

Création Artistique Et « Folie », Elsa Ghossoub

Dirassat

Madness and artistic creativity have always been related to each other. Both Plato and Aristotle dwelt on this issue. This relation has been demonstrated in the case of many poets, thinkers and philosophers. Most of the outstanding artists suffered from some sort of psychic trouble and melancholy. This article analyses the paintings of renowned painters who were either mad or trying to represent madness in their work of art to exteriorize discomfort. Thus madness has become in the field of art a refuge for Man to let go.

Carlos Riobó. Caught Between The Lines: Captives, Frontiers, And National Identity In Argentine Literature And Art. U Of Nebraska P, 2019., Manuela Borzone

Studies in 20th & 21st Century Literature

Review of Carlos Riobó. Caught between the Lines: Captives, Frontiers, and National Identity in Argentine Literature and Art. U of Nebraska P, 2019. xii +180 pp.

Death And The Transformation Of Women’S Roles Surrounding Death: An Analysis Of Jacques-Louis David’S History Paintings, Miranda Boljat

Bound Away: The Liberty Journal of History

Jacques-Louis David is remembered today for his contributions to the world of Neoclassical art before the French Revolution, during the Revolution, and during the reign of Napoleon Bonaparte. His body of work represents an impressive journey from his Rococo roots to his Neoclassical political works to his many different portraits of Napoleon. In comparing his pieces, an observer can track the development of a variety of themes. Specifically, it is possible to see the different ways David portrayed the event of death in his history paintings. From there, a researcher can clearly tie the different views of death to the …

Creating A New Normal Through Engagement In Meaningful Occupation, Jennifer K. Fortuna Phd, Otr/L

The Open Journal of Occupational Therapy

Katie Edick, an occupational therapist and artist based in Portland, Michigan, provided the cover art for the Winter 2021 edition of The Open Journal of Occupational Therapy (OJOT). “Katie Bird” is a 4” x 6” watercolor painting. After receiving a diagnosis of metastatic breast cancer (MBC), Katie set out to find a new purpose and leave a legacy. She made the decision to live with intention and choose life experiences that create joy. Through engagement in meaningful occupations, such as painting and patient advocacy, Katie is creating a new normal.

Color Compliments, Jennifer Hansen Rolli

The STEAM Journal

A discussion of the range of use of complimentary colors