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Full-Text Articles in Art and Design
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
Mending What’S Invisible, Chaehee Yoon
Mending What’S Invisible, Chaehee Yoon
Masters Theses
A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood in Korea. The project comes out of a personal need to …
Relationships Between Dress And Gender In A Context Of Cultural Change, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson
Relationships Between Dress And Gender In A Context Of Cultural Change, Alyssa Dana Adomaitis, Diana Saiki, Kim K. P. Johnson
Publications and Research
No abstract provided.
The Wild Beasts, Peter Cochrane
The Wild Beasts, Peter Cochrane
Theses and Dissertations
The Wild Beasts springs from my desire to thank my ever-expanding queer chosen family and mentors for their strength. Working through the often violent and othering aspects of the lens and photographic histories I create floral portraits responding to each person’s being and our relationship. Using the 19th century, 8x10 large format view camera—the same used by colonialists and ethnographers to “capture” the divinity of Nature—I erect each as a traditional still life studio setup at the threshold between the natural world and that constructed by humans. These environments speak both to the character of each friend and also to …