Art and Design Commons^™

Snowstorm, Caleb Shafer

Masters Theses

This thesis explores the connection between memory and place-building, focusing on how personal narratives and physical models compress details to reveal their core essence. Memories serve as a bridge between time and space, allowing for a non-linear experience of time and offering a unique perspective on the existence and transformation of places. Although this compression involves some loss, it generates new narratives and insights into life while examining the power structures and cultural systems inherent in representation.

Umbrales (Thresholds), Maureen Scally

Masters Theses

Umbrales is Spanish for Thresholds.

Thresholds are by nature ambivalent spaces, inviting two distinct realities into play. As an artist, I materialize my experiences as a migrant into an architectural form. A series of textile walls shape a space that is simultaneously interior and exterior so that the audience circulates in the negative space in between. It is in the construction of this threshold condition — a simultaneous placement, neither here nor there — that a complex narrative of place unfolds.

To Excavate An Absence, Margaret Compton

Graduate Theses

This thesis is an exploration of memory’s fluctuating aspects, utilizing natural materials and casting processes to create a sculptural body of work deeply rooted in materialized metaphor. Examining the relationship between mold and cast, part and whole, and interior and exterior, I utilize casting as a framework to understand the duality of remembering and forgetting. Memories, much like the natural landscape, are ephemeral, fading, and fracturing over time. Both external environments and internal mental landscapes share the common language of erosion, existing as present or absent, remembered or forgotten. Conestee Nature Preserve in Mauldin, South Carolina, serves as my “site” …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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Place-Conscious Vs. Place-Bound, Julie Avetisyan

Theses and Dissertations

Julie Avetisyan’s installation of sculptures, paintings and printmaking works are driven by an exploration of constructed identity that is not place-bound, but place-conscious. In this paper, she explores how her art practice generates world building under the context of the Armenian Diaspora – considering histories of indigeneity, migration, and assimilation.

Recollection, Shelby Ann Theis-Lukenbill

MSU Graduate Theses

My work is inspired by life's transient nature and objects' enduring capacity to house memories. The delicate sculptures I create combine second-hand objects with paper to capture the essence of moments and possessions that define personal histories. The objects I use represent more than their form or chemistry; they are imbued with fragments of history and memory that I am driven to preserve. In this work, the sentimental nature and purpose of my belongings hold an equal or greater value than the physical nature and purpose of those belongings. I illuminate an object’s sentimentality by combining its form with painted …