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Full-Text Articles in Art and Design

White Noise, Chris Cohen May 2019

White Noise, Chris Cohen

Masters Theses, 2010-2019

White Noise investigates moments when white supremacist ideology injects itself into the conversation about American Identity and American History in an attempt to co- opt those definitions and control the conversation. The exhibition considers the effects of this identity crisis on American identity, white identity, American history, and family unity. The exhibition looks at these issues through the lens of the Virginia Historical Markers program, Civil War Re-enactment, contemporary white identity politics and supremacy, monuments, educational history museums, and the artist’s personal narrative about white supremacy as it relates to his own sense of loyalty and connection to his family. …


Shift; Explorations In A Changing Sense Of Self, Tara J. Ott May 2016

Shift; Explorations In A Changing Sense Of Self, Tara J. Ott

Masters Theses, 2010-2019

In my art practice I am exploring how my “sense of self” changes as both the external and internal factors continue to shift throughout the stages of my life. I have centered on two main themes: personal experiences connected to gender that are based on the female body and changes in the formation of social identity in relation to others who are part of my life. My work mainly revolves around self-portraiture and reflections of my life, usually expressed through photography, video, painting and sculptural installations. In some bodies of work, however, I have used other women or people from …


The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond May 2015

The Misconception Of Knowing, The Invention Of Time; Curiosities & Introspections Of Vernacular Photography, Patricia D. Drummond

Masters Theses, 2010-2019

The Misconception of Knowing, the Invention of Time; Curiosities & Introspections of Vernacular Photography is a body of work that combines photography, artist books, and alternative processes in a series of pieces that explore the synergy between the act of creating vernacular or common photography, the photograph in its many forms, and the interaction with the photographic image at all the stages of its existence. It also exists in conjunction with this written monograph, which supports and gives insight into the work. Through the use of poems, sketchbook musings, the history of photography, critical theory and social norms within photography, …