Art and Design Commons^™

Interview, Elizabeth Naiden

Theses and Dissertations

An exploration of work by Liz Naiden in the form of a conversation discussing light and dark, attention and proprioception, and design and architectural theories of space in installation works. Addresses the role of voice, speech, and reading and speaking aloud, performing for oneself, and performing for others.

Water Gets Lost In The Sea, Sun Gets Lost In The Desert, Rocio Paz Guerrero

Theses and Dissertations

The absence of happiness, the absence of nature, the absence of justice, the absence of absence, which is presence. My desire is to make these voids visible and sensible by connecting to and with others, from our intimate and collective life experiences, with empathy, and by sharing. Through a hybrid of sculpture, installation, and performance, I move within this tense in-between space, asking myself about that void, if it is possible for it to be filled, or if it is perhaps too big, or if it is perhaps too late.

Art After Dark: Economies Of Performance, New York City 1978–1988, Meredith Mowder

Dissertations, Theses, and Capstone Projects

Art After Dark: Economies of Performance, New York City 1978-1988 examines the interwoven social and economic histories of New York City and performance in the late 1970s and 1980s. The dissertation traces the growth and visibility of performance art, moving from the recession of the 1970s and early years of public funding for the arts, to the downtown nightclub scene of the 1980s, the history of the Brooklyn Academy of Music’s Next Wave Festival, and artistic experiments with television in the 1980s.Looking closely at the economic conditions under which performance occurred during the late 1970s and early 1980s, this dissertation …

As Many Names As Objects, Luke Herrigel

Senior Projects Spring 2021

“And we: spectators, always, everywhere,

turned toward the world of objects, never outward.

It fills us. We arrange it. It breaks down.

We rearrange it, then break down ourselves”

• Rainer Maria Rilke, Duino Elegies

“Honesty is Unbelievable”

• A Bumper Sticker I Saw

For my senior show I used collected materials, found objects, personal ephemera (both genuine and fabricated), paintings and sculpture to make installations that I would change every night of the show’s duration. Each morning the installation would be photographed, left for only a few hours, and then would be uninstalled to make way for creating a new iteration. …