Art and Design Commons^™

“Making The Bed”: Challenging Ideologies Of Ownership, Nonlocality, And Romanticism In The Age Of The Anthropocene, Ainsley P. Foster

Belmont University Research Symposium (BURS)

The current Age of the Anthropocene marks a recent and rapid transition into a period in climate history that is notably defined by human impact. Modern Western sentiments of grief, frustration, and romanticism as a result of the interplay between domestic and corporate spaces seem to culminate in an overall attitude of apathy and acceptance of the Age of the Anthropocene. Various art forms collaborate to create the current conversation of the causatory and reactionary relationship that humans have with the Anthropocene, offering interpretations of how individuals and corporations view ownership of and responsibilities to the environment. There is a …

Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

African American Fashion Legacies, Yasmeen Orozco

Belmont University Research Symposium (BURS)

This was an exploration of how African American Designers, former and current have contributed to fashion legacies. Key points that will be presented will be – brief biographies of seven African American designers, that covers their upbringing, education, and their fashion legacies. The seven fashion designers that will be discussed include - Patrick Kelly, Willie Smith, Anna Lowe, Stephine Burrows, Laquan Smith, Dapper Dan, and Zelda Wynn Valdes.

The study further features fashion trends that originated from the African American community. Notably, African Americans have been a pioneering force with creative styles that have been ignored and rebutted. Finally, the …

Presenting And Curating Contemporary Installation Art; The Work Of Cornelia Parker And Céline Condorelli, Bridget Curtis

Belmont University Research Symposium (BURS)

The popular sentiment in curation among contemporary British art institutions has emphasized the attempt to reconcile with the divide between public art and art presented in institutions. The globalization of Britain in contemporary times has led to the wide dissemination of shows curated by British institutions. The location artwork is exhibited can change the reception and interaction with the work. Artists who use their work as a means of activism can benefit from the perception of a global audience. The question arises as to how impactful activism art can be when exhibited within the contemporary institution versus when it is …

The Power Of Places, Sophie R. Lasher

Honors Scholars Collaborative Projects

My senior project is an art exhibition entitled The Power of Places that explores the places that have shaped me and how they have done so through photography-centered multimedia collages, cyanotypes, and physical artifacts. This theme was born from the intensity of the emotional tie that forms between person and place, between heart and home. I believe we are a collection of the places that have shaped us. These places hold our stories, our memories, and everything that makes us who we are; we don’t notice it happening, but these locations become ingrained in our lives. I believe we are …

Sound In Color, Amber Rhodes

Honors Scholars Collaborative Projects

“Sound in Color” is an interactive audio-visual experience designed to explore the relationship between sound, color, and emotions. Taking place on the Massey Concert Hall stage, the project is inspired by synesthesia and incorporates research on color psychology. Participants are invited to select an emotion and color. As the user hums into a microphone, they hear their emotions expressed through sound in their headphones and watch as the lights on stage respond to their vocal cues.