Art and Design Commons^™

Unseen, Sohee Kwon

Theses and Dissertations

Photography conveys informative data, aesthetic value, and a conceptual message very much like graphic design. In the hands of the photographer, the viewfinder of a camera becomes an editing tool. Editing by point of view, use of color and cropping determines a great deal about the communication made by imagery. In my creative project, I will explore photography as a means to generate form, concept, and content. As a result of this exploration, I expect to find new ways of approaching graphic design problems. My goal is to develop themes that combine aspects of photography and graphic design. Themes could …

Design By Accident, Mengfu Zhang

Theses and Dissertations

Accident is a metaphor for life. From an arbitrary point in time, we potentially preview the entirety of existence. There is a Chinese idiom called “ blessing or bane,” which implies that a misfortune may perhaps soon turn into a blessing. Focusing on accident as a design method implies making the best out of a bad situation. An accident reveals invisible circumstances and potentialities in the world, both familiar and unfamiliar. Looking into the unpredictable world, I can begin to release my control, take a breath, and see what might happen if I do not fight the situation. I am …

Crafting Authenticity, Allison N. Schumacher

Theses and Dissertations

Authenticity is what we want from the world around us, from others, and crucially from ourselves and what we make. As it relates to graphic design, I define authenticity as a perceived match between form and purpose. For the designer, its quality is found in the process of simultaneously developing a concept and crafting the design/object.

Forming Process : Design Through Layered Visual Systems And Multiple Collection Methods : A Thesis, Jen Magathan

Masters Theses

"Do not hide the structure, celebrate it in the form" ; "Approach design from multiple points of view."

These adages, so important in my architectural training, reverberate with intricate practicality in my work as a graphic designer, both as a way of building my design and as a means of developing a design process which explores multiple ways of organizing content through visual systems. Forming Process is defined by three conditions: celebrating the visual systems which organize the design, archiving content from multiple ways of collecting, and creating work by which the process of design is implicit in the design …

Modes Of Participation: Co-Creative Approaches To The Design Process, Carissa Henriques

Theses and Dissertations

This project explores the notion of participation within the graphic design and problem-solving process. Through projects using generative tools and collaboration, I explore ways to instigate controlled participation from designers and non-designers. I observe and document how the methods and means of participation affect the creative process during these projects.

Design For Conspicuous Transit, Peter Bain

Theses and Dissertations

My creative project explores design for transit advocacy; aimed at shifting a car-dependent society into one where transit helps meet climate change, energy, and land-use challenges. It incorporates my research into aspects of designing for transit, an understanding of urbanism in Richmond and New York, and an appreciation of planning.