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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
The Detriments Of Factory Farming, Carrie Williams
The Detriments Of Factory Farming, Carrie Williams
Undergraduate Honors Theses
This thesis discusses the detrimental effects that industrialized farming practices have on public health, animal welfare, and ecological systems and includes factual support. It also provides practical application of this information as well as possible solutions and a detailed description of a related art exhibition.
Racial Peeves: The Exploitation Of Microaggressions, Olivia Gabrielle Ellis
Racial Peeves: The Exploitation Of Microaggressions, Olivia Gabrielle Ellis
Undergraduate Honors Theses
Racial Peeves: The Exploitation of Microaggressions documents my personal experience of dealing with microaggressions throughout my life, as well as the history of these racial issues. This thesis also documents the creation of my Senior BFA Exhibition of the same title inspired by 1970s Blaxploitation posters.
Sonder: Exploration Of The Relationship Between Digital Media And Graphic Design Through The Creation Of Print And Digital Publications, Elisa Leigh Vandergriff
Sonder: Exploration Of The Relationship Between Digital Media And Graphic Design Through The Creation Of Print And Digital Publications, Elisa Leigh Vandergriff
Undergraduate Honors Theses
Sonder is an exploration of the relationship between digital media and graphic design through the creation of print and digital publications. At it’s very foundation, Sonder is a travel magazine with both a physical print publication and a digital publication designed for a tablet. It includes photography, articles, poetry, and travel tips. The print and the digital versions contain the same content, but explore different methods of presentation.
The Commodity Club: Commodity Fetishism In Modern Art And Tattoos, Shelby Maiden
The Commodity Club: Commodity Fetishism In Modern Art And Tattoos, Shelby Maiden
Undergraduate Honors Theses
The current culture of commodity fetishism that surrounds both modern art and tattoos are disproportionately a part of the perpetuation of an artificial sense of society and community. It promotes the notion that by simply by inking the deeper layers of their skin or by spending millions on a painting that somehow one becomes elevated and enters an elite space, or club, of people like them.