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Articles 1 - 4 of 4
Full-Text Articles in Art and Design
Japanese Video Art, Micol Hebron
Japanese Video Art, Micol Hebron
Art Faculty Articles and Research
A review of the "Radical Communication, Japanese Video Art, 1968-1988" exhibition, curated by Glenn Phillips, at the Getty Museum.
Words For Pictures, Jayne Dyer
Words For Pictures, Jayne Dyer
Artists-in-Residence Programme : Exhibition Catalogues
WORDSFORPICTURES intersects with the Lingnan Library site and collection.
The exhibition represents a culmination of a series of discrete interventions that occurred over the residency. The installation operates as a linguistic production offering oblique narratives to explore the notion of the Library as a storehouse of accumulated facts, hypotheses, conjectures and fictions.
"文字圖像" 這項裝置藝術, 結合了嶺南圖書館的埸地和藏書。展覽是藝術家在她駐校期間, 在圖書館內所作的一連串抽象的藝術介入的高潮。這項裝置啟動了語言學上非直截了當的敍述, 來探討圖書館作為存放一個事實, 理論, 推理和小說的寶庫的意圖。
At Home In The Museum: Pierre Loti, Self-Collected, Self-Possessed, Anthony Purdy
At Home In The Museum: Pierre Loti, Self-Collected, Self-Possessed, Anthony Purdy
Anthony Purdy
Suspended between metaphor and metonymy, between the spatial logic of the collection and the scenario of the personal that was the life of its owner, Pierre Loti's house in Rochefort participates in the same transvestism as his novels. This article explores the house museum as a heterotopia in which the synchronous time of the collection is open to disruption by the souvenir's reference to past events, to the biography of the collector.
Early Connections Between Film And Emerging Media As Evidenced In The Animated Worlds Of Adam Beckett, Pamela Turner
Early Connections Between Film And Emerging Media As Evidenced In The Animated Worlds Of Adam Beckett, Pamela Turner
Kinetic Imaging Publications and Presentations
Making a “film” today rarely involves a journey to the lab as images are more often recorded digitally and not on celluloid. Even video’s electromagnetic record is transformed to bits and bytes. There is no frame to splice. The visual material exists as a virtual reference only. As McLuhan points out, new media doesn’t replace the old, existing media, but changes it. Theorists often point to the photograph and its impact on the painting. A similar event was the emergence of video technology and its ensuing relationship with film, a relationship whose differences have become increasingly transparent.
Looking at the …