Art and Design Commons^™

Threads Of Connection: An Offering To Re-Tangle Humanity And Nature With The Patterns Of Our World, Emily Shelton

Graduate Theses

In our world there are patterns of self-similarity that serve as evidence of the interconnectedness between humankind and the rest of the natural world. They are reflected in our bodies, behaviors, and environments, both natural and manmade, and can be found throughout systems at every scale, micro through macro. These organic, linear motifs branch into smaller iterations that seem to shape our existence on this planet as we gravitate towards experiences that echo these patterns. During everyday acts like shopping in a grocery store or a crowd at a concert, we unconsciously participate in self-similar collective movements as we navigate …

Cross-Pollination: Building A Co-Taught Course To Examine Art And Sex Through The Lens Of Botany, Christopher T. Martine, Diamanda A. Zizis, Anna K. Kell

Faculty Journal Articles

Driven by overlapping interests in plants, art, and diversity in sex expression, Anna Kell (Department of Art and Art History) and Chris Martine (Department of Biology) developed a course that integrates the perspectives of a visual artist and a botanist. Art & Sex Through the Lens of Botany seeks to impart the importance of making connections across disciplines and the value of visual literacy across academic lines. The course introduces foundational concepts in each field and encourages students to integrate and explore these different systems of knowledge and their intersections. In addition to developing fluencies related to both general botany …

An Analysis On The Capacity Of Visual Art To Promote Conservation Efforts, Devi Bell

Honors Projects

In recent decades, we have become more aware of the ways in which anthropogenic actions are harming Earth’s climate, ecosystems, and overall stability. Scientists generally agree on the urgency of our situation, yet the public may find difficulty in comprehending the multitude of information on it. This study aims to educate the public on biodiversity loss and related ecological issues in Ohio by discussing these topics through the medium of visual art. Five pieces involving different scientific subject matter and art mediums were created and displayed for participants to view. Participants completed two surveys, one before viewing the art and …

Reducing Food Scarcity: The Benefits Of Urban Farming, S.A. Claudell, Emilio Mejia

Journal of Nonprofit Innovation

Urban farming can enhance the lives of communities and help reduce food scarcity. This paper presents a conceptual prototype of an efficient urban farming community that can be scaled for a single apartment building or an entire community across all global geoeconomics regions, including densely populated cities and rural, developing towns and communities. When deployed in coordination with smart crop choices, local farm support, and efficient transportation then the result isn’t just sustainability, but also increasing fresh produce accessibility, optimizing nutritional value, eliminating the use of ‘forever chemicals’, reducing transportation costs, and fostering global environmental benefits.

Imagine Doris, who is …

Eco-Interoception: What Plants, Fungi And Protista Have Taught My Body, Sara Riley Dotterer

Art Theses and Dissertations

To me, ecology is the relational, full-body awareness that I am made up of and deeply connected to everything around me; and for better or worse, this is reciprocal. I form ecotones, an ecological transitional zone between two ecosystems, with the world around me. I use this ecotonal lens to blur binaries and dissolve boundaries between me and the world “outside my body.” During my Masters of Fine Arts at Southern Methodist University, I have continuously explored and represented the lives of various more-than-human species outside of my body, including plants, fungi and protista through an ecotonal lens. Although these …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York

DU Undergraduate Research Journal Archive

Abstracts from the DU Undergraduate Showcase.

Solutions Human Centered Approach To Conservation, Illustration Department, History, Philosophy, + The Social Sciences Department

Illustration Course Work & Materials

"These essays were were written and illustrated by students at the Rhode Island school of Design in February, 2021. Their perspectives are entirely personal and reflect their efforts within a 5.5-week fused studio/seminar course that was centered on the Sixth Mass Extinction and how biodiversity is changing because of humans. Discovering that science communication is more than delivering just the facts, students were invited to research a topic of personal interest that is relevant to human impacts on biodiversity. Through analysis of data and other scientific information, each sought to synthesize their research and opinions on their topic through a …

Surface Levels, Keisha Brathwaite

Electronic Theses and Dissertations

Surface Levels are depictions of unobserved and imperceptible realities of many phytoplankton exteriors. The exhibition explores various structures, textures, and repetitious forms from microscopic surfaces of objects that cannot be seen with unaided eyes. Electron microscopy is used to perceive and analyze these otherwise unseeable surfaces in depth. Magnifications provide a reference in creating three- and two-dimensional works that are minimalistic and abstract at a visible level. This abstract 3D/2D image collection is translated into material expressions using acrylic sheets, acrylic ink, and wood as the main media for construction of individual works. Collectively, they serve to make the invisible …

Painting Ecological Change In Pacific Northwest Bird Populations, Rachel Rothberg

WWU Honors College Senior Projects

The following four oil paintings are part of an ongoing series that visually explores bird populations and behavior in Northwest Washington, particularly in Bellingham and Whatcom County. I combine biological, detailed illustration with painterly practices to communicate fragile ecological balances to my audience through a medium seen less frequently in the field of conservation. My work examines the tension between life and death in the natural world to provoke conversations about environmental issues and to encourage compassion for local scenery. The work illuminates how birds, humans, and the ecosystems we inhabit are intertwined, inspiring a sense of wonder for our …

Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin

The Goose

In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate …

The Abyssinian Art Of Louis Agassiz Fuertes In The Field Museum, Paul A. Johnsgard

Zea E-Books Collection

This book documents the paintings and drawings executed by Louis Agassiz Fuertes during the Field Museum of Natural History’s seven-month expedition to Ethiopia (Abyssinia) in 1926–27. During that time Fuertes completed 70 field watercolors that illustrate 55 species of birds and four species of mammals. He also executed 34 pencil drawings, which illustrate 13 species of mammals and 11 species of birds, plus numerous miscellaneous sketches and small watercolors. This book identifies and describes the biology of all 69 species of birds and mammals illustrated by Fuertes and includes 32 color reproductions of Fuertes’s watercolors that were published as a …

Watching Grass Grow: How Soil Moisture Affects Vesicular-Arbuscular Mycorrhizae And Growth In Little Bluestem, Laura M. Jones

Honors Scholar Theses

Vesicular-arbuscular mycorrhizae (VAM) are an ancient mutualism in which soil-dwelling fungi enhance plant absorption of phosphorus and nitrogen in exchange for photosynthates. VAM are sensitive to changes in soil moisture and nutrient content, fluctuating between mutualism and parasitism depending on conditions of drought stress and nutrient deficiency. Understanding how VAM respond to precipitation changes is crucial for both conservation and agricultural purposes. To test how soil moisture changes the effects of VAM colonization and growth in little bluestem (Schizachyrium scoparium), a common prairie grass, I planted 300 seeds in a greenhouse in sterilized soil and soil inoculated with …

Arts Of Living On A Damaged Planet: Ghosts And Monsters Of The Anthropocene By Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, And Nils Bubandt, Randy Lee Cutler

The Goose

Review of Anna Lowenhaupt Tsing, Heather Anne Swanson, Elaine Gan, and Nils Bubandt's Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene.

Law Library Blog (June 2019): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Ecological Art: Art With A Purpose, Aaron M. Ellison, David Buckley Borden

The Goose

Ecological art is purposeful and often prescriptive: the actions and directions intended by the artists for activists to undertake often are clearly represented. Yet, ecological art has been no more successful than, for example, targeted scientific research, deposits on returnable bottles, or land-protection campaigns at slowing global warming, reducing the amount of waste we generate every day, or halting the ongoing sixth mass extinction in the history of the Earth. Here, we consider the idea that prescriptive ecological art provides insufficient mental space for creative reflection about future scenarios of, and responses to, environmental change. We ask whether, by presenting …

Historical Art, Ecology, And Implication, Alan C. Braddock

Arts & Sciences Articles

"For fifteen years, I have researched, published, lectured, and taught about art and ecology, focusing on contemporary contexts as well as historical work produced long before Ernst Haeckel coined “ecology” (Oecologie) in 1866, and prior to the emergence of modern environmentalism..."

Modified Landscapes, Esther Nooner

Graduate Theses and Dissertations

Modified Landscapes is a body of work that reflects serious thought regarding Nature and its future. My personal experience and beliefs are at the core of why I believe this subject to be of great importance and why it will sustain many artists’ investigations for the time to come. The influences that informed this process are explored through experiences I had traveling, reading and exploring the photograph as a material object. The manipulation of the photograph is meant to question the beautiful, untouched scene and break the Romantic gaze that is historically tied to representations of Nature and insist upon …

Desert Pool {If Every Desert Was Once A Sea}, Karen Miranda Abel

The Goose

Desert Pool {If every desert was once a sea} is a site-specific art project by Canadian artist Karen Miranda Abel completed in 2016 while artist-in-residence at Joya: arte + ecología, an arts-led research centre situated in an alpine desert within a national park in southern Spain. The elemental installation represents an envisioning of the ancient sea that occupied the Sierra de María-Los Vélez Natural Park millions of years before the current desert ecology, a time when its highest mountain peaks may have been islands.

Creative Nonnatives: Painting Invasive Insects Of The United States, Monica Tynan

Senior Honors Projects

An invasive species is a nonnative organism that may cause damage to an ecosystem. Invasive species cause problems in an environment by outcompeting native organisms for resources or by feeding upon native species. Invasive insects in particular can harm an ecosystem by consuming foliage and decreasing biodiversity. During my experience at the Preisser Lab at the University of Rhode Island, I witnessed rsthand the damage that invasive insects can do to a tree population, and I learned about how ecosystem dynamics can be disrupted by the introduction of a nonnative species.

My project portrays an aesthetically pleasing visualization of several …

Filter Feeding, Sam Boven

Graduate School of Art Theses

This paper is an investigation of the mechanics of evolutionary processes and its methods. These investigations are representative of both a world view and a methodology of artistic production. I consider a central consideration of my current work to be the interaction of distinct components and the new experience that these interactions produce when pondered by a viewer. Evolution and the development of life is driven ever forward by the interactions between organisms, both as groups and individuals. By grouping these relationships into three categories: parasitism, predation, and symbiosis, I aim to provide a lens through which to consider both …

The Curiosity Of Con, Petrified Breath, And An Accident Known As Blue., Steven Randall

Theses and Dissertations

My thesis installation emerged from an interest in visualizing breath. The resulting work came to exist at the intersection between art, biology, and performance.

The unicorn tapestries were used as a generative point of departure to explore the preservation and transformation of images through time, by time, and with time. Reproductions of the six tapestries were each etched into paper and then submerged into solutions of Phenol Red dye, Ferric Ferrocyanide (also known as Prussian Blue), and various forms of sodium chloride. Exhaled breath was used to encrust these images of the tapestries into physical objects which gradually crystallized and …

P-04 Cavan Burren 2015 Project, Rhonda Root, Robin Johnson, Ariel Solis, Abelardo Rivas

Celebration of Research and Creative Scholarship

The Cavan Burren is a plantation forest within the Marble Arch Caves UNESCO Global Geopark overlay along the Republic of Ireland and Northern Ireland border. The exposure of Cavan Burren’s "relict landscape" resulted from a 2012 partial clear fell. Our multidisciplinary team of researchers in architecture, technology, ecology, fine arts, and archaeology investigated domestic architecture reflected in three stone configurations: circular/semicircular sites, rectangular sites, and tomb structures. We also investigated human action on pedestal boulders (PBs), which had been modified by sculpting, splitting, and cutting away. Our first goal was to show human action on structures by using three-dimensional (3D) …

Advertisement For Trapper Nelson's Indian Pack Boards, Charles Trager

Jane Claire Dirks-Edmunds Documents

This advertisement shows the type of hiking materials that were popular before the advent of plastics and polymers. In her book Not Just Trees, Dr. Jane Claire Dirks-Edmunds writes about the texture of the cloth and materials she used during fieldwork on Saddleback Mountain in her early research with Dr. James A. Macnab at Linfield College. Dirks-Edmunds, a 1937 graduate of Linfield, graduated from the University of Illinois in 1941; she returned to teach in the Biology department at Linfield from 1941-1974.

Ecoscience + Art Initiative: Designing A New Paradigm For College Education, Scholarship, And Service, Changwoo Ahn

The STEAM Journal

The paper presents a new initiative, EcoScience + Art, which blooms at George Mason University. The creator explains the background, history, and recent activities of the initiative, and also introduces an on-going special project called “The Rain Project”, a student participatory project to design, construct, and monitor a green infrastructure (i.e., floating wetland) for sustainable stormwater management on campus. The special project is geared to design and present a new paradigm to integrate college education, scholarship, and service. The relevance of the initiative and the special project to STEAM education is discussed.

Presence-At-Hand, Eric Lyle Schultz

Graduate School of Art Theses

Abstract

The writing that follows is intended to provide a theoretical framework for the motives behind my practice. The primary concerns addressed are the reception, transmission, and physical shape of knowledge. I will discuss a human condition that exists as a byproduct of both the legacy of representation as well as the innate biology of the brain. I will argue that as a society we are governed by the residue of an extreme logic, and that this condition places severe margins on our potential for creative solutions. I will propose that our ability to create meaning is stifled by the …

Communicating The Overall Experience Of Research Through Various Approaches Using Art: A Case Study Of The Prothonotary Warbler, Hannah Huddle, Lesley P. Bulluck, Sarah E. Faris

Rice Rivers Center Research Symposium

Recommended Citation

In general, scientific research has publication of data as the end goal. The process and experience, which are of great importance in art disciplines, is not necessarily represented or valued. However, science has an inherent element of art to it, which deserves to be shown. I have been studying Prothonotary Warblers with a team from the VCU Biology Department to learn how I can reinterpret the research in a way that bridges the gap between the experience and typical scientific products. The research team measured spatial and temporal variation in warbler prey abundance (caterpillars and mayflies) and assessed …

Expanding Eco-Visualization: Sculpting Corn Production, Jennifer E. Figg

Theses and Dissertations

This dissertation expands upon the definition of eco-visualization artwork. EV was originally defined in 2006 by Tiffany Holmes as a way to display the real time consumption statistics of key environmental resources for the goal of promoting ecological literacy. I assert that the final forms of EV artworks are not necessarily dependent on technology, and can differ in terms of media used, in that they can be sculptural, video-based, or static two-dimensional forms that communicate interpreted environmental information. There are two main categories of EV: one that is predominantly screen-based and another that employs a variety of modes of representation …

Speed And Resolution In The Age Of Technological Reproducibility, Shawn Taylor

Theses and Dissertations

The rate of acceleration of the biologic and synthetic world has for a while now, been in the process of exponentially speeding up, maxing out servers and landfills, merging with each other, destroying each other. The last prehistoric relics on Earth are absorbing the same oxygen, carbon dioxide and electronic waves in our biosphere as us. A degraded .jpeg enlarged to full screen on a Samsung 4K UHD HU8550 Series Smart TV - 85” Class (84.5” diag.). Within this composite ecology, the ancient limestone of the grand canyon competes with the iMax movie of itself, the production of Mac pros, …

From The Inside Out, And Through., Dominique Ovalle

The STEAM Journal

These photographs describe “Science” born of consumerism, hijacked by me, economically disenfranchised, or rather—temporarily embarrassed, artist. I was putzing around Malibu—my old college stomping ground, looking for free food; maybe a sample of some gourmet $5 chocolate, and all I got were these photographs.

The Emerald Ash Borer, Emily Bryant

The STEAM Journal

An Emerald Ash Borer made from recycled natural materials to create sustainable art.