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Full-Text Articles in Art and Design
≥I++ Wayward Self, Space, And Language, Mystie Do, Thu Tm Do
≥I++ Wayward Self, Space, And Language, Mystie Do, Thu Tm Do
Theses and Dissertations
Having crossed different geographical and cultural borders, I can’t seem to position myself beyond society’s forced binaries of race, sexuality, and materiality. My personal diasporic experience drives me to bring together various presences, putting them next to one another, engaging them in dialogues. My works often share multiple space–time possibilities: a digital space, a physical site, a virtual alternity. Occupying these parallel worlds are varied ratios of mixtures of natural ecosystems, my own system of abstraction, and existing technological systems that allow us a level of individual engagement not previously available. I want to invite people to fluctuate between these …
Hebrew Typography: A Modern Progression Of Language Forms, Shayna Tova Blum
Hebrew Typography: A Modern Progression Of Language Forms, Shayna Tova Blum
Faculty and Staff Publications
Influenced by studies in traditional Ashkenazi and Sephardi scripts. The typeface had been designed for the printing of the Koren Tanakh, a first edition printed Jewish Bible processed through an all-Jewish collaboration for the first time in centuries. Koren’s project was inspired by the revival of Hebrew initiated by Haskalah writers in the 18th century. Haskalah writers utilized the language and scripts of written and printed literary texts. Influenced by philosophical and political ideologies of the European Enlightenment, the Haskalah explored Jewish identity through language by defining the secular context through traditional Jewish symbolism and narratives. The Zionist movement of …
Quietness, Ann Motonaga, Fleet Library, Special Collections
Quietness, Ann Motonaga, Fleet Library, Special Collections
4th Student Artists' Book Contest 2018
No abstract provided.
Absurdities, Elizabeth Grant, Fleet Library, Special Collections
Absurdities, Elizabeth Grant, Fleet Library, Special Collections
4th Student Artists' Book Contest 2018
No abstract provided.
The Infinite Between Us, Inge Bruggeman, Special Collections, Fleet Library
The Infinite Between Us, Inge Bruggeman, Special Collections, Fleet Library
Artists' Books
1 volume (unpaged) : color ill., folded maps. "This book was conceived as a residency project for the Atelier Vis-à-Vis in Marseille, France. It was printed on Akatosashi paper in an edition of 20 copies and completed during the spring and summer of 2011 by Inge Bruggeman. The imagery was printed on a Ledeuil etching press and a Vandercook SP15 repro proof press... The text was letterpress printed in Inge's studio in Portland, Oregon on a Vandercook 219AB, where the binding work was also completed."--Colophon. The map imagery for this book was inspired by a collection of books given to …
Challenges And Strategies Of Mobile Advertising In India, Ratnesh Dwivedi Mr
Challenges And Strategies Of Mobile Advertising In India, Ratnesh Dwivedi Mr
Ratnesh Dwivedi
Advertising is paid communication through a medium in which the sponsor is identified and the message is controlled. Every major medium is used to deliver these messages, including: television, radio, movies, magazines, newspapers, the Internet and today’s growing mobile advertising. Advertisements can also be seen on the seats of grocery carts, on the walls of an airport walkway, on the sides of buses, heard in telephone hold messages and instore PA systems but get paid for reading SMS on our mobile phones .It is the new way of marketing strategy for reaching subscribers. Mobile advertising is the business of encouraging …
Volumes (Of Vulnerability), Katharine Meynell, Special Collections, Fleet Library
Volumes (Of Vulnerability), Katharine Meynell, Special Collections, Fleet Library
Artists' Books
pamphlet, saddle stitch, spiral bound, accordion, portfolio, all enclosed in a metal box; front of box; covers of assorted books. Twenty artists create small bookworks focusing on the vulnerability of our current society as the clock ticks toward the year 2000. This box recreates the touring exhibition, curated by Susan Johanknecht and Katherine Meynell.