Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Portraiture (2)
- XRF (2)
- 19th century portrait (1)
- Adhesive treatment (1)
- American portrait (1)
-
- Animal glue (1)
- Art conservation (1)
- Assemblage sculpture (1)
- Birch bark (1)
- Boat model (1)
- Brass (1)
- Canoe (1)
- Canvas lining (1)
- Christ child (1)
- Copper (1)
- Dawn’s Image (1)
- Digital imaging (1)
- Edward Tucker; watercolor;art conservation;Sailboats and Windmill (1)
- Ethical considerations (1)
- FTIR (1)
- Folk art painting (1)
- Furniture conservation (1)
- Hugues Merle (1)
- Imaging (1)
- Indigenous (1)
- Instrument of the Passion (1)
- Jacob; oil paintings; Dutch; nineteenth century; digital imaging; strip lining (1)
- Jewelry box (1)
- Louise Nevelson (1)
- Matte monochrome (1)
Articles 1 - 14 of 14
Full-Text Articles in Art and Design
The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer
The Reveal: A Technical Study And Conservation Treatment Of An Overpaint Portrait, Camille Ferrer
Art Conservation Master's Projects
A severely damaged 19th-century oil painting depicting a portrait of a woman was treated at Patricia H. and E. Garman Art Conservation Department. A typed letter provided by the owner mentioned that it has been previously restored yet returned with unsatisfactory results. After further examination, the painting appeared to have been previously treated multiple times by different people. There was overpaint distinctly present on the face and later discovered to be present overall. The full state of condition of the painting was initially unknown due to the sum of the surface being overpainted. However, there were evidence of paint loss …
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Not So Cavalier: Technical Study And Conservation Treatment Of A Potential 17th Century Anglo-Dutch Military Portrait Painting, Josephine Ren
Art Conservation Master's Projects
A potential 17th century Anglo-Dutch military portrait painting from the Memorial Art Gallery at the University of Rochester in Rochester, New York arrived at the Garman Art Conservation Department at Buffalo State University for conservation research and treatment in 2022. The painting’s title, date, and artist were unknown and the subject was initially referred to as a “17th Century Dutch Cavalier.” Little information existed on the provenance and history of the artwork. The painting was in a state of structural instability and aesthetic disfigurement and showed evidence of a past restoration campaign. This master’s project attempted to broadly …
Nineteen Figures And Counting: Contextualization And Conservation Treatment Of A Jacob Spoel Painting, Susan P. Enterline
Nineteen Figures And Counting: Contextualization And Conservation Treatment Of A Jacob Spoel Painting, Susan P. Enterline
Art Conservation Master's Projects
This study focuses on the research, technical analysis, and treatment of an 1852 Jacob Spoel painting (Untitled, acc.62.28, 80cm H x 105cm W x 1.75cm D) owned by the Memorial Art Gallery and described as a ‘family gathering.’ When received by the department, the painting was not in a fit state for display; it was not structurally sound and had a disfiguring varnish reducing the readability of the composition. Technical research, multimodal imaging, radiography, and instrumental analysis, including x-ray fluorescence spectroscopy, Raman spectroscopy, cross-sectional analysis, and Fourier transform infrared spectroscopy, were carried out to understand the materials and …
Christ Child Bearing The Instruments Of The Passion Technical Study And Treatment Of A Painting On Copper From The Viceroyalty Of Peru, Daniela González-Pruitt
Christ Child Bearing The Instruments Of The Passion Technical Study And Treatment Of A Painting On Copper From The Viceroyalty Of Peru, Daniela González-Pruitt
Art Conservation Master's Projects
Christ Child Bearing the Instruments of the Passion (acc.# 228017) is a 17th century Peruvian Viceregal painting on copper belonging to the Carl & Marilynn Thoma Art Foundation. The painting depicts the Christ Child on a flower laid path as he carries the instruments of the passion also known as the Arma Christi Paintings executed on copper convey new and challenging preservation issues based on their materials and techniques.. The work had been heavily restored and exhibited several condition issues, including significant overpaint and broad losses. The painting was photographed using multimodal imaging techniques as well as reflectance …
The Research And Treatment Of A Qing Dynasty Garment From The Buffalo Museum Of Science, Nhat Quyen D. Nguyen
The Research And Treatment Of A Qing Dynasty Garment From The Buffalo Museum Of Science, Nhat Quyen D. Nguyen
Art Conservation Master's Projects
The scope of this project was to research, analyze and treat a sleeveless garment from the Buffalo Museum of Science that is thought to be originally from China. The sleeveless garment was donated to the museum by Chauncey J. Hamlin and little information is known about the context or origin of the garment. Research was conducted to gain historical information about the type of garment and why it was made. Analysis was conducted on the fibers, metal wrapped threads and dyes to identify the materials used. The garment was treated with a heat activated adhesive support patch to stabilize the …
Les Trésors De La Maison, Or L’Amour Maternel: The Technical Study And Treatment Of Previously-Restored Painting, Katherine C. Aguirre
Les Trésors De La Maison, Or L’Amour Maternel: The Technical Study And Treatment Of Previously-Restored Painting, Katherine C. Aguirre
Art Conservation Master's Projects
“Mother and Children” is a painting belonging to the collection of the Garman Art Conservation Program at SUNY Buffalo State College. The painting depicts a seated woman with light skin and dark hair and two children. The painting was damaged in the past, and the image was obscured by thick layers of grime and oxidized varnish. It had also been previously treated on at least two occasions. A full technical analysis and conservation treatment was completed. The methods of analysis included multi-modal imaging, x-radiography, Fourier transform infrared spectroscopy, X-ray fluorescence spectroscopy, and cross-sectional analysis. The goal of the analysis was …
A Lifetime Of Stress: Analysis And Treatment Of An Inlaid Chinese Box, Katherine Mcfarlin
A Lifetime Of Stress: Analysis And Treatment Of An Inlaid Chinese Box, Katherine Mcfarlin
Art Conservation Master's Projects
Inlaid wooden objects are complex and intricate mixed media assemblages that can provide significant challenges to the conservator, as the properties of the individual materials can conflict and complicate treatment options. For example, traditional inlay materials such as ivory and mother-of-pearl are particularly susceptible to shifts in moisture and acidity, and the hygroscopic nature of historic proteinaceous adhesives can exacerbate dimensional changes in the surrounding wood. This paper describes the research and subsequent treatment to stabilize and restore a Qing dynasty wooden tabletop chest inlaid with ivory, mother-of-pearl, and various siliceous minerals. A combination of adhesive failure along multiple joints …
Technical Analysis And Treatment Of A Folk Art Portrait Of A Boy, Khanh P. Nguyen
Technical Analysis And Treatment Of A Folk Art Portrait Of A Boy, Khanh P. Nguyen
Art Conservation Master's Projects
This Master’s Project is a multidisciplinary technical study and conservation treatment of Portrait of a Boy, a 19th century oil painting on canvas and thought to be an example of the American Folk Art movement. Research into Folk Art traditions was executed to inform the context of the artwork. Comprehensive imaging and scientific analyses provided additional historical and material context for the painting. The painting was imaged with the following techniques: visible illumination, ultraviolet (UV) reflectography, ultraviolet-induced visible fluorescence, infrared reflectography, visible-induced infrared (IR) luminescence, x-radiography, and multispectral imaging (MSI). Scientific and materials analyses included: optical microscopy of fiber …
Material Analysis And Conservation Treatment Of Louise Nevelson’S Sculpture Dawn’S Image, Night, Kaela Nurmi
Material Analysis And Conservation Treatment Of Louise Nevelson’S Sculpture Dawn’S Image, Night, Kaela Nurmi
Art Conservation Master's Projects
Louise Nevelson’s large-scale, matte black assemblage sculpture Dawn’s Image, Night, 1969, is owned by and currently on display at SUNY Buffalo State College. The paint layers exhibited significant amounts of dust, some damages, vandalism, and unsightly fingerprints. Extensive scientific analysis and archival research were utilized to design an appropriate treatment and long-term preservation plan. Methods of analysis include: Fourier transform infrared spectroscopy, pyrolysis-gas chromatography-mass spectrometry, microchemical testing, and xray fluorescence spectroscopy. The project also addresses the ethical considerations surrounding the prior removal of original components for safety considerations, repainting as a possible treatment, and the overall obstacles of treating a …
Research, Analysis And Conservation Treatment Of A 19th Century Watercolor, Abby Schleicher
Research, Analysis And Conservation Treatment Of A 19th Century Watercolor, Abby Schleicher
Art Conservation Master's Projects
This project focused on a watercolor from the mid- nineteenth century referred to as [Sailboats and Windmill] by Edward Tucker. The research concentrated on the popularity of watercolors in Britain in the 18th and 19th century along with the techniques and materials developed around this time. Visual examination along with multi-modal imaging techniques and scientific analysis utilizing X-ray fluorescence and Micro-Attenuated Total Reflection Fourier Spectroscopy aided understanding and identification of materials.
Contextualizing And Reconstructing A Model Birch Bark Canoe, Jen Mikes
Contextualizing And Reconstructing A Model Birch Bark Canoe, Jen Mikes
Art Conservation Master's Projects
To perform a well-informed conservation treatment on an object, it is crucial to understand its context, history, and significance. When an object presents with little provenance or context, it can be difficult to determine the course that its treatment should follow. In this project, a structurally unstable birch bark canoe model of unknown origin was examined, researched, and treated. The treatment campaign was customized for the object based on literature research, owner consultation, and materials experimentation. The canoe model was structurally stabilized with adhesive and adhesive reactivated Japanese tissue, it was locally humidified and reshaped with Gore-Tex sandwiches, and was …
The Conservation Treatment And Technical Examination Of A German Impressionist Painting, Sara Kornhauser
The Conservation Treatment And Technical Examination Of A German Impressionist Painting, Sara Kornhauser
Art Conservation Master's Projects
This project details the conservation treatment of the painting Sommergluth (1893) by Hans (Johann Wilhelm) Olde, which was owned by the Albright-Knox Art Gallery. Imaging and scientific analysis is used to identify the materials and techniques used by the artist, helping inform the treatment steps. The painting’s most severe condition issue was flaking and cleaving paint along with copious amounts of dirt embedded in an unvarnished paint film with heavy impasto. The research and findings from this project have art historical value for the little-known German artist, with this project being the first known in-depth study. The stabilization and treatment …
Analysis And Conservation Of Portrait Of A Young Man, Formerly Attributed To Édouard Manet, Becca Goodman
Analysis And Conservation Of Portrait Of A Young Man, Formerly Attributed To Édouard Manet, Becca Goodman
Art Conservation Master's Projects
A painting that was formerly attributed to Édouard Manet, was researched, examined, and technically analyzed. Imaging techniques revealed a hidden inscription in the background that places the painting in Paris in the late 19th century. Scanning Macro-X-Ray Fluorescence Spectroscopy (MA-XRF), Optical Microscopy, Scanning Electron Microscopy-Energy Dispersive Spectroscopy SEM-EDS), and Fourier Transform Infrared Spectroscopy (FTIR) confirmed that no anachronistic pigments, media, or materials were used in the work. The painting was separated from its warped backing board and mounted to a new secondary support. Overpaint was removed to reveal the original inscription.
Promoting Conservation: An Investigation And Treatment Of Seneca-Iroquois Moccasins, Nicole Passerotti
Promoting Conservation: An Investigation And Treatment Of Seneca-Iroquois Moccasins, Nicole Passerotti
Art Conservation Master's Projects
In 2016 there are currently 566 federally recognized American Indian Tribes. Of these hundreds of tribes only a small portion operate tribal archives, libraries and/or museums. An even small percentage of these tribes are able to address conservation and preservation needs of their collections. The Seneca Iroquois National Museum (SINM) located in Salamanca, NY is currently building a new Cultural Center to help promote, protect, and safeguard their historical artifacts. By strengthening ties to the SUNY Buffalo State College Art Conservation Department in Buffalo, NY the caretakers at SINM will have access to current preservation information, state of the art …