Art and Design Commons^™

Small Objects As Art, Patrick Dybvig

All Master's Theses

This thesis presents a series of original jewelry and hand-held art objects which aesthetically relate to each other in a controlled gallery environment. The form of the objects is based on box-shapes, while the content comments on and pokes fun at our present society. The objects are made of various combinations of sterling silver, brass, copper, aluminum, plexiglass, fabric. and wood. Some of the objects use photographs from private and magazine sources. All of the objects are intended as Funk-art pieces.

Experimental And Exploratory Thesis In Creative Glass Blowing As Art Media, Stan Flashman

All Master's Theses

This paper along with a one man show of my work in the Fine Art Gallery is a representation of hand blown glass as an art media. The development or technical skill along with more free flowing form and spontaneous way or working was the ultimate aim of th1s study.

Images And Content, Robert C. Ellis Jr.

All Master's Theses

My primary purpose in this study was to explore the relationship of symbolism, imagery, and concept as they relate to printmaking and drawing. The techniques used in my work were collagraph printmaking, drawing, "painting-drawing", and three-dimensional construction. These works represent my development over a period of five quarters. As a result of this study, I expect that my perception and use of imagery, concepts and technique will continue to develop.

Design Of Spatial Interstices, Byron Hiroyuki Kato

All Master's Theses

It was the purpose of this study: (1) to develop an idea visually as well as to articulate it in writing; (2) to evolve and develop illusions and realities of spatial interstices (spatial framents) as positive elements of two and three dimensional form; (3) to articulate, as objectively as possible, an analysis of the body of creative work.

The Art Institute Of Boston Course Catalog (1971-1972), The Art Institute Of Boston

Art Institute of Boston (AIB) Course Catalogs

The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.

Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …

Sources For Neo-Satirical Drawings: Surrealist And Conceptual Processes, Douglas C. Brittain

All Master's Theses

This study was concerned with social conunent and the intensity of emotional expression. The work was not intended to be a sociological study with illustrations, nor as an over-literate approach to art, but rather as a study of fine art problems. The problems and questions raised were as follows: (1) How are contradictions resolved when strict definitions of fine art and caricature are combined in drawing? (2) How are surrealist and conceptual processes integrated with biomorphic and mechanical forms? (2) What are the possible symbols and techniques for expressing ideas and emotions about the "mechano-organic" theme? This study was intended …