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Articles 1 - 3 of 3
Full-Text Articles in Appalachian Studies
Dear Vincent, James H. Stone Iv
Dear Vincent, James H. Stone Iv
Playwriting (MFA) Theses
Dear Vincent is a play written for J. Harvey Stone’s MFA in Playwriting from Hollins University. The play is inspired by the life of Vincent van Gogh and his letters with his brother Theodore. The artist Vincent van Gogh was an avid writer to his brother Theodore. This play is inspired by, but not dictated by, the letters Vincent van Gogh wrote to his brother. Connected by hymns in Act I and by the news of the 1980s in Act II, this Vincent lives through his letters as well but ultimately has to make a decision regarding this life in …
Mamas, Miners, & Movements: Women And Gendered Labor In Central Appalachia During The 20th Century, Devan M. Mullins
Mamas, Miners, & Movements: Women And Gendered Labor In Central Appalachia During The 20th Century, Devan M. Mullins
Undergraduate Honors Theses
This thesis seeks to better analyze the contributions and experiences of women within the central Appalachian region through the work they participated in during the 20th century. It lays the foundational understandings of gender roles that crafted the society of the area and connects labor evolution for women within Appalachia and the US as a whole – highlighting similarities and differences. It also discusses Appalachian women’s move from the household to waged labor within the coal mines. Special attention will be paid to the reactions of men and other women to women coal miners to understand what gendered labor means …
An Impossible Standard: The Virgin Mary And The Construction Of Southern Womanhood, Dean Symmonds
An Impossible Standard: The Virgin Mary And The Construction Of Southern Womanhood, Dean Symmonds
Undergraduate Research Awards
This paper examines Southern literature about white women in its religious and cultural contexts to illuminate the deeply embedded connections between the figure of the Virgin Mary and the archetypes of the white Southern Belle and Dixie Madonna, and reveal both a complex web of cultural constructions designed to control, critique, and constrain Southern women, and how women use those constructions to free themselves.