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Full-Text Articles in American Studies
Animals Speaking In The Fiction Of Jin And Malamud, Matt Prater
Animals Speaking In The Fiction Of Jin And Malamud, Matt Prater
CLCWeb: Comparative Literature and Culture
In his article "Animals Speaking in the Fiction of Jin and Malamud" Matt Prater discusses "The Jewbird" by Bernard Malamud and "A Composer and His Parakeets" by Ha Jin as transcultural texts which involve non-human animals as major characters. Jin and Malamud examine differing representations of animal language and how these representations connect to the politics of both interspecies and transnational relationships. By applying critical animal studies and transnational discourse and by charting the interlinking of other-ings by theorists such as Carol Adams and Susan Kappeler, Prater attempts to show that animals figure into transcultural and transnational discourses in ways …
Is First, They Killed My Father A Cambodian Testimonio?, John Maddox
Is First, They Killed My Father A Cambodian Testimonio?, John Maddox
CLCWeb: Comparative Literature and Culture
In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio and …
Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser
Franco-Maghrebi Rap And Benyoucef's Le Nom Du Père, Keith Moser
CLCWeb: Comparative Literature and Culture
In his article "Franco-Maghrebi Rap and Benyoucef's Le Nom du père" Keith Moser discusses Messaoud Benyoucef's controversial play Le Nom du père and rap as a hybrid art form that has been (re)-appropriated by disenfranchised minorities from all corners of the planet. Exploited and ignored by those at the top of the social ladder, rappers express their anxiety concerning the present situation of inequality in contemporary consumer society. The rending melodies or portraits of human anguish created by rappers give testament to the fact that the interconnected processes of urbanization and globalization have not benefited everyone. In Le Nom …
Racism And Identity In Onwueme's Riot In Heaven, Onyeka F. Iwuchukwu
Racism And Identity In Onwueme's Riot In Heaven, Onyeka F. Iwuchukwu
CLCWeb: Comparative Literature and Culture
In her article "Racism and Identity in Onwueme's Riot in Heaven" Onyeka Iwuchukwu explores Tess Osonye Onwueme's acclaimed play in the context of the Black diaspora in the U.S. Iwuchukwu posits that because of Onwueme's exploration of the theater of the absurd in the play, audience's attention is directed to the illogical presentation of dialogue and action. However, the technique with textual properties suggesting unmotivated and meaningless references in fact carries profound meaning. Further, the said "absurd" presentation and narration results in a strong ideological and political message akin to the practice of littérature engagée. Iwuchukwu's analysis of …