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Full-Text Articles in American Studies

Critique Is Not Enough : The Empirical Imperatives Of Innovative American Poetry, Christopher Rizzo Jan 2014

Critique Is Not Enough : The Empirical Imperatives Of Innovative American Poetry, Christopher Rizzo

Legacy Theses & Dissertations (2009 - 2024)

Critique is Not Enough: The Empirical Imperatives of Innovative American Poetryproposes that innovative modern and early contemporary American poetries redefine the relation of knowledge, consciousness, and poetic performance to lived experience. This study demonstrates how the radically different poetic projects of Walt Whitman, Gertrude Stein, Ezra Pound, and Charles Olson not only equally insist upon empirically investigative poetics, but also endeavor, each to each, to individualize their poetic methodologies, which thus challenges the generalized Enlightenment myth of rationality. In that each of these writers undertakes to redefine the relation of knowledge, consciousness, and poetic performance to lived experience, they also …


Self-Effacement Of The "Author" To Circulate Texts : Strategies To Construct Authorship In Antebellum America, Rumi Takahashi Jan 2014

Self-Effacement Of The "Author" To Circulate Texts : Strategies To Construct Authorship In Antebellum America, Rumi Takahashi

Legacy Theses & Dissertations (2009 - 2024)

From the post-Revolutionary days, American print materials and political institutions were interrelated with each other for the purpose of building a new nation. The democratic institutions composed of the president and a sovereign people marked the country's difference from European monarchy, while the book trade served as a means that would disseminate a moral image of an ideal citizen to endorse the national identity. Yet, as drastic changes of industry in the 1820s enabled more people to participate in the economic system, the sovereignty of people turned out to be potentially subversive power of the mob, which required the literary …


Reading After The End Of The World, Christina Thyssen Jan 2014

Reading After The End Of The World, Christina Thyssen

Legacy Theses & Dissertations (2009 - 2024)

Reading after the End of the World is an investigation into challenges to our critical registers brought on by the increasingly visible effects of climate change and the era of the anthropocene. Its concerns are with how these realities can be seen as transformative of our notions of "reading" and with a literature that seems to anticipate such a moment of disarticulation. The project is organized around close readings of novels by Cormac McCarthy, William Faulkner, Toni Morrison and John Edgar Wideman and it traces in these texts what I refer to as a "positive nihilism," which serves as a …


Queer Bodies And Queer Materials In Post-Wwii American Texts, William Joseph Whalen Jan 2014

Queer Bodies And Queer Materials In Post-Wwii American Texts, William Joseph Whalen

Legacy Theses & Dissertations (2009 - 2024)

Although the primary subject of this dissertation is contemporary American literature and popular culture--individual chapters are devoted to careful studies of Octavia Butler's short story "Bloodchild," Cormack McCarthy's gothic novel Child of God, Chuck Palahniuk's epistolary novel Pygmy, and the track "It's Good" by hip-hop artist Lil Wayne featuring Drake and Jadakiss--I develop a reading of these contemporary texts that places them within much older and richer intellectual, spiritual, psychological, and even biological traditions. My primary focus is the human body, both literal and figurative, as the site of dynamic exchanges, movements, blockages, and productive potentialities. I argue that at …


The Blackness Of Black (W)Holes, Eric M. Anderson Jan 2014

The Blackness Of Black (W)Holes, Eric M. Anderson

Legacy Theses & Dissertations (2009 - 2024)

The Blackness of Black (W)holes analyzes Toni Morrison's Sula, William Faulkner's Sanctuary, and Ralph Ellison's Invisible Man as against establishing the illusion of a coherent, recognizable self through relational identities and subservience to denotative language and categories of identity. These novel’s feature characters packing knives, I claim, because they advocate for what I term stylistic self–extrication: a rupture with prevailing forms of identity and cliché ways of speaking through rhythmic, sonorous, experimental language use. Characters who succeed at the task, I argue, are associated with a blackness in excess of racial markings, because they become unclassifiable as a result. In …


Fordism & Modernist Forms : The Transformation Of Work And Style, William Jeffrey Casto Jan 2014

Fordism & Modernist Forms : The Transformation Of Work And Style, William Jeffrey Casto

Legacy Theses & Dissertations (2009 - 2024)

Fordism and Modernist Forms argues that Fordism is an American manifestation of a global tendency towards concentration and rationalization that we know as "monopoly capitalism." Fordism, as part of the historical transition from competitive to monopoly capitalism, reshapes and reorganizes the structures of modern life - accentuating repetitive habits and efficient behavior, replacing craftsmanship with deskilled labor, and integrating consumer culture into identity formation. These socio-economic transformations obfuscate the actually existing structures that produce their uneven societies and the monotonies of modern, everyday "life" and, therefore, create an artistic crisis of representation as the individual increasingly relies on the prisms …


Platonic Conception : Post War Experience In "The Great Gatsby" And "Farewell To Arms", Frederick D. Floss Jan 2014

Platonic Conception : Post War Experience In "The Great Gatsby" And "Farewell To Arms", Frederick D. Floss

Legacy Theses & Dissertations (2009 - 2024)

"Platonic Conception" explores the relationship that authors F. Scott Fitzgerald and Ernest Hemingway had with World War I through their respective novels "The Great Gatsby" and "A Farewell to Arms." The thesis's author examines how the cultural impact of the war can be felt in five facets of both novels: the formative influences of the writers, their experiences with the War itself, their use of setting, their treatment of female characters, and how they render the War's influence in a post-war world. Comparing the ways these two books treat the war leads Floss to argue that cultural impact of the …


Catharine Maria Sedgwick's Historicization Of Antebellum Landscapes And Character In "A New-England Tale" And "Hope Leslie", Lisa D. Grant Jan 2014

Catharine Maria Sedgwick's Historicization Of Antebellum Landscapes And Character In "A New-England Tale" And "Hope Leslie", Lisa D. Grant

Legacy Theses & Dissertations (2009 - 2024)

This thesis investigates Catharine Maria Sedgwick's situating of New England religion, political issues, and social class structures in A New-England Tale (1822) and Hope Leslie or Early Times in Massachusetts (1827). A New-England Tale models the convergence of morality, religion, education and politics in nineteenth-century America in order to awaken a sense of national pride, and in doing so places a priority on political independence and education. Hope Leslie models morality and traces the correlation of religion and politics as they served to promote Puritan civic responsibility in seventeenth-century New England, and in doing so places a priority on moral …


A Study Of The Native American Captivity Narrative, Meghan Daniele Madden Jan 2014

A Study Of The Native American Captivity Narrative, Meghan Daniele Madden

Legacy Theses & Dissertations (2009 - 2024)

This thesis examines the genre of Native American captivity narratives and their evolution from their first appearance in the seventeenth century to their waning popularity in the nineteenth century. The thesis starts with the Puritan narrative as a device for spiritual elevation and pronouncement. As Calvinism begins to diminish and the American Revolution approaches, captivity narratives take a turn from anti-Jesuit propaganda to anti-Indian propaganda. Narratives were used not only to warn colonists and Americans of the savagery of Indians, but also to strengthen the separation between the English and Indian inhabitants of America. The anxiety of degenerating into savages …