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- The New Yorker; New York; Canadian literature; American literature; transnationalism; nationalism; North American studies; cosmopolitanism; collaboration; multiple authorship; cultural production; editing; revision; Alice Munro; Morley Callaghan; Mavis Gallant; William Maxwell; Harold Ross; Charles McGrath; Katharine White (1)
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Articles 1 - 5 of 5
Full-Text Articles in American Studies
Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane
Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane
Electronic Thesis and Dissertation Repository
This dissertation examines how early-to-mid twentieth century American poetry is preoccupied with objects that unsettle the divide between nature and culture. Given the entanglement of these two domains, I argue that American modernism is “dirty.” This designation leads me to sketch what I call “dirty modernism,” which includes the registers of waste, energy, animality, raciality, and the sensual. Reading these registers, I turn to what I call “ecological objects,” or representations of how nature and culture come together, which includes trash, natural resources, inanimals, and tools. Through an ecocritical mode of analysis, I introduce dirty modernism with the Baroness Elsa …
Transnational Conversations: The New Yorker And Canadian Short Story Writers, Nadine Fladd
Transnational Conversations: The New Yorker And Canadian Short Story Writers, Nadine Fladd
Electronic Thesis and Dissertation Repository
This dissertation explores The New Yorker magazine's role in shaping the Canadian short story, the contributions of Canadian authors to the magazine, and the aesthetic and ideological implications of transnational literary production. Using archival evidence, it explicates the publication histories of stories by Morley Callaghan, Mavis Gallant, and Alice Munro, as well as these authors' relationships with their editors at The New Yorker, in order to demonstrate some of the ways that Canadian literature emerged out of, as well as contributed to, North American transnational contexts. This project uses the work of textual studies scholars, and applies theories of …
Covers Uncovered: A History Of The "Cover Version," From Bing Crosby To The Flaming Lips, Sean Dineley
Covers Uncovered: A History Of The "Cover Version," From Bing Crosby To The Flaming Lips, Sean Dineley
Electronic Thesis and Dissertation Repository
This thesis engages with the “cover version” as it has developed since the mid-1940s. This single term has survived across historical eras “so that it now indiscriminately designates any occasion of rerecording” (Coyle 2002, 134). This thesis views changing cover trends as aspects of broader cultural changes. In order to effectively illustrate the wide scope of practices to which this term has referred, the history of cover versions is separated into three broad periods: pre-rock, rock, and post-rock. This thesis explores the shifting attitudes toward, and motivations for, cover recording across these periods. It argues that it is more useful …
Boxing In The Union Blue: A Social History Of American Boxing In The Union States During The Late Antebellum And Civil War Years, Greggory M. Ross
Boxing In The Union Blue: A Social History Of American Boxing In The Union States During The Late Antebellum And Civil War Years, Greggory M. Ross
Electronic Thesis and Dissertation Repository
This study explores the social history of boxing in the Civil War era Union States in both the martial and civilian contexts, focusing on issues of masculinity, ethnicity, race, and class. This dissertation is divided into four sections, each emphasizing a different boxing scene. First, boxing in is explained in the context of the Union Army, drawing upon accounts of military life from diaries, letters, official army correspondence, and newspapers to examine how soldiers used: gloved sparring for physical and mental exercise and camaraderie; bare-knuckle prizefighting for dispute resolution, entertainment, and gambling; and both forms of boxing to exhibit masculine …
Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra
Unmasking The Protester: The Meanings And Myths Of Collective Civil Resistance Movements In African American And Polish Postresistance Prose Fiction, Agnieszka Herra
Electronic Thesis and Dissertation Repository
My contention is that the narrative framework of social movements, especially the ones deemed “successful” such as the American Civil Rights Movement and the Polish Solidarity Movement, reflects unity and collectivity within collective memory. During the period of the movements’ duration, this provides a clear rhetorical purpose: to give the appearance of unity in order to give effective voice to the demands. I argue that the voices that did not fit into the collective movements emerge subsequently to question this monologic language in literary form. This dissertation uses Bakhtin’s notion of dialogic language to argue that novels in the postresistance …