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Articles 1 - 26 of 26
Full-Text Articles in American Studies
Purloined Significance: How Recidivism Algorithms Capture, Transform, And Automate Our Intersubjective Unconscious As Data, Macy Mcdonald
Purloined Significance: How Recidivism Algorithms Capture, Transform, And Automate Our Intersubjective Unconscious As Data, Macy Mcdonald
CLCWeb: Comparative Literature and Culture
Ever since ProPublica published their groundbreaking analysis of Northpointe’s Correctional Offender Management Profiling for Alternative Sanctions Core Risk and Needs Assessment software (COMPAS) in 2016, this web-based decision support system (DSS) has spawned a wide range of critiques and charges of racial bias. COMPAS provides a full suite of decision support applications to the US prison-industrial complex, including algorithmically derived recidivism predictions that increasingly guide parole decisions. The larger conversation surrounding COMPAS raises the question of how we analyze powerful, and yet opaque, data assemblages. In this article, I model an allegorical analysis of data assemblages. I argue the skills …
Community Despite Connection: Resisting The Digital Logics Of Optimization And Failure, Irina Kalinka
Community Despite Connection: Resisting The Digital Logics Of Optimization And Failure, Irina Kalinka
CLCWeb: Comparative Literature and Culture
If a certain brand of aspirational tech-utopian discourse is to be believed, those privileged enough to be plugged into digital information technology are living through a golden age of connection. Platforms claim to facilitate sharing and partaking, bring people together, and bestow upon them new and improved spaces to gather and build communities. While reality differs decidedly from such idealized conceptions, it is nonetheless crucial to ask what kind of guiding vision is being instituted through such representational efforts: namely, the figure of community made operational and optimizable. This project will reject such idealized visions of coherent communities drawn together …
“There Is No Pandemic”: On Memes, Algorithms And Other Interpassive Forms Of Right-Wing Disbelief, Scott Krzych
“There Is No Pandemic”: On Memes, Algorithms And Other Interpassive Forms Of Right-Wing Disbelief, Scott Krzych
CLCWeb: Comparative Literature and Culture
This essay examines several prominent memes that have circulated on Right-wing social media during the Covid-19 pandemic. The memes coordinate what I describe as a mode of interpassive humor, which positions those who “believe” in the crisis as naïve dupes, infantilizing those subjects who have fallen prey to the idea that they should take the pandemic seriously, and thereby delegating fearfulness to the other so that reactionary Covid-19 denialists may continue with their lives unaffected. The essay thereby seeks to draw suggestive lines of affiliation between studies of digital memes, evolutionary mimetics, and psychoanalytic theory, pointing to the algorithmic …
“Passive Revolutions” After The Crisis Of Globalization: Gramsci And The Current Culture Of Populism, Yuri Brunello
“Passive Revolutions” After The Crisis Of Globalization: Gramsci And The Current Culture Of Populism, Yuri Brunello
CLCWeb: Comparative Literature and Culture
This article compares the ways in which two scholars, the anthropologist Kate Crehan and the philosopher Diego Fusaro, analyze Gramsci’s thought, verifying its current relevance and effectiveness in interpreting populism. In Crehan’s recent Gramscian studies the categories of senso comune and buon senso become crucial. Crehan utilizes categories such as “culture” and senso comune to explain both the Tea Party experience and Donald Trump’s election. Fusaro, on the contrary, is an Italian public intellectual who declares himself a sovereignist and who often includes, among the theoretical references of Italian contemporary sovereignism, the author of Quaderni del carcere. In the …
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang
CLCWeb: Comparative Literature and Culture
Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …
Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler
Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler
CLCWeb: Comparative Literature and Culture
Decadence is typically associated with a fall from, or an opposition to, ideals of civilization. Western Civilization traditionally traces its roots to the culture of Ancient Greece. While theorists of periodicity from Vico to Nietzsche and Deleuze, to Hayden White and other contemporary scholars, associate decadence with excess, artificiality and over-indulgence, they also recognize that decadence often incorporates pre-civilized, base or “Other” tendencies. Paradoxically, decadence as a degeneration of an original culture’s values can also rejuvenate that culture’s core values through mutation so that a new version of the original culture arises. In literature, degeneration has also been associated with …
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang
CLCWeb: Comparative Literature and Culture
China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …
Making The Global Visible: Charting The Uneven Development Of Global Monsters In Bong Joon-Ho’S Okja And Nacho Vigalondo’S Colossal, Ju Young Jin
CLCWeb: Comparative Literature and Culture
In her essay, “Making the Global Visible: Charting the Uneven Development of Global Monsters in Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal,” Ju Young Jin examines the entanglement of the global and the monstrous in two recent films that position Korea on the cusp between Cold War politics and global capitalism: Bong Joon-Ho’s Okja and Nacho Vigalondo’s Colossal. The Korean filmmaker Bong Joon-Ho and Spanish filmmaker Nacho Vigalondo offer viewers films that challenge conventional notions of monster by fusing it with a coming-of-age plot of the female protagonist that takes place on a global scale, which contests the …
A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong
A Thin Line Between Sovereign And Abject Agents: Global Action Thrillers With The Sci-Fi Mind-Game War On Terror, Seung-Hoon Jeong
CLCWeb: Comparative Literature and Culture
Seung-hoon Jeong discusses in his paper global action thrillers about the war on terror. He highlights the biopolitical abjection of counterterrorist agents from their state agencies. This abjection ends up either self-reaffirming in the manner of a sovereign agent (the Bond series) or terrorizing their sovereign system (the Bourne series), while both are trapped in the vicious cycle of terror and counterterror. More notable is the “mind-game” sci-fi genre. Source Code, among others, stages a loop of a traumatic counterterrorist mission with retroactive causality, a closed circuit of neoliberal productivity and pathological abjection in a video-game narrative. The time-travel …
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
Monstrous Accumulation: Topographies Of Fear In An Era Of Globalization, Robert T. Tally Jr.
CLCWeb: Comparative Literature and Culture
The predominance of the horror genre, broadly conceived, in recent years attests to the profound sense of anxiety and dread permeating late capitalist societies. As the processes and effects of globalization become more viscerally experienced, they are also often rendered invisible or unknowable, and individuals and groups find themselves subject to an immense array of forces beyond their control. The contemporary scene is crowded with monsters, from alien invaders to the zombie apocalypse, set against the backdrop of darkly fantastic landscapes and dystopian visions. Drawing upon a variety of Marxist cultural theory, Robert T. Tally Jr. explores the topographies of …
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
Introduction To The Monstrous Global: The Effects Of Globalization On Cultures, Ju Young Jin, Jae Roe
CLCWeb: Comparative Literature and Culture
This special issue on “The Monstrous Global: The Effects of Globalization on Cultures” explores representations of the monstrous effects and products of globalization. The monstrous (as in The Monstrous Feminine by Barbara Creed) in this sense alludes to the ways in which local or national displays of fear and anxiety about the Other are embedded in struggles and tensions of global scale; the inability to cognitively map the effect of such global forces on local/national problems produces monstrous representations of the global. Global forces such as neoliberalism and reactionary nationalism, technology, climate change, migration and displacement lead to accelerating instability …
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
CLCWeb: Comparative Literature and Culture
In her article “The Different Representation of Suffering in the two versions of The Vegetarian” the author examines how different the representation of suffering in the original and translated versions of The Vegetarian and explores the reasons for this difference. The author in particular refers to representative episodes which the translator’s strategy distorts even the central concepts of suffering in the original work. Her translated version results in critical misrepresentation of suffering and violence in the original version.
The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli
The Disenchantment Of History And The Tragic Consciousness Of Chinese Postmodernity, Alberto Castelli
CLCWeb: Comparative Literature and Culture
Magic Realism brings fantastic events into the frame of the narration. Yet it cannot quite be defined. At the very start of the process of definition, there is a question: Magic Realism is a mode of narration, or rather a post-colonial movement rising sociological issues alternative to the logic of power? The paper parallels and juxtaposes Latin American Magic Realism and the literary experience of Chinese literary Avant-garde in the 80s, similar apocalyptic thematic, but different narrative structures. Relating to the fictional universe of Can Xue and Yu Hua, the aim is to illuminate an exclusive mode to narrate history: …
Neocolonialism In Translating China, Guoqiang Qiao
Neocolonialism In Translating China, Guoqiang Qiao
CLCWeb: Comparative Literature and Culture
In his article "Neocolonialism in Translating China" Guoqiang Qiao analyzes the neocolonial phenomenon that occurs in the process of Chinese literature's "walking-out." Taking examples from Howard Goldblatt's translation and neocolonial ideas that Goldblatt advanced in his essays, interviews and speeches and those Chinese writers, critics and professors who practice self-colonization, he analyzes their neocolonialism with the challenging concepts of neocolonialism and self-colonization and thus aims to cope with the phenomenon of colonization and self-colonization in the area of Chinese literature's "walking-out."
Introduction To A Critical Response To Neocolonialism, Guoqiang Qiao
Introduction To A Critical Response To Neocolonialism, Guoqiang Qiao
CLCWeb: Comparative Literature and Culture
No abstract provided.
Resistance To Neocolonialism In Contemporary Chinese Literary Theory, Zeng Jun
Resistance To Neocolonialism In Contemporary Chinese Literary Theory, Zeng Jun
CLCWeb: Comparative Literature and Culture
In his article "Resistance to Neocolonialism in Contemporary Chinese Literary Theory" Jun ZENG claims that the introduction of Western Literary Theory in the past forty years of China's reform and opening up was carried out under the background of neo-colonialism. "Western imagination" in the discourse of contemporary Chinese literary theory was an important aspect of the strategy of cultural resistance under the overwhelming influence of Western neocolonialism. Contemporary Chinese literary theory no longer simply regards Western literary theory in the twentieth century as a bourgeois literary ideology; instead, it adopts a "de-ideological" attitude to return to the issues of literature, …
"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco
"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco
CLCWeb: Comparative Literature and Culture
This article is based on two hypotheses. The first is that in the later Foucault we would find a reformulation of the status that literature had occupied in his work and the development of a politics of literature (already developed in “Sujetos irregulares: ficción y política en el Sade de Michel Foucault”). The second considers that fiction and desire are inseparably joined, which leads me to analyse the logic of Sade as logic of desire in the lectures that Foucault gave on the author at the University of Buffalo (1970). A reading of both aspects together needs to be …
Disability, Victorian Biopolitics And Oscar Wilde's Dorian Gray, Hiu Wai Wong
Disability, Victorian Biopolitics And Oscar Wilde's Dorian Gray, Hiu Wai Wong
CLCWeb: Comparative Literature and Culture
In her article “Disability, Victorian Biopolitics and Oscar Wilde's Dorian Gray,” Hiu Wai Wong discusses The Picture of Dorian Gray as Oscar Wilde’s life writing of the androgynous beauty. Extending his praise of Lord Alfred Douglas in De Profundis, Wilde’s descriptions of Dorian as the androgyne can be read as the demonstration of Michel Foucault’s techniques of the self. She argues that the androgynous beauty can be a strategy of bodily practice that overthrows the Victorian biopolitics which enforces a rigid gender role. Moreover, she explores the notion of camp and Judith Butler’s theory of performance to explain the …
Changez/Cengiz's Changing Beliefs In The Reluctant Fundamentalist, Valerie Kennedy
Changez/Cengiz's Changing Beliefs In The Reluctant Fundamentalist, Valerie Kennedy
CLCWeb: Comparative Literature and Culture
In her article, “Changez/Cengiz's Changing Beliefs in The Reluctant Fundamentalist” Valerie Kennedy analyzes the interrelation of individual subjectivity and global capitalism and the conflict between two belief systems in Mohsin Hamid’s novel. These are, first, a neoliberal system that sees individuals as rationally self-interested, mobile, economic units, and, second, a system based on a humanist definition of individuals as defined by nation, family, and tradition. Changez, the novel’s protagonist, initially endorses the first, but later rejects it for the second, due to his growing awareness of the impact on Pakistan of American geopolitics after 9/11. The essay also examines …
Traveling Theory: Fredric Jameson’S Interpretations Of The Cultural Revolution And Maoism, Xian Wang
Traveling Theory: Fredric Jameson’S Interpretations Of The Cultural Revolution And Maoism, Xian Wang
CLCWeb: Comparative Literature and Culture
In her article, "Traveling Theory: Fredric Jameson’s Interpretations of the Cultural Revolution and Maoism," Xian Wang discusses how Fredric Jameson transformed or “transcoded” the Chinese Cultural Revolution into his notion of cultural revolution, regarding it as a radical means to achieve decolonization and national liberation. The Chinese Cultural Revolution therefore became a model for cultural revolution in different parts of the world, and an alternative vision of modernity. Jameson also associates Maoism and the Cultural Revolution with Antonio Gramsci’s concept of subalternity, and considers cultural revolution as an ideological revolution for the oppressed classes. Taking Maoism as a traveling theory, …
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
CLCWeb: Comparative Literature and Culture
In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …
Electronic Literature And The Effects Of Cyberspace On The Body, Maya Zalbidea, Xiana Sotelo
Electronic Literature And The Effects Of Cyberspace On The Body, Maya Zalbidea, Xiana Sotelo
CLCWeb: Comparative Literature and Culture
In their article "Electronic Literature and the Effects of Cyberspace on the Body" Maya Zalbidea and Xiana Sotelo discuss how new technologies are facilitating the emancipation of subjugated subjects aimed at transforming unequal social relations through an intersectional and performative approach. This perspective is discussed through the exploration of the so-called intersectional approach described by Berger and Guidroz, Haraway's situated knowledges, and Butler's performative agency based on transgressions. Framed within the posthuman, post-biological deconstruction of social and cultural hierarchies, Zalbidea and Sotelo argue for the value of a conjuncture between postcolonial post-modern/post-structuralist literature and the field of feminist cultural studies. …
Ecocriticism And Persian And Greek Myths About The Origin Of Fire, Massih Zekavat
Ecocriticism And Persian And Greek Myths About The Origin Of Fire, Massih Zekavat
CLCWeb: Comparative Literature and Culture
In his article "Ecocriticism and Persian and Greek Myths about the Origin of Fire" Massih Zekavat argues that some contemporary ecological biases are rooted in ancient thought. Further, Zekavat argues that the study of mythology is relevant to the understanding of culture and ecology thus assisting ecocriticism. The investigation of man/woman, culture/nature, and human/nature binary oppositions conveys that Greek and Persian myths are mostly anthropocentric and androcentric. Zekavat postulates that one way to revise contemporary ecological conceptions is to study myths to shed light on the mind and context of their creators and believers, their representation of natural phenomena, and …
Wilde And The Model Of Homosexuality In Mann's Tod In Venedig, James P. Wilper
Wilde And The Model Of Homosexuality In Mann's Tod In Venedig, James P. Wilper
CLCWeb: Comparative Literature and Culture
In his article "Wilde and the Model of Homosexuality in Mann's Der Tod in Venedig" James P. Wilper examines the influence of Oscar Wilde and the effeminate homosexual identity which cohered as a result of Wilde's trials for act of "gross indecency" in 1895, in Mann's classic homoerotic short novel. Drawing on Alan Sinfield's The Wilde Century (1994) and recent scholarship into the impact of Wilde on German-language writers, as well as German homosexual communities of the early twentieth century, Wilper explores Mann's ambivalent response to Wilde's homosexual legacy. Later in his career, Mann writes of Wilde with Nietzsche …
The Egyptian Enlightenment And Mann, Freud, And Freund, Rebecca C. Dolgoy
The Egyptian Enlightenment And Mann, Freud, And Freund, Rebecca C. Dolgoy
CLCWeb: Comparative Literature and Culture
In her article "The Egyptian Enlightenment and Mann, Freud, and Freund" Rebecca C. Dolgoy discusses various ways in which ancient Egypt is used in three works from the 1930s: Thomas Mann's Joseph and His Brothers, Sigmund Freud's Moses and Monotheism, and Karl Freund's film The Mummy. By showing the similarities and differences in how these works use Egypt, Dolgoy develops the concept that memory is the way in which the past is used. Dolgoy follows the structure of a cinematic shot casting: The Mummy as the long shot which both sets up the general Egyptomania characteristic of …
Evoking A Memory Of The Future In Foer's Everything Is Illuminated, Doro Wiese
Evoking A Memory Of The Future In Foer's Everything Is Illuminated, Doro Wiese
CLCWeb: Comparative Literature and Culture
In her article "Evoking a Memory of the Future in Foer's Everything is Illuminated" Doro Wiese discusses Jonathan Safran Foer's novel. In the text a photograph plays a decisive role: the image of two young people drives the Jewish American Jonathan to visit the Ukraine. The photograph is presumably of Jonathan's grandfather Safran and a woman named Augustine who saved Safran's life during a nazi raid of his village: the photograph becomes an ekphrasis, a description of a visual work of art in another medium which transforms the generic characteristics of written and photographic representations. According to Anselm …