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Articles 1 - 4 of 4
Full-Text Articles in American Studies
Violence In Popular Culture: American And Global Perspectives, Rob Tench
Violence In Popular Culture: American And Global Perspectives, Rob Tench
Libraries Faculty & Staff Publications
No abstract provided.
"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette
"And Nothing She Needs": Victoria's Secret And The Gaze Of "Post-Feminism", Marc Ouellette
English Faculty Publications
A study of the Victoria’s Secret catalogues, which frames the period 1996-2006, reveals that the models’ poses and postures manipulate the formulaic gaze of objectification with seemingly empowering themes. Instead of the indeterminate, averted looks that Berger (1972) and Mulvey (1989) considered in their analyses, the more recent versions of Victoria’s Secret photographs confront viewers with pouts, glares, and stares of defiance. In this essay, I contribute to current conversations regarding mixed messages that concern post-feminism and third-wave feminism (Duffy, Hancock, & Tyler, 2017; Glapka, 2017; McAllister & DeCarvalho, 2014; McRobbie, 2009). In this regard, the Victoria’s Secret catalogues constitute …
Ideological Analysis Of Colorblindness In Get Out, Danielle Goldstein
Ideological Analysis Of Colorblindness In Get Out, Danielle Goldstein
OUR Journal: ODU Undergraduate Research Journal
This ideological analysis of the horror film, Get Out, directed by Jordan Peele investigates three major ideological aspects that are poignant to the film. The main ideology that will be examined is “colorblindness” also known as colorblind racism, which is the belief or attitude that denying the existence of race will cure racism and achieve racial equality. The two other sub-ideologies that will be examined are multicultural racism and post-racism, as they are both facets of colorblindness and work together to reinforce one another in society. Colorblindness is apparent in the film’s dialogue that reveal attitudes regarding interracial dating …
Web Archives At The Nexus Of Good Fakes And Flawed Originals, Michael L. Nelson
Web Archives At The Nexus Of Good Fakes And Flawed Originals, Michael L. Nelson
Computer Science Faculty Publications
[Summary] The authenticity, integrity, and provenance of resources we encounter on the web are increasingly in question. While many people are inured to the possibility of altered images, the easy accessibility of powerful software tools that synthesize audio and video will unleash a torrent of convincing “deepfakes” into our social discourse. Archives will no longer be monopolized by a countable number of institutions such as governments and publishers, but will become a competitive space filled with social engineers, propagandists, conspiracy theorists, and aspiring Hollywood directors. While the historical record has never been singular nor unmalleable, current technologies empower an unprecedented …