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Articles 1 - 6 of 6
Full-Text Articles in American Studies
Review Of Sex, Murder, And The Unwritten Law: Courting Judicial Mayhem, Texas Style. By Bill Neal., Paul N. Spellman
Review Of Sex, Murder, And The Unwritten Law: Courting Judicial Mayhem, Texas Style. By Bill Neal., Paul N. Spellman
Great Plains Research: A Journal of Natural and Social Sciences
"If, as has often been contended, truth is the first casualty of traditional warfare, then logic, it appears, is the first casualty of sexual warfare." And with that thematic statement in hand, author Bill Neal is off to the proverbial races with an often delightful, sometimes troubling, and generally entertaining legal discourse on the so-called "unwritten law": that a cuckolded husband or a woman wronged has the God-given right to avenge or be avenged, even to redress by murder. With a curiously dispassionate, or at least overly serious, foreword by Cal State-Fullerton professor Gordon Morris Bakken, Neal's tales of adultery, …
"This Murder Done": Misogyny, Femicide, And Modernity In 19th-Century Appalachian Murder Ballads, Christina Ruth Hastie
"This Murder Done": Misogyny, Femicide, And Modernity In 19th-Century Appalachian Murder Ballads, Christina Ruth Hastie
Masters Theses
This thesis contextualizes Appalachian murder ballads of the 19th- and early 20th-centuries through a close reading of the lyric texts. Using a research frame that draws from the musicological and feminist concepts of Diana Russell, Susan McClary, Norm Cohen, and Christopher Small, I reveal 19th-century Appalachia as a patriarchal, modern, and highly codified society despite its popularized image as a culturally isolated and “backward” place. I use the ballads to demonstrate how music serves the greater cultural purpose of preserving and perpetuating social ideologies. Specifically, the murder ballads reveal layers of meaning regarding hegemonic …
In Amerika They Call Us Dykes: Lesbian Lives In The 1970s, Sarah Chinn
In Amerika They Call Us Dykes: Lesbian Lives In The 1970s, Sarah Chinn
Center for LGBTQ Studies (CLAGS)
This past October, CLAGS hosted a historic conference to commemorate, celebrate, and evaluate the diverse contributions of lesbians over the course of the 1970s. The conference culminated a semester-long series of events that unfurled over the Spring 2010 term. In planning for the conference, the organizing committee (made up of Melissa Gasparotto, Andrea Freud Loewenstein, Roberta Sklar, Urvashi Vaid, and myself) imagined this conference as embracing as broad a field of lesbian lives as it could.
Kiss The War Good-Bye, Hello Return To Normalcy, Marisa Francesca Benfanti
Kiss The War Good-Bye, Hello Return To Normalcy, Marisa Francesca Benfanti
Communication Studies
No abstract provided.
Doyle, Kathina J., B. 1990 (Fa 537), Manuscripts & Folklife Archives
Doyle, Kathina J., B. 1990 (Fa 537), Manuscripts & Folklife Archives
FA Finding Aids
Finding aid and full-text (click on "Additional File" below) for Folklife Archives Project 537. Project in which Kathina Jo Doyle executed a cultural analysis of the hope chest, a physical piece of furniture (chest) or a collection of items that a young woman assembled for her future household. This project was a requirement for a folk studies class at Western Kentucky University. Includes colored illustrations and a transcript of an interview done with Doyle's maternal grandmother Beatrice Firkin.
Willa Cather [From Blackwell Encyclopedia Of Twentieth-Century American Fiction], Melissa J. Homestead
Willa Cather [From Blackwell Encyclopedia Of Twentieth-Century American Fiction], Melissa J. Homestead
Department of English: Faculty Publications
Willa Cather is known primarily for her novels representing the experiences of women immigrants on the Nebraska prairies in the late nineteenth century, but Cather’s 10 novels and scores of short stories’ produced over a career spanning 50 years actually range widely over space and time, from seventeenth-century Quebec to twentieth century New York. A social conservative who proudly identified herself as one of the backward-looking, her experiments with fictional form and her approach to culture nevertheless ally her with modernism. It is, perhaps, the depth and diversity of Cather’s body of work and the impossibility of reducing her achievement …