American Studies Commons^™

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

To Build A Space: A Reading Of Bodies, Temporality, And Urban Colonization, Delaney Tax

Undergraduate Honors Theses

Abstract

Historical and modern urban planning theory often focuses on an idealized body and subject, shaped by race, gender, and sexuality, that exists within the city. This passively and actively divides space into thresholds impenetrable by bodies othered by social and political ideologies. This project looks at the realities of colonial urban planning and the gendered, raced, and queered implications forced onto bodies and communities through the built environment. This investigation examines the frameworks present in colonial urban theory that engender meaning and knowledges onto bodies as they move through the cityscape. Exploring modes of in/access and power along built …

Painting Parisian Identity: Place And Subjectivity In Fin-De-Siecle Art, Chelsea Anne Watts

USF Tampa Graduate Theses and Dissertations

In this thesis I provide analysis of several nineteenth-century artworks in order to elucidate the connections between place and identity as expressed in visual representations of Paris. I utilize Bakhtin's idea of the dialogical as a means of identifying multiple subject positions that might be accessed by particular individuals who live in socially constructed spaces specific to fin-de-siècle Paris. I discuss the construction of three performed identities unique to nineteenth-century Paris: the Flâneur, the bohemian, and the primitivist. In each chapter I will parse out the social construction of the spaces where these identities existed and were performed, and link …