American Studies Commons^™

Writing At The Williamsburg Bray School?, Terry L. Meyers

Arts & Sciences Articles

"I’ve become interested recently in whether writing was taught to the pupils in the Williamsburg Bray School. I had assumed all along that it was, and that the discovery of 40 some slate pencils at the Bray School Dig was confirmation of that.

I’d not been alone in my assumption about the teaching of writing, for the great majority of those interested in the Bray School have affirmed that the curriculum included writing..."

Previously Undocumented Art Criticism By Walt Whitman, Wendy J. Katz

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Whitman’s “Letters from a Travelllling Bachelor,” written for the New York Sunday Dispatch (October 14, 1849, through January 6, 1850) are well known, as is his practice of contributing news about Brooklyn and Brooklyn artists to the Dispatch as well as to other newspapers like the Evening Post.1 But his extended description of a painting by Jesse Talbot, Encampment of the Caravan, in the Evening Post (“Encampment of the Caravan,” April 29, 1851; p. 1), and his critique of the National Academy of Design annual exhibition in the Dispatch of the following year (“An Hour at the Academy of Design,” …

'Each Wise Nymph That Angles For A Heart': The Politics Of Courtship In The Boston 'Fishing Lady' Pictures, Andrea Pappas

Art and Art History

This essay examines the Boston fishing lady embroideries in light of eighteenth-century courtship practice, depictions of women anglers in prints and on decorative porcelain, and recreational fishing in colonial culture. In representing the fishing lady as a successful independent angler, women needleworkers addressed, and even covertly resisted, male control of courtship, a crucial life transaction. The regular placement of the image of the fishing lady in the narratives created by the complex embroideries asserts the woman’s pivotal, if brief, authority in the courtship process.