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Full-Text Articles in American Studies

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn Apr 2019

1st Place Contest Entry: Countering The Current: The Function Of Cinematic Waves In Communist Vs. Capitalist Societies, Maddie Gwinn

Kevin and Tam Ross Undergraduate Research Prize

This is Maddie Gwinn's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won first place. It contains her essay on using library resources, a three-page sample of her research project on how the Czech New Wave and New Hollywood cinema are defined by their agency in preserving and prescribing cultural meaning across their societies while being bound to their economic systems, and her works cited list.

Maddie is a senior at Chapman University, majoring in Film Production. Her faculty mentor is Dr. Carmichael Peters.


3rd Place Contest Entry: Aesthetic Activism: Protest Art In The Delano Grape Strike, Felicia Viano Apr 2019

3rd Place Contest Entry: Aesthetic Activism: Protest Art In The Delano Grape Strike, Felicia Viano

Kevin and Tam Ross Undergraduate Research Prize

This is Felicia Viano's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains her essay on using library resources, a three-page sample of her research project on the use of art as a social movement tactic by the United Farm Workers during the Delano Grape Strike, and her works cited list.

Felicia is a senior at Chapman University, majoring in History and Peace Studies. Her faculty mentor is Dr. Robert Slayton.


Filipinos Depicted In American Culture, Eileen Regullano Sep 2014

Filipinos Depicted In American Culture, Eileen Regullano

e-Research: A Journal of Undergraduate Work

From the early 20th century, Filipinos have been depicted as treacherous savages or as innocent children in America, evidenced in political comics and comments from the time. In today's society, even though the depictions are not as blatantly racist as they were in the early 20th century, Filipinos are dehumanized, exoticized, or idealized and represented in a two-dimensional way. However, this construction of the Filipino identity may be starting to change with the advent of more ardent vocalization by Filipinos with regard to the production of their images.