American Studies Commons^™

Happy Halloween Song For My Grandchildren, Charles Kay Smith

Charles Kay Smith

No abstract provided.

The Akron Offering: A Ladies' Literary Magazine, 1849-1850, Jon Miller

Jon Miller

FREE FULL-TEXT PDF DOWNLOAD From 1849 to 1850, Calista Cummings edited and published Akron's first literary magazine, The Akron Offering. At the time, Akron was a booming canal town on the verge of even greater prosperity. By turns religious, comic, romantic, and political, this extraordinary collection of early midwestern creative literature expresses a wide range of sometimes contradictory opinions on both the important questions of its day and the important questions of today: historical events such as the California Gold Rush of 1849 and the 1848 revolutions in Europe are considered alongside more timeless contemplations on truth, justice, and beauty. …

Fighting Over The Founders: How We Remember The American Revolution, Andrew Schocket

Andrew M Schocket

The American Revolution is all around us. It is pictured as big as billboards and as small as postage stamps, evoked in political campaigns and car advertising campaigns, relived in museums and revised in computer games. As the nation’s founding moment, the American Revolution serves as a source of powerful founding myths, and remains the most accessible and most contested event in U.S. history: more than any other, it stands as a proxy for how Americans perceive the nation’s aspirations. Americans’ increased fascination with the Revolution over the past two decades represents more than interest in the past. It’s also …

Melus: A Community Of Intellectuals Scholars, And Teachers.Pdf, A Yęmisi Jimoh, Phd

A Yęmisi Jimoh

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Blue Bloods, Movie Queens, And Jane Does: Or How Princess Culture, American Film, And Girl Fandom Came Together In The 1910s, Diana Anselmo-Sequeira

Diana Anselmo-Sequeira

This article explores the complex relationship established between young film actresses and their adolescent female fans during the second decade of the twentieth century. In the 1910s, popular press often promoted movie stars in their teens—such as Mary Pickford, Shirley Mason, Mae Marsh, and Lila Lee—as rag-to-riches Cinderellas released from urban squalor due to employment in the motion pictures. Fan magazines also presented these girl stars as blue-blooded princesses, whose royal bloodline enriched American stardom. Such press pageantry invited girl fans to identify with girl stars’ mythologized biographies.

However, the depiction of female movie stars as manufactured blue bloods also …

Postindustrial Societies, Brian Hoey

Brian A. Hoey, Ph.D.

The term postindustrial society presupposes categorizing society based on an economic means of classification. Its use rests on assessing the relative status of manufacturing industry as an economic sector. Significant adjustment in sectoral location and nature of employment precipitated by late-twentieth-century deindustrialization in the developed world led many social theorists and critics to predict broad changes throughout domains of everyday life. Some began to speak not only of sectoral transformation but also of an emergent ‘ postindustrial society. ’ Following earlier agrarian and industrial ‘ revolutions, ’ postindustrialism suggested yet another revolution that would again transform how societies were organized.

Bringing Liturgical Dance Into The Twenty-First Century, Trisha Holmes, Lisa Smith

Trisha Holmes

Dance Is a very powerful and ever changing form of communication found in virtually every civilization on earth. Because it is developing, new forms like Liturgical dance can often go unnoticed by the dance community as a whole. Liturgical dance can be traced back to the early slave churches of the 1700’s where it began as free form worship. Slaves and free “Blacks” gathered in large groups to worship, during these gatherings persons felt compelled by the “spirit of God” to move in wild abandon, like the “ring shout”, a tradition brought to America by the slave trade.(Allen ,“Slave Ships …

The Monster Of Wall Street, Michael A. Stanley

Michael A Stanley

The scathing social satire that is Bret Easton Ellis’ American Psycho uses a unique stream-of consciousness narrative that draws the reader into the text by way of a fascination with the narrator. Patrick Bateman, a wealthy and powerful Wall Street elite who divides his time between giving fashion advice and frequenting New York’s trendiest restaurants and clubs, also happens to be a delusional psychotic and ostensibly a serial killer. Shifting between a narrative that sounds like a schizophrenic’s journal of descent into madness and occasionally addressing the reader directly, Ellis has created a voice for the main character that is …

'The Last Honest Film Critic In America': Armond White And The Children Of James Baldwin, Daniel Mcneil

Daniel McNeil