American Studies Commons^™

Insight From Popular Fiction; Understanding Rather Than Knowledge, Todd Jones

Far West Popular Culture Association Annual Conference

Abstract: People are often recommending popular fiction to each other to provide “insight” into, say, what life is like in a contemporary Jamaican village. But given that such stories are fictional, what does that insight really consist in? In this paper I will argue that such works of fiction can provide understanding, rather than knowledge. I’ll also talk about some things we need to be cautious about with this type of understanding.

Listen Like Thieves - Using Pop Music To Teach Literary Analysis, Foster Engagement, And Build Positive Relationships, William Visco

Far West Popular Culture Association Annual Conference

It has been said that teachers are some of the greatest thieves in the world, stealing ideas and altering them to fit their classes. A resource that is being "stolen from" and increasingly used in classrooms is that of pop culture. I have found that one of the most easily accessible forms of pop culture to use effectively and efficiently is that of popular music. Popular music spans generations and connects millions. I’ll discuss the benefits of connecting curriculum to pop music in order to enrich classroom lessons, enhance student's ability to do literary analysis, and actively engage students while …

“Telling The Trauma: Fiction Of Black Lives & Death”, Frank Dobson

Far West Popular Culture Association Annual Conference

Black trauma and death, particularly by racially motivated violence, represents a significant contemporary crisis in America. Even prior to the Black Lives Matter movement of recent years, several Black writers chronicled historical incidents of such deaths. Philadelphia Fire (2005), by John Edgar Wideman, is a novel inspired by the 1985 police bombing of the Move compound and the resultant deaths of eleven Black people and the destruction by fire of a Black neighborhood. Those Bones Are Not My Child (1999), by Toni Cade Bambara examines the serial killings during the early 1980’s known as the Atlanta Child Murders. Rendered Invisible: …

Happily Ever After: An Analysis Of Romance Novels, William Kirtley

Far West Popular Culture Association Annual Conference

A current plaintive cry of, "I need a book!" is not unusual, yet fulfilling that need in the deadly 2020 coronavirus pandemic is often a godsend. For most, the new normal is unfamiliar territory. However, human beings are adaptable, and often amazingly creative in satisfying a need for escape and distraction. For many (17%) in this difficult time, that is the romance novel. This least respected, most popular genre, written by women for women, represents a cornerstone of popular culture. It is part of what is left after the literati decree what books belong to the canon and what books …

How Pop Cultures Makes For Better Teachers, Jason Olsen

Far West Popular Culture Association Annual Conference

In this talk, I will discuss the benefits of pop culture for educators in two distinct but obviously connected ways: (1) how implementing pop culture in classroom curriculum (in both specific and general ways) can engage our students and improve their overall experience and performance and (2) how academic pop culture research and writing paves a path toward teaching excellence (even when the research is not pedagogically driven). As an Associate Professor of English at Utah State University, I can use examples from my own teaching and research (and how I have managed to merge them together), including how I …

Foucault Fantasy Vi: A Role-Playground For Postcolonial Thought, Greg Jones

Far West Popular Culture Association Annual Conference

This paper adopts the player-focused approach of studying video games to articulate how Final Fantasy VI (FFVI) can be involved in turning the adherents and objectors of Foucault’s discursive approach toward one another in conversation. It advances the thesis that FFVI’s video game experiences – 1) building friendships between members and victims of the Empire, 2) exploring a world ruined by a maniacal striving for power, and 3) confronting radically destructive despair with a shared sense of life-preserving human connectivity – are avenues for authentic and constructive conversations about the strengths and weaknesses of postcolonial thought that …

Ode To A Gym Teacher: The Music Of The Women's Music Movement, Jessica Freyermuth

Far West Popular Culture Association Annual Conference

In the wake of the social and political movements that defined the 1960s, the women’s music movement emerged as a means to cultivate an outlet for young, lesbian musicians who saw themselves as equal to their straight, male counterparts, but were unwilling to compromise their musical integrity in order to perform on major labels. Within this cultural movement were musicians Margie Adam, Meg Christian, Alix Dobkin, Kay Gardner, Holly Near, Linda Tillery, Mary Watkins, and Cris Williamson. Together they created a soundtrack for lesbians throughout the 1970s. There was no unifying genre to the music produced during this movement. Some …

Over The Edge: Suburban Planned Communities, The Second Frontier, And The Rise Of 80s High School Films, Daniel Mcclure

Far West Popular Culture Association Annual Conference

While many 1980s youth-oriented films often sold various images of consumption, Over the Edge was one of the early prototypes of the genre, offering a more sober—a more 70s—outlook on youth attempting to find meaning and identity in a corporate-driven, materialistic space called American suburbia. Both a setting for paradise as well as an existential hell for the youth growing up amidst it, the film mobilizes the West and its frontier-like majesty haunting the characters’ space in the planned development of New Granada—a place where families are safe and entrepreneurs can thrive. Specters of the West haunt the film—from the …

Selections From Divinatio Diver, Sculptural Antipathia In Atonement Transcendo, And Mechanika Momento: Creatio Forecaster, Antonie Frankie Aquino

Far West Popular Culture Association Annual Conference

It is fated inspiration which penetrates the heart, satisfies the collective soul, and offers its spirit to the vastness of ceremonial vision. Vision becomes sound and sound forms a poetic voice displaced— this displacement radiates a mythologized poetic voice serving as a lyrical object, theogonic lyre, and the genealogical muse. Selected poems from Divinatio Diver, Sculptural Antipathia: In Atonement Transcendo and Mechanika Momento: Creatio Forerunner, the collected poems orchestrate a tryptic voice that dismantles the outward magnitude of the self by subverting the antithetical self through spiritual and organic sensualness.This mythopoeic tripartism simultaneously interconnects with religion, theology, and metaphysics which …

“Something There Is That Doesn’T Love A Wall”: The Wall As Catalyst For Resistance In Frost’S “Mending Wall”, James Altman

Far West Popular Culture Association Annual Conference

Literature, Resistance, Ecology, Conflict

A Glass Of Fresh, Clean Water From Lake Baikal, Raluca D. Comanelea

Far West Popular Culture Association Annual Conference

"A Glass of Fresh, Clean Water from Lake Baikal" is the short story that I will read and discuss as part of the creative writing panel for FWPCA 2021.

The Rhetoric Of Spirituality, Gender, And The Environment In The Wicker Man (1973) And Midsommar (2019), Emma Frances Bloomfield

Far West Popular Culture Association Annual Conference

The Wicker Man (1973) and Midsommar (2019) are horror films that address dominant ideologies including the patriarchy, anthropocentrism, and Christianity. Both films have a nature-connected cult that sacrifices for the community and performs rituals informed by pagan eco-spirituality. I perform an ecofeminist rhetorical criticism to analyze how, despite these shared themes, spiritual, gender, and environmental messages differ between the two films. In The Wicker Man, the audience is invited to sympathize with Neil’s character, his Christianity, and his individualistic masculinity as he is sacrificed in the cult’s harvest ritual. Alternatively, the main character in Midsommar, Dani, gets revenge …

She Lives: Bringing The Bride Of Frankenstein To Life In The Comics, Michael Torregrossa

Far West Popular Culture Association Annual Conference

Mary Shelley’s Frankenstein recently celebrated its two-hundredth anniversary, and its story remains vibrant in popular culture, especially in the comics medium. I’ve done a number of conference papers in the past devoted to representations of the Creature and his creator, Victor Frankenstein, in comics and comic art, but I’ve only recently begun to look at how the character of the Bride of Frankenstein has been depicted. I’d like to use this opportunity to further that work and look more closely at continuations and recastings of her story. The Bride has no chance at life in Shelley’s novel, as she is …

“Meet The Fantastic Four”: The Origins And Innovations Of The Fantastic Four, William Nesbitt

Far West Popular Culture Association Annual Conference

No abstract provided.

Lost & Found: Samuel Fuller’S Tigrero And Accidental Ethnography, Andrew Howe

Far West Popular Culture Association Annual Conference

In 1954, Darryl Zanuck commissioned Samuel Fuller to journey to the Amazon and shoot footage of the Karaja tribe, around which the director would construct a screenplay based upon the life of Sasha Siemel, a big game hunter of note. Zanuck had optioned Siemel’s best-selling autobiography, Tigrero. Although John Wayne and Ava Gardner were soon attached to the project, executives at Fox would not sanction a shoot in such a dangerous location. The project was set aside and forgotten.

Nearly 40 years after his visit to Brazil, Fuller would return to the Karaja tribe. Out of this experience came …

Oh, The Places You’Ll Go! Rhetorical Criticism, Samantha Schaffer

Far West Popular Culture Association Annual Conference

Oh, the Places You’ll Go! was written in 1990 by Theodore Seuss Geisel, also known as Dr. Seuss, and has continued to be one of Seuss’s most revered books of all time. While many people receive this book at moments of transition, such as college graduation, I primarily approach the book as an opportunity for parents to use it as a communicative tool to introduce young readers to complex emotions as well as symbolically send them off on their journey. In this paper, I argue that Oh, the Places You’ll Go! creates an approachable way for mental health messages to …

Immortal Celebrities: Tourism In Hollywood Cemeteries, Marta Soligo

Far West Popular Culture Association Annual Conference

This research is a critical study of tourism at four cemeteries in the Los Angeles area between 2013 and 2019. We examined these venues through the lens of celebrity tourism, since they are known as “Hollywood memorial parks,” hosting the graves of some of the most famous stars in the world. Through a qualitative study, we aimed to understand how the relationship between these venues and the entertainment industry works as a “pull factor” for tourists. Firstly, we identified the motivations behind the increasing number of tourists who add Los Angeles cemeteries to their must-see list. Although scholars often define …

“Back In The Saddle: Fallout: New Vegas And Real-World Tourism In Goodsprings, Nevada”, David Schwartz

Far West Popular Culture Association Annual Conference

Fallout: New Vegas, a video role-playing game released in 2012, is set in Southern Nevada in the aftermath of a nuclear war. The action begins in Goodsprings, which is in effect the game’s tutorial space, as the player learns how to move, fight, and interact with others, as well as being exposed to the game’s world and the factions that inhabit it. The game’s Goodsprings was modeled on the real-life town of Goodsprings, with several locations directly modeled on real-life buildings. The Prospector Saloon’s real-world analogue, the Pioneer Saloon, has become a tourist site for the game’s devotees. This …

The Crow: Gothic Vigilantism And 1990'S Alternative Music, Kelly Stith

Far West Popular Culture Association Annual Conference

No abstract provided.