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American Popular Culture

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City University of New York (CUNY)

Television

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Full-Text Articles in American Studies

Bozo The Clown: An Icon As American As An Apple Pie In The Face, Gregory Kent Oswald Feb 2023

Bozo The Clown: An Icon As American As An Apple Pie In The Face, Gregory Kent Oswald

Dissertations, Theses, and Capstone Projects

There is no single path toward the creation of an American icon, a person or item with resonance to all in the country as well as having an ability to serve as a symbol of America itself for those outside the borders. This thesis considers certain elements that propelled the journey of the entertainment for children, Bozo the Clown, into a representational figure in the minds of young and old. Like all things American, his roots include many elements from outside the country: the name derives from foreign tongues mostly in derisory terms, but in at least one instance as …


Brrap Brrap Pew Pew: Representations Of Abortion In Adult Animated Television Comedy, Erika A. Byrnison Feb 2019

Brrap Brrap Pew Pew: Representations Of Abortion In Adult Animated Television Comedy, Erika A. Byrnison

Dissertations, Theses, and Capstone Projects

This thesis documents and analyzes representation of abortion in American adult animated comedy, charging that it is under-examined and significant because representation on television in other genres has traditionally been absent or misleading. It covers theories on how pop culture communicates social norms, and posits that greater truthful representation of abortion in popular culture may be effective in reducing prevalent abortion stigma in the U.S. amongst the young by normalizing and more accurately representing the procedure. It reviews why our culture should be concerned about reducing abortion stigma in the U.S. It also identifies the “taboo ratings paradox,” wherein television …


Television, Kathleen Collins Jan 2012

Television, Kathleen Collins

Publications and Research

No abstract provided.


Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins Jan 2012

Citizen Bunker: Archie Bunker As Working-Class Icon., Kathleen Collins

Publications and Research

Archie Bunker, the central character and patriarch of Norman Lear’s “All in the Family,” (1971-1979) has been referred to as an “everyman” and an “angry-man prototype” with “hard had prejudice.” The name Archie Bunker itself has become synonymous with a blue-collar, racially chauvinistic mentality. The title of the show’s pilot and theme song, “Those Were the Days,” emphasized Archie’s dream of a simpler (though idealized) time, a world that he could understand and upon which he could exert some control. In 1970s America, Archie seemed to feel that the world was against him – economically, socially, politically and culturally – …