American Studies Commons^™

“Well, I’Ve Whispered ‘Racism’ In A Post-Racial World”: Satire And The Absurdity Of “Post-Racial” America, Joseph Gorman

Master’s Theses and Projects

The purpose of this thesis project is to look at the works of contemporary African American satirists as they confront post-racial ideology. In looking at the works of Jordan Peele, Paul Beatty, Mat Johnson, and Boots Riley, thematic threads emerge to form a portrait of dire unrest amongst those non-white identities living in an allegedly post-racial world. Before analyzing the works, I first contextualize the thesis with a brief discussion of satire as a literary genre and African American satire as a literary subgenre, as well as address the emergence of post-racial ideology during the tenure of Barack Obama as …

Harriet Jacobs And Toni Morrison: A Tradition Of Narrative Resistance, Allyson L. Molloy

Theses and Dissertations

This article considers historical constructions of power and the narrative as a mode of resistance. Working in different centuries, under extremely disparate circumstances, Harriet Jacobs in Incidents in the Life of a Slave Girl and Toni Morrison in her novel The Bluest Eye, utilize specific narrative strategies to challenge and question institutionalized power which is evidenced through their deliberate employment of narrative strategies not only to challenge the institution of slavery or the hegemonic ideal, but also to question the racial and gender oppression systemic to those institutions of power.

A Canada In The South: Marronage In Antebellum American Literature, Sean Gerrity

Dissertations, Theses, and Capstone Projects

This dissertation considers maroons—enslaved people who fled from slavery and self-exiled to places like swamps and forests—in the textual and historical worlds of the pre-Civil War United States. I examine a counter-archive of US literature that imagines marronage as offering alternate spaces of freedom, refuge, and autonomy outside the unidirectional South-to-North geographical trajectory of the Underground Railroad, which has often framed the story of freedom and unfreedom for African Americans in pre-1865 US literary and cultural studies. Broadly, I argue that through maroons we can locate alternate spaces of fugitive freedom within slaveholding territory, thereby complicating fixed notions of the …

Architectures For A Future South: Posthumanism And Ruin In The Novels Of Cormac Mccarthy, Joshua Ryan Jackson

Graduate Theses and Dissertations

This thesis reads the novels of Cormac McCarthy as posthuman southern literature to explain why fiction from the South after World War II could no longer convey a sense of place during postmodernity: that is, because the region's culture and economy were transitioning from predominantly humanistic thinking (i.e., believing that humans [and especially southern humans] are supreme beings) to predominantly posthumanistic thinking (i.e., believing that humans are not as supreme as they think they are). It argues that we can trace this ideological change over time via structural shifts in the South’s architectural record, which we see in the ruins …

"Dollars Damn Me": Editorial Politics And Herman Melville's Periodical Fiction, Timothy R. Morris

Theses and Dissertations

To illustrate Melville’s navigation of editorial politics in the periodical marketplace, this study analyzes two stories Melville published in Putnam’s in order to reconstruct the particular historical, editorial, social, and political contexts of these writings. The first text examined in this study is “Bartleby,” published in Putnam’s in November and December of 1853. This reading recovers overtures of sociability and indexes formal appropriations of established popular genres in order to develop an interpretive framework. Throughout this analysis, an examination of the narrator’s ideological bearings in relation to the unsystematic implementation of these ideologies in American public life sets forth a …

Unvarnishing Reality: Subversive Russian And American Cold War Satire, Derek C. Maus

Books

Unvarnishing Reality draws original insight to the literature, politics, history, and culture of the cold war by closely examining the themes and goals of American and Russian satirical fiction. As Derek C. Maus illustrates, the paranoia of nuclear standoff provided a subversive storytelling mode for authors from both nations—including Thomas Pynchon, Robert Coover, John Barth, Walker Percy, Don DeLillo, Kurt Vonnegut Jr., Vasily Aksyonov, Yuz Aleshkovsky, Alexander Zinoviev, Vladimir Voinovich, Fazil Iskander, and Sasha Sokolov.

Maus surveys the background of each nation's culture, language, sociology, politics, and philosophy to map the foundation on which cold war satire was built. By …

Facing East, Facing West: Mark Twain's Following The Equator And Pandita Ramabai's The Peoples Of The United States, Brian Yothers

Brian Yothers

Mark Twain's Following the Equator (1897), a narrative of a journey to the South Pacific, Australia, South Asia, and South Africa, has occupied a small but significant space in the consideration of Twain's wider career as both a travel writer and social critic. Twain's work has not, however, been considered in conjunction with the works of later nineteenth-century South Asian travelers in North America. The present article puts Twain's discussion of India and Ceylon (present-day Sri Lanka) in dialogue with Indian scholar and women's rights activist Pandita Ramabai's 1889 travelogue The Peoples of the United States.

At Home In The City: Urban Domesticity In American Literature And Culture, 1850-1930, By Betsy Klimasmith, Cara Erdheim

English Faculty Publications

Book review by Cara Erdheim.

Klimasmith, Betsy. At Home in the City: Urban Domesticity in American Literature and Culture, 1850-1930. Durham, New Hampshire: University of New Hampshire Press, 2005.

The Rhetorical Effectiveness Of Black Like Me, Hugh Rank

English Faculty Publications

In 1959, John Howard Griffin, a white Southern novelist, disguised himself as a Negro and traveled through the South to experience "what it is like to be a Negro in a land where we keep the Negro down." The brief narrative account of this experience is recorded in Black Like Me, a book which wom the Saturday Review's Anisfield-Wolf award in 1962 for its contribution toward race relations. In brief, why is Black Like Me rhetorically effective?