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Full-Text Articles in American Studies
Trauma Before The Name : Impersonal Violence In Nineteenth-Century American Literature, Carolin Alice Hofmann
Trauma Before The Name : Impersonal Violence In Nineteenth-Century American Literature, Carolin Alice Hofmann
Legacy Theses & Dissertations (2009 - 2024)
The dissertation studies the pre-history of trauma in US American fiction, examining how experiences of large-scale adversity are represented before the concept of psychological trauma emerges in the late nineteenth century. Distinctly modern forms of violence—diffuse, systemic, lacking direction and intent—bring forth less individual and personal experiences of grief and suffering than those imagined by twentieth-century trauma theory. Studying forms of feeling and of genre that make trauma legible historicizes the way a Western idea of modern subjectivity, as white, self-possessed, agential, and split, has shaped out understanding of how a person processes crisis. The dissertation visits three spaces that …
Defining African American Authorship, April Quattlebaum
Defining African American Authorship, April Quattlebaum
Legacy Theses & Dissertations (2009 - 2024)
James Weldon Johnson and Melvin B. Tolson are pivotal figures of the early 20th century. They represent a fundamental question that has been and is indeed still in the minds of African American authors: What is a Black author? African American authorship necessarily involves the challenge of forging a literary identity in the face of a society structurally and temperamentally predisposed to marginalize and dismiss them. In their creative and scholarly works, Johnson and Tolson methodically dissect Black authorship, looking both to the past and to their present situation as they strive to imagine a future for African American literary …
Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono
Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono
Seton Hall University Dissertations and Theses (ETDs)
Jeffrey Jerome Cohen begins his conclusory section of his influential essay “Monster Culture (Seven Theses)” stating, “Monsters are our children. They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return” (52). Yet, Lee Edelman in No Future: Queer Theory and the Death Drive makes a statement which complicates the idea of the monster being “our child” when discussing that the normative (conservative) movement will “recurrently frame their political struggle…as a ‘fight for our children—for our daughters and our …
Grappling With The Aftereffects Of Modernism In American Literature And Culture: Spiritual, Political, And Ecological, Joseph Neary
Grappling With The Aftereffects Of Modernism In American Literature And Culture: Spiritual, Political, And Ecological, Joseph Neary
Master of Arts in English Plan II Graduate Projects
In this portfolio, Joe Neary examines various texts within contemporary American culture, including David Foster Wallace’s short story, “Good Old Neon,” Harmony Korine’s film, Spring Breakers, Richard Powers’ novel, The Overstory, and Bruce Holsinger’s book of criticism, Neomedievalism, Neoconservatism, and the War on Terror.
Meeting Places : The Entanglements Of Poetry And Science In The Modern American Imagination, James H. Searle
Meeting Places : The Entanglements Of Poetry And Science In The Modern American Imagination, James H. Searle
Legacy Theses & Dissertations (2009 - 2024)
“Meeting Places: The Entanglements of Poetry and Science in the Modern American Imagination” explores how Ralph Waldo Emerson, W.E.B. Du Bois, William Carlos Williams, and Muriel Rukeyser responded to the rise of modern science and industrial technology by reflecting on the similarities and differences between the poetic and scientific imaginations. Across four chapters, I show how the growth of the natural and social sciences from the mid-nineteenth to mid-twentieth century spurred these writers to rethink the social and cultural functions of literature in a democratic society. Unlike many of their peers, these figures refused to treat science either as a …