American Studies Commons^™

A Study Of Geo-Regional Place-Consciousness In American Literature, Eugene Slepov

Dissertations, Theses, and Capstone Projects

The ancient Greek notions of topos, or place, and choros, or region, emerge from a an oral, narrative-based tradition that predates geography. These concepts remind us that that best source of material to study place is to be found in literary fiction. American fiction in particular will give us the evidence by which we can compile a qualitative, experiential understanding of the role of place in people’s lives. This dissertation inquires into the formation of the imaginative constructions that characters put upon place—such as through the process of consolidating and dwelling in places—and the way place puts …

Reading In Place: Ordinary Language Philosophy, Wendell Berry, And Post Critique, Calvin L. Coon

MSU Graduate Theses

The twenty-first century, marked by neoliberalism and suspicious, visibly violent far-Right politics, has presented new challenges to critical and literary theorists. In response, some theorists advocate for a postcritical turn, challenging both the surface/depth picture of language and the privileged status of suspicion in interpretation in order to explore alternative pictures of language and reading that can better address the challenges of our own day. In this thesis, I connect one of these alternatives, Toril Moi’s use of Ordinary Language Philosophy in literary studies, to Wendell Berry’s prioritization of place in environmentalist activism. In connecting these two thinkers, I contend …

Girlhood And Engendered Alienation In The Heart Is A Lonely Hunter And A Tree Grows In Brooklyn, Lauren C. Dolese

University of New Orleans Theses and Dissertations

Utilizing a girls’ studies perspective and materialist feminist lens, this paper seeks to put Carson McCullers’ The Heart is a Lonely Hunter (1940) in conversation with Betty Smith’s A Tree Grows in Brooklyn (1943). Besides being published in the early 1940s, both works feature young girls navigating class struggles, exploring their identities, and struggling against dominant ideologies specific to their time and place. McCullers’ and Smith’s novels depict how a patriarchal, capitalist society imposes upon young women a narrow, misogynistic view of themselves and the women around them—facilitating the social reproduction of oppression and alienation. In depicting these realities of …

Hungry For More: American Food Writing And Globalization, Andrew Kleinke

Theses and Dissertations

My dissertation, Hungry for More: American Food Writing and Globalization, investigates several food-focused texts including novels, travelogues, culinary memoirs, and TV shows. I take an interdisciplinary approach by incorporating literary theory into the field of food studies to argue that food texts from the United States reveal a growing anxiety towards what, how, and where we eat. As I show, food writing plays a prominent role in shaping many Americans' interactions with the world. More specifically, I argue that globalization has changed, and continues to transform, access and attachments to food. In the first chapter of my dissertation, I examine …

Reconstructing Queer Outsiders: Intersecting Identities Of Contemporary Gay Ethnic American Poets, Anthony Salazar

Graduate Research Theses & Dissertations

This dissertation explores poetry and memoirs written by recent poets who identify as gay, ethnic, and American. As a result of the complex process of both integrating their intersecting identities and confronting various forms of oppression, the work of gay ethnic American poets has become necessarily more layered than that of their white heteronormative counterparts. They have also transformed a genre traditionally defined by the limited and limiting category “gay” into a multivalent “queer” medium that embraces a futurity of vast and unapologetically ambiguous possibilities. Their very act of emphasizing ethnicity and sexuality in relation to other intersecting identities ultimately …

American Performance: Artistic Experience And The American Dream, Savannah M. Barrow

Electronic Theses and Dissertations

The American Dream was first epitomized by Benjamin Franklin in his Autobiography (1791), in which he instructs his fellow citizens on how to procure the American promises of social mobility and economic prosperity. However, the moral and social performances reinforced by Franklin’s recipe-for-success promote an ideological system that prevents marginalized communities such as women, immigrants, and people of color, from procuring the Dream’s most foundational features. Inequitable access to the Dream is a theme revisited throughout American literature, wherein disenfranchised characters consume the aspirational narrative of American social mobility through art, media, and propaganda. This essay tracks the representation of …

Trauma Before The Name : Impersonal Violence In Nineteenth-Century American Literature, Carolin Alice Hofmann

Legacy Theses & Dissertations (2009 - 2024)

The dissertation studies the pre-history of trauma in US American fiction, examining how experiences of large-scale adversity are represented before the concept of psychological trauma emerges in the late nineteenth century. Distinctly modern forms of violence—diffuse, systemic, lacking direction and intent—bring forth less individual and personal experiences of grief and suffering than those imagined by twentieth-century trauma theory. Studying forms of feeling and of genre that make trauma legible historicizes the way a Western idea of modern subjectivity, as white, self-possessed, agential, and split, has shaped out understanding of how a person processes crisis. The dissertation visits three spaces that …

Defining African American Authorship, April Quattlebaum

Legacy Theses & Dissertations (2009 - 2024)

James Weldon Johnson and Melvin B. Tolson are pivotal figures of the early 20th century. They represent a fundamental question that has been and is indeed still in the minds of African American authors: What is a Black author? African American authorship necessarily involves the challenge of forging a literary identity in the face of a society structurally and temperamentally predisposed to marginalize and dismiss them. In their creative and scholarly works, Johnson and Tolson methodically dissect Black authorship, looking both to the past and to their present situation as they strive to imagine a future for African American literary …

Scenes Of Subversion: How Monstrous Subjectivities Affect Futurity In Gothic Horror, Salvatore S. Dibono

Seton Hall University Dissertations and Theses (ETDs)

Jeffrey Jerome Cohen begins his conclusory section of his influential essay “Monster Culture (Seven Theses)” stating, “Monsters are our children. They can be pushed to the farthest margins of geography and discourse, hidden away at the edges of the world and in the forbidden recesses of our mind, but they always return” (52). Yet, Lee Edelman in No Future: Queer Theory and the Death Drive makes a statement which complicates the idea of the monster being “our child” when discussing that the normative (conservative) movement will “recurrently frame their political struggle…as a ‘fight for our children—for our daughters and our …

Grappling With The Aftereffects Of Modernism In American Literature And Culture: Spiritual, Political, And Ecological, Joseph Neary

Master of Arts in English Plan II Graduate Projects

In this portfolio, Joe Neary examines various texts within contemporary American culture, including David Foster Wallace’s short story, “Good Old Neon,” Harmony Korine’s film, Spring Breakers, Richard Powers’ novel, The Overstory, and Bruce Holsinger’s book of criticism, Neomedievalism, Neoconservatism, and the War on Terror.

Meeting Places : The Entanglements Of Poetry And Science In The Modern American Imagination, James H. Searle

Legacy Theses & Dissertations (2009 - 2024)

“Meeting Places: The Entanglements of Poetry and Science in the Modern American Imagination” explores how Ralph Waldo Emerson, W.E.B. Du Bois, William Carlos Williams, and Muriel Rukeyser responded to the rise of modern science and industrial technology by reflecting on the similarities and differences between the poetic and scientific imaginations. Across four chapters, I show how the growth of the natural and social sciences from the mid-nineteenth to mid-twentieth century spurred these writers to rethink the social and cultural functions of literature in a democratic society. Unlike many of their peers, these figures refused to treat science either as a …

Love And Revolution: Queer Freedom, Tragedy, Belonging, And Decolonization, 1944 To 1970, Velina Manolova

Dissertations, Theses, and Capstone Projects

This dissertation examines literary works by U.S. writers Lillian Smith, Carson McCullers, James Baldwin, and Lorraine Hansberry written in the early part of the postwar period referred to as the “Protest Era” (1944-1970). Analyzing a major work by each author—Strange Fruit (1944), The Member of the Wedding (1946), Giovanni’s Room (1956), and Les Blancs (1970)—this project proposes that Smith, McCullers, Baldwin, and Hansberry were not only early theorists of intersectionality but also witnesses to the deeply problematic entanglements of subjectivities formed by differential privilege, which the author calls intersubjectivity or love. Through frameworks of queerness, racialization, performance/performativity, tragedy, and …

The Jeremiad In American Science Fiction Literature, 1890-1970, Matthew Schneider

Theses and Dissertations

Scholarship on the form of sermon known as the American jeremiad—a prophetic warning of national decline and the terms of promised renewal for a select remnant—draws heavily on the work of Perry Miller and Sacvan Bercovitch. A wealth of scholarship has critiqued Bercovitch’s formulation of the jeremiad, which he argues is a rhetorical form that holds sway in American culture by forcing political discourse to hold onto an “America” as its frame of reference. But most interlocutors still work with the jeremiad primarily in American studies or in terms of national discourse. Rooted in the legacy of Puritan rhetoric, the …

Dresses And Dollars: Domesticity And Economy In Little Women And The Morgesons, Tess Walsh

Senior Theses

Although popular discourse in 19th century America sought to divide public and private life into masculine and feminine spheres, a textual analysis of Little Women by Louisa May Alcott and The Morgesons by Elizabeth Drew Stoddard, which were both written in the later half of the 19th century by New England women writers, demonstrates that domesticity was informed and shaped by economic forces. Details of characters' clothing, homes, dining habits, and social relationships all reveal that far from being a separate sphere, the American home at this time was perhaps the space in which financial status and economic forces were …

Decolonial Resistance In Latinx Writings From Peru To The United States: A Portfolio, Isabel Norwood

Electronic Theses and Dissertations

This collection begins with the premise that colonial relationships manifest in ways beyond exploitation of one nation by another. It relies on the decolonial theory of Walter D. Mignolo in its assumption that imbalances of power in the realms of race gender sexuality and class are fundamentally colonial. With this more expansive understanding of coloniality in mind I examine resistance to colonial exploitation in a range of texts from across the Americas. The first essay in this collection explores the role of the guinea pig in Andean food culture arguing that the continued consumption of guinea pig represents a form …

Rambling Blues: Mapping Contemporary North American Blues Literature, Josh-Wade Ferguson

Electronic Theses and Dissertations

“Rambling Blues: Mapping Contemporary North American Blues Literature” revises the methodological assumptions that have underwritten our understanding of blues literature and the politics of race and region that surround it. Where previous commentators have defined blues literature primarily through its formal and thematic connections with blues music and with the sociohistorical contours of black southern life more generally this dissertation expands the boundaries of how we conceive blues literature by examining Langston Hughes’ poems “The Weary Blues” (1925) and “Po Boy Blues” (1926) August Wilson’s Ma Rainey’s Black Bottom (1984) Jesmyn Ward’s Salvage the Bones (2011) James Hannaham’s Delicious Foods …

Sleight Of Hand: Gender, Performance, And (In)Sincerity In E. D. E. N. Southworth’S The Hidden Hand, Samantha Martin

Scripps Senior Theses

One of the many cultural anxieties that existed during the nineteenth century in antebellum America centered on the dubious status of authenticity of one’s emotions, gender expression, or socioeconomic class. The fluctuating socioeconomic landscape of antebellum America destabilized the logic of categorization, rendering it an ineffectual means by which to evaluate others’ identities. In her novel The Hidden Hand, or, Capitola the Madcap, E. D. E. N. Southworth explores instead of censures the transformative properties of the self, specifically in terms of gender and class. Her interest in this lack of authenticity, or transparency regarding one’s self and intentions, …

Alaska And The Arctic In The U.S. Imaginary, Ryan Charlton

Electronic Theses and Dissertations

Popular narratives of Alaska have long relied on the region’s mythical status as the “last frontier” a perception which enfolds Alaska into a continental narrative of U.S. expansion. This frontier image has foreclosed our ability to appreciate the profound instability which the 1867 Alaska Purchase brought into U.S. national discourse at a time when Americans were eager to adopt a fixed national identity. In the three decades following the purchase Alaska would resist incorporation into the national imaginary challenging the coherence of U.S. national identity and calling into question foundational myths of the United States as a continental and agrarian …

Sickly Sentimentalism: Sympathy And Pathology In American Women's Literature, 1866-1900, Nicole Zeftel

Dissertations, Theses, and Capstone Projects

Sickly Sentimentalism: Pathology and Sympathy in American Women’s Literature, 1866-1900 examines the work of four American women novelists writing between 1866 and 1900 as responses to a dominant medical discourse that pathologized women’s emotions. The popular fiction of Metta Fuller Victor, Elizabeth Stuart Phelps, Sarah Orne Jewett, and E.D.E.N. Southworth mobilized sentimental style and sympathetic affect to challenge the medical trend of treating female sentiment as a sickness. At the level of narrative, this challenge took the form of deviating from the domestic and marriage plots prevalent in women’s popular fiction of their period. Through forms of sentimental writing my …

The French Revolution In Early American Literature, 1789–1815: Translations, Interpretations, Refractions, Courtney Chatellier

Dissertations, Theses, and Capstone Projects

The French Revolution in Early American Literature, 1789-1815: Translations, Interpretations, Refractions, examines the meaning of the French and Haitian Revolutions in early U.S. literary culture by analyzing American novels, periodical fiction, and essays that engaged with French revolutionary politics (by writers including Judith Sargent Murray, Martha Meredith Read, Charles Brockden Brown, and Joseph Dennie); as well as translations and reprints of French texts by writers including Stéphanie de Genlis, Sophie Cottin, and Jean-Baptiste Piquenard that circulated among American readers during this period. Drawing on archival research, and the methodology of book history, this study establishes that translations—though often disregarded by …

Wild Abandon: Postwar Literature Between Ecology And Authenticity, Alexander F. Menrisky

Theses and Dissertations--English

Wild Abandon traces a literary and cultural history of late twentieth-century appeals to dissolution, the moment at which a text seems to erase its subject’s sense of selfhood in natural environs. I argue that such appeals arose in response to a prominent yet overlooked interaction between discourses of ecology and authenticity following the rise and fall of the American New Left in the 1960s and 70s. This conjunction inspired certain intellectuals and activists to celebrate the ecological concept of interconnectivity as the most authentic basis of subjectivity in political, philosophical, spiritual, and literary writings. As I argue, dissolution represents a …

African-American Poetry, Music, And Politics, Tyler H. Macdonald

Honors Theses

The 2016 decision to award songwriter and musician Bob Dylan the Nobel Prize in Literature sparked a worldwide debate on the relationship between music and poetry and raised many questions about music’s place in literary canon. However, this debate is nothing new. Questions about the relationship between music and poetry have long been debated. Some scholars believe the two disciplines should be studied separately, while others prefer to consider the connections between the two.

My project begins with a question: if Bob Dylan’s songs can be considered poetry, what other forms of music might also be considered poetry? Rap implements …

The Significance Of The Game Of Pool In Ernest Hemingway’S “Soldier’S Home”, Molly J. Donehoo

Electronic Theses and Dissertations

In his 1929 A Farewell to Arms, American Author Ernest Hemingway provides the thesis for all of American Modernism when he writes, “the world breaks everyone and afterward many are strong at the broken places” (216). If the world breaks everyone Hemingway’s focus becomes not in the breaking but in the solutions for becoming strong at the broken places. Throughout his canon Hemingway presents the healing rituals and therapeutic patterns that govern sports and game as a solution to becoming strong at the broken places. While critics have closely analyzed and scrutinized some of his most recognized short-stories, stories …

Demanding Spaces: 1970s U.S. Women's Novels As Sites Of Struggle, Kate Marantz

Doctoral Dissertations

This dissertation offers a new view of 1970s gender and race politics in the United States by analyzing struggles in and over space in four women’s novels: Joan Didion’s Play It As It Lays (1970), Toni Morrison’s Sula (1973), Alice Walker’s Meridian (1976), and Marilyn French’s The Women’s Room (1977). My project reads space as a dynamic, politically charged realm of interactions between lived bodies, physical landscapes, and imaginative territories—including the formal characteristics of fiction. Using this critical lens, I highlight how these authors interrogate conditions of sexism and racism by representing their characters making and responding to “demands” for …

True Crime As A Literature Of Advocacy, Leslie Rowen

Undergraduate Theses

True crime is often dismissed as a genre of cheap paperbacks with little literary merit and highly sensational, pornographic content. By contrast, my paper proposes an alternative literary history of true crime which merits further investigation because of its focus on advocating for justice where the justice system failed. I begin with Catharine Williams’ 1833 piece Fall River: An Authentic Narrative, an early example from true crime literature. The text disputes the acquittal of a Methodist preacher for the murder of a female mill worker, arguing that the trial was unfairly slanted in the defendant’s favor. More than a century …

Beyond "Main Street": Small Towns In Post-"Revolt" American Literature, Rachael Price

Graduate Theses and Dissertations

“Beyond Main Street” examines the impact and legacy of the literary movement that Carl Van Doren, in an infamous 1920 article from The Nation, referred to as the “revolt from the village.” This movement, which is widely acknowledged to encompass such writers as Edgar Lee Masters, Sherwood Anderson, and Sinclair Lewis, pushed back against the primacy of the heretofore-dominant pastoral tradition when it came to depictions of rural America. These authors sought to create a more accurate portrayal of the small town, one that, while not completely eschewing the pastoral, also exposed the more seedy side of village life. Critics …

Southern Transfiguration: Competing Cultural Narratives Of (Ec)Centric Religion In The Works Of Faulkner, O’Connor, And Hurston, Craig D. Slaven

Theses and Dissertations--English

This project explores the ways in which key literary texts reproduce, undermine, or otherwise engage with cultural narratives of the so-called Bible Belt. Noting that the evangelicalism that dominated the South by the turn of the twentieth century was, for much of the antebellum period, a relatively marginal and sometimes subversive movement in a comparatively irreligious region, I argue that widely disseminated images and narratives instilled a false sense of nostalgia for an incomplete version of the South’s religious heritage. My introductory chapter demonstrates how the South’s commemorated “Old Time” religion was not especially old, and how this modernist construct …

The Pleasantly Problematic Nature Of J.D. Salinger's Glass Family Stories, Ceasare Joseph Filipelli

UNLV Theses, Dissertations, Professional Papers, and Capstones

The following thesis analyzes the problematic nature of J.D. Salinger’s principal Glass family stories (“A Perfect Day for Bananafish,” “Franny,” “Raise High the Roof Beam, Carpenters,” “Zooey,” “Seymour: an Introduction,” and “Hapworth 16, 1924”) primarily by means of examining errors in narrative structure, complications in constructing a clearly defined sense of spirituality, and a lack of a functional organization between stories. I argue that although these components of Salinger’s Glass family stories ultimately prove to be problematic and account for inconsistencies within the overarching narrative, they are a product of experimentation with form and, as such, should be viewed positively …

Creating Difference: The Legal Production Of Race In American Slavery, Shaun N. Ramdin

Electronic Thesis and Dissertation Repository

This dissertation examines the legal construction and development of racial difference as considered in literature written or set during the final years of American slavery. While there had consistently been a conceptual correspondence between black skin and enslavement, race or racial difference did not become the unqualified explanation of enslavement until fairly late in the institution’s history. Specifically, as slavery’s stability became increasingly threatened through the nineteenth century by abolitionism and racial slippage, race became the singular and explicit rationale for its existence and perpetuation. I argue that the primary discourse of this justificatory rationale was legal: through law race …

A Tale Of Acadie: Le Grand DéRangement Acadien Et Son Identité LittéRaire, Molly I. Parent

Senior Theses and Projects

In 1755, close to 12,000 Acadians, the descendants of French colonists, were expelled by British forces from their home in present-day Nova Scotia. They were then dispersed throughout the thirteen Atlantic colonies of the British Empire and forced to begin their lives anew in the wake of the trauma that they had suffered. This event has since been coined the “Grand Dérangement,” a title that ultimately suggests the havoc that was caused by the disruption of a culture. The Acadians were a people who had separated themselves from the European powers that fought over their land, a people who found …