American Studies Commons^™

“The Way To Dusty Death”: The Feminist Revision Of The Western In Nomadland (2021), Lucas Cicarelli Vieira

FIU Undergraduate Research Journal

The Western film genre is founded upon patriarchal and capitalist conditions embedded deeply within structuralist analyses. The portrayal of the solitary, white male cowboy—with its themes of rugged individualism and phallocentric mannerisms—has affected the depiction of women, people of color, and other marginalized groups across media. These prejudicial structures, though applied throughout the genre, has seen revision in recent productions, most notably by feminist directors of the modern era. In Chloe Zhao’s Nomadland, Western narrative elements and cinematic techniques have been amended to favor genuine testimonials from affected individuals of economic collapse caused by the hubris of industrialists and the …

The Exorcist Effect: Horror, Religion, And Demonic Belief, Sena Nurhan Duran

Journal of Religion & Film

This is a book review of Joseph P. Laycock and Eric Harrelson, The Exorcist Effect: Horror, Religion, and Demonic Belief (New York, NY: Oxford University Press, 2023).

An Overview And Analysis Of The Wire’S First Season, Jack Gullo

Soaring: A Journal of Undergraduate Research

In the Fall of 2023, I had the great pleasure of studying the first season of an HBO drama from the 2000s called The Wire. In this paper, I analyze how creator David Simons made relevant cultural commentary about American capitalism and its effects on the citizens of our cities, specifically Baltimore. Simon derives his knowledge of Baltimore from his years spent as a crime reporter at The Baltimore Sun, which had a profound influence on the realism displayed in the show. This first season of The Wire proves to be sophisticatedly complex, stepping away from traditional cop shows at …

Review Of Empire And Environment: Ecological Ruin In The Transpacific., Hanyue Li

Asian American Literature: Discourses & Pedagogies

A Book Review on Empire and Environment: Ecological Ruin in the Transpacific.

David Henry Hwang’S Yellow Face: Fictional Autoethnography And Parody On Racial Stereotypes, Quan Manh Ha, Jacob Christiansen

Asian American Literature: Discourses & Pedagogies

Hwang’s play Yellow Face (2007), a dramaturgically inventive work, combines multiple narrative forms into a plot that blurs the distinction among social science, social commentary, and fiction. The play is simultaneously self-mocking and self-examining in its representation of the Asian American experience in theatre. It both examines Hwang’s own racial identity and boldly redefines conventional theatrical forms as the playwright places himself at the center of a highly embarrassing, fictional racial controversy in order to scrutinize the performativity of an Asian American identity. This article argues that Yellow Face is fictitious autoethnodrama as it acerbically parodies racialization.

"Loving You No Matter What You Do": Ai's Dramatic Monologues, 1970s Asian American Feminisms, And Reproductive Justice, Catherine Irwin

Asian American Literature: Discourses & Pedagogies

This essay makes visible the 1970s involvement of Asian American and Women of Color feminists in reproductive justice. Grounded in the Asian American feminist praxis of remembering, this essay analyzes how three dramatic monologues by the Asian American mixed-race poet Ai engage with the discourses of reproduce justice set forth by Asian American and Women of Color activists leading up to the 1973 Roe v. Wade decision. Using an Asian American feminist lens, this paper argues that the speakers in Ai’s monologues utilize these discourses circulating about abortion and women’s health care to construct images of the treatment of dispossessed …

In Praise Of Limes, Poets, And Mentors: A Conversation With Shirley Geok-Lin Lim, Noelle Brada-Williams, Elizabeth Asborno

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Twelve: Counting Our Blessings, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Aaldp Cover Volume 12, Joanne Lamb

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Me, Myself, And My Muppets, Sara Jones

Emerging Writers

In this personal narrative, the author explores her relationship and upbringing in relation to Jim Henson’s Muppets. She illustrates her experience at puppet camps, on long Muppet-filled road trips, and the special connection her mother and her share with the Muppets. Find out how the Muppets have shaped the author’s life, morals, and aspirations, as well as how Jim Henson’s creations have influenced and brought joy to past generations and future generations to come.

Is Superman Circumcised? The Complete Jewish History Of The World’S Greatest Hero By Roy Schwartz, Gabriel C. Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In Is Superman Circumcised?, Russell Schwartz provides a historical overview of Jerry Siegel and Joe Shuster's creation of the comic book character Superman, arguing that Siegel and Shuster's backgrounds in Jewish immigrants gives a particularly Jewish subtext to their character. Schwartz builds on this argument with a larger historical overview of American comic book publishing, showing how Judaism and Jewish-American immigrant experiences have informed that industry from its earliest days.

Emerald Fennell's Promising Young Woman (2020): A Psychoanalytic Review Of Masculinity And Rape Culture, Marjorie A. Briones

Access*: Interdisciplinary Journal of Student Research and Scholarship

TW: mentions of sexual violence and rape

When it comes to the subject of sexual violence, there are systemic and cultural effects that prevents assaulters from being properly prosecuted. In the U.S., perpetrators of sexual violence largely consists of heterosexual, white men (RAINN, 2022). So, we begin to question the ways in which sexual violence and masculinity are interconnected. By conducting a psychoanalytic analysis of Emerald Fennell’s 2020 film Promising Young Woman, the ideas of toxic masculinity and “rape culture” will be deconstructed in regard to Cassie’s–the protagonist–story. Theories by Sigmund Freud and Carl Jung will be connected to real-life …

“Started By A Mouse” An Examination Into The Character Of Walt Disney, And The Company That He Built., Micah P. Bellamy

Bound Away: The Liberty Journal of History

Walt Disney's legacy reaches all over the world, which is a far stretch from his humble beginning delivering newspapers in Kansas City. This study will examine Walt Disney's life, starting with his humble beginnings on the farm, his early days as a cartoonist, to the rise of the Walt Disney Corporation. The examination will look at the man, Walt Disney, focusing on his upbringing and the various challenges that he faced throughout his life that shaped the leader that he would later become, and will reveal how, despite the adversities, obstacles, and challenges that Walt faced, and how they shaped …

Panic At The Picture Show: Southern Movie Theatre Culture And The Struggle To Desegregate, Susannah L. Broun

Swarthmore Undergraduate History Journal

This paper explores the complex desegregation process of movie theatres in the southern United States. Building off of historiography that investigates regulations of postwar teenage sexuality and recent scholarly work that acknowledges the link between sexuality and civil rights, I argue that movie theatres had a uniquely delayed desegregation process due to perceived sexual intrigue of the dark, private theatre space. Through analysis of drive-in and hardtop theatres, censorship of on-screen content, and youth involvement in desegregation, I contend that anxieties of interracial intimacy and unsupervised teenage sexuality produced this especially prolonged integration process.

John Wick: Keanu Reeves’S Epic Adventure, Ann C. Hall

Heroism Science

Three films create the John Wick universe and franchise: John Wick (2014), John Wick: Chapter 2 (2017), and John Wick: Chapter 3, Parabellum (2019). A fourth film is scheduled to be released in March 2023. All are wildly popular, and all are criticized for violence, particularly gun violence. I argue, however, that by examining the visual references that appear in all the films, it becomes clear that the films are defending themselves from such attacks through their allusions to ancient and classical epics from around the world. As Wick battles his way through museums and beautiful cities, the film reminds …

Seeing And Interpreting Visions Of The Next Age In Interstellar, Nancy Wright

Journal of Religion & Film

Christopher Nolan’s Interstellar (2014) uses multiple styles of cinematography – documentary, painterly and expressionistic – to guide interpretation of its apocalyptic review of history. Within the prologue and epilogue of the science fiction film, clips from interviews originally filmed for Ken Burns’s The Dust Bowl (2012) invite questions about how to interpret documentary, revisionist and eschatological reviews of history. Cinematography functions as a self-reflexive cue to spectators within and outside the mise-en-scène to engage in eschatological interpretation. The representation of spectatorship and vision reveals the challenge of interpreting prophetic visions of the last things and the next age, which are …

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

Review Of Fang Tang's Literary Fantasy In Contemporary Chinese Diasporic Women’S Literature: Imagining Home, Lilly Chen

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Orientalism Restated In The Era Of Covid-19, Joey Kim

Asian American Literature: Discourses & Pedagogies

This essay bridges a gap between an analysis of anti-Asian targeting and an analysis of Orientalism. Because histories of Orientalism and anti-Asian targeting pre-date the current moment, I demonstrate the centrality of Orientalism to the evolution of xenophobic language and sentiment in U.S.-foreign historical relations. I recount instances of anti-Asian, xenophobic, and “Yellow-Peril” rhetoric in the wake of the global COVID-19 pandemic. In doing so, I examine the racialization of COVID-19 as a trope of orientalism. This racialization, I argue, places the Asian-presenting body in a state of heightened visibility, precarity, and susceptibility to plunder. The newfound precarity of the …

Trusting In Narrative: An Interview With Susan Choi, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Introduction To Volume Eleven: Reading, Writing, And Teaching In The Whirlwind, Noelle Brada-Williams

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Cover Of Volume 11, Emily Chan

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang

CLCWeb: Comparative Literature and Culture

Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …

Religion And Moral Injury In American Vietnam War Films, Mary F. Brewer

Journal of Religion & Film

This essay focuses on the representation of religion in Stanley Kubrick’s Full Metal Jacket (1987), Oliver Stone’s Born on the Fourth of July (1989), and Brian de Palma’s Casualties of War (1989). It explores how religion intersects with the experience of moral trauma at an individual level, and how the films portray moral injury to be as damaging an aspect of war trauma for Vietnam veterans as grievous physical harm. Further, the essay considers how moral injury is a fundamental component of the collective trauma the nation experienced and, in turn, the culture wars that erupted during and after the …

Nomadland: The New Frontiers Of The American Dream At The Periphery Of The Market, Aleksandrina Atanasova, Giana Eckhardt

Markets, Globalization & Development Review

This Dialogue contribution is based around the film Nomadland, which won five Oscars, including Best Film, Best Director, and Best Actress. Nomadland, a captivating ode to resisting market logics of accumulation, delivers a gripping image of what life looks like in the absence of possessions. Navigating between the extremes of lack and social displacement, and community and newfound ability to live life with little, the nomads find ways to live in the face of despair and disenchantment. Nomadland is a critique of the death of the American dream while at the same time a story of solidarity amongst the dispossessed.

Film Review: Mulan (2020), Josefine Pettit

History in the Making

No abstract provided.

Film Review: The Trial Of The Chicago 7, Moises Gonzales

History in the Making

No abstract provided.

“He Who Laughs Last!” Terrorists, Nihilists, And Jokers, William S. Chavez, Luke Mccracken

Journal of Religion & Film

Since his debut in 1940, the Joker, famed adversary of the Batman, continues to permeate the American cultural mediascape not merely as an object of consumption but as an ongoing production of popular imagination. Joker mythmakers post-1986 have reimagined the character not as superhuman but as “depressingly ordinary,” inspiring audiences both to empathize with his existential plight and to fear his terroristic violence as an increasingly compelling model of reactionary resistance to institutionality. This article examines the recent history of modern terrorism in conjunction with the “pathological nihilism” diagnosed by Nietzsche in order to elucidate the stakes and implications of …

Stanley Kubrick, Jewish Filmmaker: A Review Essay, Michael Gibson

Journal of Religion & Film

This is a review of two books: Nathan Abrams, Stanley Kubrick: New York Jewish Intellectual (New Brunswick, NJ: Rutgers University Press, 2018), and David Mikics, Stanley Kubrick: American Filmmaker (New Haven: Yale University Press, 2020).

Tapping The Noir Shadow: Fred Astaire's Solos Of Angst, Anger, And Identity Fragmentation, Elizabeth Drake-Boyt

Journal X

No abstract provided.