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Articles 1 - 8 of 8
Full-Text Articles in American Studies
Back To Black: Analyzing The Presence Of White Control Over Black Representations In Media And The Responses Of Black Creators, Serena Smith
Back To Black: Analyzing The Presence Of White Control Over Black Representations In Media And The Responses Of Black Creators, Serena Smith
Master's Theses
The focus of this thesis largely discusses the perceptions held by White people of Black people and the Black community, and how these discriminatory perceptions have been presented in various forms of consumable media and other societal aspects throughout American history. These racially biased misrepresentations have also negatively affected the progression and internalization of the concept of Black cultural identities for Black people throughout history and how they are able to relate to the rest of American society. I am arguing that contemporary media and films produced by Black creators, such as Cord Jefferson’s 2023 film American Fiction, tend …
Me, Myself, And My Muppets, Sara Jones
Me, Myself, And My Muppets, Sara Jones
Emerging Writers
In this personal narrative, the author explores her relationship and upbringing in relation to Jim Henson’s Muppets. She illustrates her experience at puppet camps, on long Muppet-filled road trips, and the special connection her mother and her share with the Muppets. Find out how the Muppets have shaped the author’s life, morals, and aspirations, as well as how Jim Henson’s creations have influenced and brought joy to past generations and future generations to come.
Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper
Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper
The Kennesaw Journal of Undergraduate Research
This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.
The Turning Point Of Who Shall Be Master: Killer Of Sheep, Naming, Gender, And The Gaze Of African American Women, Sean Davis Watkins
The Turning Point Of Who Shall Be Master: Killer Of Sheep, Naming, Gender, And The Gaze Of African American Women, Sean Davis Watkins
Master of Arts in American Studies Capstones
Charles Burnett’s 1978 award-winning film Killer of Sheep directly responded to the then-popular Blaxploitation genre, holding a mirror up to post-Watts, 1970s America, while exposing and exploring gender and race issues. Moreover, intentionally or not, Burnett, with this film, effectively demonstrated the lack of recognition that Black women faced in domestic, activist, and employment spheres; simultaneously, Burnett conspicuously reified the relegation of women into that silent, domestic sphere while challenging stereotypes of Black men, elevating them and establishing them as humans, capable of hubris, humanity, and vulnerability. This neo-realistic film masterfully rebirthed the African American male identity; unfortunately, though, neglected …
The Legends Of Bigfoot: Or How I Regained My Manhood, Blaine Mccarty
The Legends Of Bigfoot: Or How I Regained My Manhood, Blaine Mccarty
Master of Arts in American Studies Capstones
Masculinity is a culturally defined identity that exists with no single way to express it. However, the cultural politics police masculinity to appear natural and non-changing, but masculinity changes over history influenced by events and the culture from which it gets its definition. Because of this twofold influence on the identity, there is a constant struggle of the appropriate ways to express masculinity in its attempt to normalize itself by defining what is and is not masculine. This work examines how Bigfoot, the hairy fabled monster, embodies conversations about masculinity during a shift in the masculine identity in a constantly …
The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton
The Action Of Grace In Territory Held By The Devil: Flannery O’Connor And Cormac Mccarthy, Scott A. Singleton
The Kennesaw Journal of Undergraduate Research
This paper compares the lives and work of Flannery O’Connor and Cormac McCarthy. The two authors share similarities in their backgrounds, careers, and work. The paper begins with an examination of biographical information of both authors to contextualize their work and note commonalities in their lives and careers. The central idea is that Flannery O’Connor and Cormac McCarthy both create grotesque characters to reveal the depraved condition of humanity in order to highlight the need for redemption and the possibility of divine grace. To prove this, examples are discussed from multiple pieces of work by O’Connor and McCarthy including The …
Pop Culture, Politics, And America's Favorite Animated Family: Partisan Bias In The Simpsons?, Kenneth Michael White, Mirya Holman
Pop Culture, Politics, And America's Favorite Animated Family: Partisan Bias In The Simpsons?, Kenneth Michael White, Mirya Holman
Faculty and Research Publications
An essay is presented on the impact of the political content of the television program "The Simpsons" on the politics, pop culture and viewers in the U.S. It offers an overview of the creation of the show and explores the different aspects of the show, particularly the debate over its so-called partisan bias. It also discusses the criticism from Republicans including former President George H. W. Bush that the show favors the left.
‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer
‘Evil Against Evil’: The Parabolic Structure And Thematics Of William Friedkin's The Exorcist, Larrie Dudenhoeffer
Faculty and Research Publications
This essay examines and deconstructs three sets of antagonisms in William Friedkin's The Exorcist (1973). It argues that the film describes its own narrative conflicts as a thematics of ‘evil against evil,’ so as to de-ethicize the moral violence of those metaphysical dogmatisms that compete over the ‘souls’ of others. It then re-couches the one-sidedness of scientific and religious orthodoxies, which damage in similar ways Regan MacNeil, one of the film's main characters, as another variation of this thematics. Finally, this essay suggests that The Exorcist surveys certain sociopolitical tensions, thus commenting, in its video and theatrical re-releases, ‘timelessly’ on …