Africana Studies Commons^™

Hindu Poetry And The Project Of An Inter-Spiritual Catholic Theology, Francis X. Clooney

Journal of Global Catholicism

This article engages the work of the Indian south Indian Tamil-language Vaiṣṇava poet saints known as the Alvārs. The article specifically focuses the First HundredHoly Linked verses of Poykai Ālvār to argue for inter-spiritual learning between Catholics and Hindus. The article concludes with personal reflections on this encounter within the context of the global Catholic Church

Cecil Taylor, 1950–1976: Theory & Practice In His Own Words, Michelle A. Yom

Dissertations, Theses, and Capstone Projects

Cecil Taylor (1929–2018) was a poet, composer, pianist, and dancer who is widely regarded as one of the founding figures of Free Jazz. Despite this historical significance, Taylor has not been a subject of substantial archival research. Some scholars have written his name into music scholarship through explicitly or implicitly reiterating the notion of “freedom” that circulated among contemporary jazz critics of the late 1950s and the 1960s. Others have focused on analyzing Taylor’s solo piano music, often reducing Taylor’s musical theories and practices into the formal structures of the music itself. To date, the scholarship has simplified Taylor’s work …

Feelings That Drive, Kayla M. Jackson

LSU Master's Theses

Feelings That Drive is an interdisciplinary, multimodal thesis that blends poetry, personal narrative, lyrical essays, and spiritual reflection to explore the complex intersections of Black identity, memory, trauma, resilience, and healing in the contemporary American South. Framed in five thematic sections—Worn, Anxiousness, Desperation, Hopeful, and Restored—the work traverses emotional and geographic landscapes, most notably the author’s home in New Orleans, to trace the cumulative effects of racialized trauma, familial rupture, and spiritual seeking. Through nonlinear storytelling and form-breaking verse, the thesis confronts experiences such as anti-Blackness in institutional spaces, gendered violence, economic precarity, generational silence, and the haunting …

From Page To Stage To Lyrics Database To Page: Breakbeat Poets, Lyrics Databases, And The Textual Capacity Of Hip Hop Verse, Victorio Reyes Asili

Journal of Hip Hop Studies

As a multimedia artistic movement, Hip Hop is known for its contributions across the arts, from music to dance to graphic arts. However, Hip Hop is also a form of poetry, which we can call Hip Hop verse, and it is rooted in performance but also exists in the world as a textual art. While scholars have analyzed Hip Hop’s contributions to the world of poetry, there has yet to be a proper accounting for Hip Hop’s function as a textual poetry that is regularly consumed by Hip Hoppas. Accordingly, this study is focused on Hip Hop’s role as a …

Phillis Wheatley Peters’S British Publicity Campaign, Susan Carlile

ABO: Interactive Journal for Women in the Arts, 1640–1830

Scholarship has tended to place its focus on Phillis Wheatley Peters’ unsuccessful efforts in America, followed by an account of one British figure, the Countess of Huntingdon, who patronized the publication of Poems on Various Subjects in London in 1773. However, the chronology of the British campaign, the modes of print publication, and the locations in which Phillis Wheatley Peters’ words were published deserve closer attention. This essay highlights previously unknown or unremarked upon British publications outside London, the Drewry Derby Mercury, the Ipswich Journal, the Hibernian, and John Gillies’s Memoirs of the Life of the Reverend George Whitefield, …

A Journey To A Black Woman’S (Read Black Girl’S) Joy And Her Story Of Coming Home, Brittany Lauren Brock

Dissertations, Theses, and Capstone Projects

This is an auto/ethnography about the self-actualizing journey of reclaiming storytelling as my native tongue and my journey to joy. Throughout, using my story and the stories of so many others, I not only lay out the wounds (the pain, the loss, then the hope that comes) within the academy and outside in the world but I also use storytelling as a tool of healing—my tool of healing—to show how I wrote myself free.

When Black women (read Black girls) go through The Reckoning (the moment we realize something isn’t right with how we are perceived by others) …

When Is Enough, Enough?, Dominique Williams

Writing Beyond the Prison Living Archive

Essay

The Influence Of Christianity In Swahili Literature: The Case Of Bongo Flavor Poetry Prophesies, Method Samwel

Journal of Humanities and Social Sciences

The influence of religion in Swahili literature has been a centre of Swahili literary scholarship discussions from the 1960s to 1980s. During the time, there were two schools of thought. The first argued that Swahili literature originates from God and that He is the first artist who transmits creative skills to Swahili artists. The second school of thought viewed Swahili literature as a product of socio-economic human activities, and that God has no place in it. By the late 1980s, the discussion on the place of God in Swahili literature appeared to be concluded by a good number of scholars …

The Correlation Between Traditional And Modern Day Performance Poetry: Where Music And Poetry Collide, Jaya Hodges

Capstone Projects and Master's Theses

"Music and poetry have similar roots that have made them both into what they are today. From chants to church hymns, they both have kept the Black community intact during times of sorrow and grief. The words that ride along the rhythm and structure of any song brings an unforgettable emotion out of these art forms. This paper will discuss how they have merged themselves together along with the influences they have made within Jame Weldon's "Lift Ev’ry Voice and Sing" and Lauryn Hill's "Doo Wop (That Thing)".

On Being Seen Or For Those Who Break Like Me, Shanisha K. Branch

English Theses & Dissertations

The nature of truly seeing is something I’ve had a hard time grappling with. If you understand the difficultly of seeing and wanting others to see you that same, then these pages are for you.

Dear Mama, Ikeogu Oke

Journal of Hip Hop Studies

Third of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Better Days, Ikeogu Oke

Journal of Hip Hop Studies

Fifth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Good Thing Going, Ikeogu Oke

Journal of Hip Hop Studies

Sixth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

I Beg Of You, Honey, Ikeogu Oke

Journal of Hip Hop Studies

First of 10 poems written by the late and great Nigerian poet Ikeogu Oke

Whither World?, Ikeogu Oke

Journal of Hip Hop Studies

Second of ten poems written by the late and great Nigerian poet Ikeogu Oke.

Watching The World, Ikeogu Oke

Journal of Hip Hop Studies

Fourth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Native Son, Ikeogu Oke

Journal of Hip Hop Studies

Ninth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Why The Cookie Crumbles, Ikeogu Oke

Journal of Hip Hop Studies

Seventh of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

Go Tell It On The Mountain, Ikeogu Oke

Journal of Hip Hop Studies

Tenth of ten poems written by the late and great Nigerian Poet Ikeogu Oke.

“Blessed Within My Selves”: The Prophetic Visions Of Our Lorde, Flávia Santos De Araújo

Africana Studies: Faculty Publications

This essay discusses the intellectual and poetic work of Audre Lorde and its significance for contemporary global movements for liberation. My discussion considers Lorde’s theorizing of difference and power, as well as her poetic work, as prophetic interventions within the context of the 1960s to the early 1990s. I argue that Lorde’s intellectual and literary work is the result of a black woman’s embodied experiences within the intersections of many struggles—notably, the ones against racism, sexism, and homophobia. This strategic positionality becomes, as I discuss, the centrality of Lorde’s prophetic vision of collective and inclusive liberation: one that permeates past …

The Making And Silencing Of “Axé-Ocracy” In Brazil: Black Women Writers’ Spiritual, Political And Literary Movement In São Paulo, Sarah S. Ohmer

Publications and Research

In this article, I will focus on two influential writers from the south of Brazil, Cristiane Sobral who currently lives in Brasília, from Rio de Janeiro, and Conceição Evaristo who currently lives in Rio de Janeiro state, from Minas Gerais. I got to know them in São Paulo in 2015 at a public event: the “Afroétnica Flink! Sampa Festival of Black Thought, Literature and Culture.” I will include references to some of their younger contemporaries such as Raquel Almeida, Jenyffer Nascimento, and Elizandra Souza, all of whom reside in São Paulo, in order to illustrate the Black Brazilian women writers’ …

Poem - Untitled, Jasmine Mans

Journal of Hip Hop Studies

No abstract provided.

A Matter Of Life And Def: Poetic Knowledge And The Organic Intellectuals In Russell Simmons Presents Def Poetry, Anthony Blacksher

CGU Theses & Dissertations

This dissertation unpacks the poetry, performances, and the production of Def Poetry Jam to explore how a performative art embodied and confronted racial discourses, including stereotypes and also, addressed the racism, patriotism, and imperialist discourses that circulated after 9/11. Def Poetry Jam contributes to the intellectual capacity of spoken word and performance poetry, and poets as intellectuals, where poets produce and disseminate knowledge, ideas, and data, in the form of narratives, that contribute to critical consciousness. The effectiveness of the series lay in the consistent blurring of entertainment, knowledge, anti-capitalism, and capitalism. This research demonstrates how Def Poetry Jam provided …

Jenyffer Nascimento’S Epic Poetry Of Black Female Empowerment Jenyffer Nascimento: A Poesia Épica De Empoderamento Da Mulher Negra, Sarah S. Ohmer

Publications and Research

This article presents results of auto-ethnography, literary analysis, and fieldwork research to answer an underlying, perhaps unresolved, concern, relevant to this dossier: how can we produce an ethical dialogue as transnational Black Feminists, among Black Brazilian women, and North American Black women, in an ethical manner, while realizing that one may (not ever) be a part of the “carnival without you in it.” Fertile Earth/ Terra Fertil tells a long overdue epic story to an audience within the poetry: Black women, family members, other times a Black man, Brazil, white women, or “you,” undefined. Joy to pain to chaos, sensuality, …