Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- Virginia Commonwealth University (75)
- University of Texas at Arlington (55)
- Stony Brook University (54)
- City University of New York (CUNY) (35)
- University of Connecticut (28)
-
- California Polytechnic State University, San Luis Obispo (7)
- Chapman University (4)
- Kennesaw State University (4)
- University of Kentucky (4)
- Claremont Colleges (3)
- Cleveland State University (3)
- University of Louisville (3)
- Washington University in St. Louis (3)
- American University in Cairo (2)
- Bucknell University (2)
- Clemson University (2)
- Dartmouth College (2)
- Georgia Southern University (2)
- Gettysburg College (2)
- Lesley University (2)
- Louisiana State University (2)
- Portland State University (2)
- Purdue University (2)
- SIT Graduate Institute/SIT Study Abroad (2)
- Southern Methodist University (2)
- The College of Wooster (2)
- University of Arkansas, Fayetteville (2)
- University of Central Florida (2)
- University of Massachusetts Boston (2)
- University of Nebraska - Lincoln (2)
- Keyword
-
- Hip Hop (36)
- African American culture (23)
- Performing objects (23)
- Puppetry (23)
- Global (19)
-
- Africana (17)
- Kanye (17)
- Poetry (16)
- Tupac (10)
- Rap (9)
- Black (8)
- Black women (8)
- Hip Hop Feminism (8)
- Slavery (8)
- Race (6)
- Africana Studies (5)
- Colonialism (5)
- Afrofuturism (4)
- Black feminism (4)
- Blackness (4)
- Church (4)
- Diaspora (4)
- Feminism (4)
- Gender (4)
- Hip Hop Studies (4)
- Hip-Hop (4)
- Hip-hop (4)
- Jazz (4)
- Religion (4)
- Social justice (4)
- Publication Year
- Publication
-
- Journal of Hip Hop Studies (73)
- PALARA: Publication of the Afro-Latin/American Research Association (55)
- Writing Beyond the Prison Living Archive (54)
- Living Objects: African American Puppetry Essays (24)
- Dissertations, Theses, and Capstone Projects (17)
-
- Publications and Research (11)
- Electronic Theses and Dissertations (7)
- Feminist Pedagogy (5)
- Theses and Dissertations (4)
- Honors Theses (3)
- All Theses (2)
- Criticism (2)
- Expressive Therapies Capstone Theses (2)
- Honors Scholar Theses (2)
- Journal of Religion & Film (2)
- Open Educational Resources (2)
- Senior Honors Papers / Undergraduate Theses (2)
- Senior Independent Study Theses (2)
- Sport Management Collection (2)
- Student Publications (2)
- Student Theses (2)
- The Journal of Traditions & Beliefs (2)
- Theses and Dissertations--History (2)
- 2020-2021 Afrofuturism Syllabus - Week 20 - "A Past Unremembered: The Transformative Legacy of the Black Speculative Imagination" Exhibit (1)
- ABO: Interactive Journal for Women in the Arts, 1640–1830 (1)
- ASPIRE 2024 (1)
- African American Studies - All Scholarship (1)
- American Studies Faculty Publication Series (1)
- Anthós (1)
- Antioch University Dissertations & Theses (1)
- Publication Type
- File Type
Articles 151 - 180 of 356
Full-Text Articles in Africana Studies
We Are Gullah: A Community Approach To Preserving Gullah Geechee Historical Sites Of Significance, Peter Gaytan
We Are Gullah: A Community Approach To Preserving Gullah Geechee Historical Sites Of Significance, Peter Gaytan
All Theses
The National Register of Historic Places is an inventory established by the National Historic Preservation Act of 1966 that identifies architectural and archaeological sites significant to American history. The National Register was created to encourage the documentation, evaluation, and protection of America’s historic resources. Over 96,000 historic properties, sites, and structures are currently listed on the National Register. Despite the number of historic places listed on the National Register there is still an overwhelmingly low number of sites listed on the National Register relating to underrepresented communities. This thesis assessed the definition of significance laid out in the National Register …
The Black Testament: A Portrait Of Female Genealogy In The African Diaspora, Raven Mcshan
The Black Testament: A Portrait Of Female Genealogy In The African Diaspora, Raven Mcshan
Graduate Theses and Dissertations (2019 - present)
The Black Testament: A Portrait of Genealogy in the African Diaspora is a hybrid work of creative nonfiction and poetry. These pieces are based on my genealogical research into my family history. The collection traces from my discoveries in the present time back through my lived experiences, the lives of my relatives, and the lives of my ancestors. The subject of the work focuses on the women in my family and the various influences they have had in my life. The collection grapples with themes such as black womanhood, diasporic existence, and complex heritage. The traveling back of genealogical research …
The Creation Of Political Survival Strategies By Black Collegiate Women On Virginia’S Predominantly White Campuses, Maya Jenkins
The Creation Of Political Survival Strategies By Black Collegiate Women On Virginia’S Predominantly White Campuses, Maya Jenkins
Departmental Honors & Graduate Capstone Projects
The University of Mary Washington is a liberal arts institution founded in 1908 as a normal and industrial school for women (Our History - About UMW, 2015). Because of its small size, Mary Washington was historically known as Virginia’s “undiscovered gem” (Boyer, 2011). Mary Washington is described as a place built to support the “innovative, passionate, intellectual, and genuine” (Boyer, 2011). However, in 2020, the deaths of Breonna Taylor and Tony McDade and a racial protest that took place near the college’s campus caused many Black collegiate women at Mary Washington to question if their university was built to support …
Giving Voice To The Body: Slam Poetry In The Poet X, Stefanny Leung Yu
Giving Voice To The Body: Slam Poetry In The Poet X, Stefanny Leung Yu
Student Theses
When the world silences her, can slam poetry become her voice? Elizabeth Acevedo, an author and poet, uses her beautiful piece of slam poetry to explore how language can empower marginalized voices, speaking on behalf of those who are usually silenced. The Poet X is a verse novel that narrates the powerful story of a young Afro-Latina girl, Xiomara Batista, who navigates the intersecting pressures of school bullies, family issues, religious conservatism, patriarchal rules, and racialized body politics in her Harlem community. This research engages with Acevedo’s work to focus on how slam poetry serves as a powerful outlet and …
Gentrifying While Black: Exploring The Concept Of An African Homeland Through Gentrification In Accra, Ghana, Amaya Davis
Gentrifying While Black: Exploring The Concept Of An African Homeland Through Gentrification In Accra, Ghana, Amaya Davis
Independent Study Project (ISP) Collection
No abstract provided.
Black Feminist Thought: Black Women's Emerging Power As Agents Of Knowledge, Oluremi Alapo
Black Feminist Thought: Black Women's Emerging Power As Agents Of Knowledge, Oluremi Alapo
Open Educational Resources
To understand the black 21st woman’s struggle to reclaim herself from her experiences from the oppression of Structural Oppression. To discover the new standards of womanhood set after the years of the Atlantic slavery. To examine ways in which Black women can be empowered and also be known as an Agent of Knowledge.
Utopian Promises, Dystopic Realities: Teaching Bell Hooks “No Love In The Wild”, Naimah H. Ford
Utopian Promises, Dystopic Realities: Teaching Bell Hooks “No Love In The Wild”, Naimah H. Ford
Feminist Pedagogy
This original teaching activity discusses bell hooks’ film review of Beasts of The Southern Wild and explains how it can be used to encourage students to recognize how popular culture reproduces and reinforces disturbing paradigms. This original teaching activity, based on hooks’ review “No Love in The Wild,” encourages students to be informed while navigating visual images in popular culture. This activity also explains how hooks’ film review and the film can be used to empower students with strategies to analyze film and other visual images that are seemingly progressive but support the strictures and structures that reinforce patriarchy, racism, …
Sitting Here With You In The Future: Reimagining The Human Through Digital Art, Jared Z. Sloan
Sitting Here With You In The Future: Reimagining The Human Through Digital Art, Jared Z. Sloan
Crossings: Swarthmore Undergraduate Feminist Research Journal
This paper presents a novel construction of the Human that arises from digital art. Taking an interdisciplinary approach incorporating perspectives from queer theory, afropessimism, science and technology studies, and more, I analyze the works of three digital artists: Lucas LaRochelle, Arafa Hamadi, and Natalie Paneng. I chart the ways in which these artists negotiate borders between the physical and digital, human and non-human, and real and fantastical to challenge hegemonic Western ideas about humanity and the individual. I claim that by restricting the information available to the user in various ways, the picture of the Human that emerges from each …
Can Anyone Withhold The Water...?, Brandon Keith Lacey Sr
Can Anyone Withhold The Water...?, Brandon Keith Lacey Sr
Doctor of Ministry Projects and Theses
Abstract
Thesis
Contextualization and indigenization have always been necessary and expected components of establishing Christian communities of faith and practice. Failed or obsolete attempts at contextualization and indigenization in evangelism and missions continue to harm the development of the African American Church. This results in the development of spiritually marginalized communities alienated from the very relationship with God that such communities need. Preventing such spiritual marginalization in communities requires a training curriculum that combines a working theology on appropriate contextualization and indigenization with a framework for practical implementation. The outcome would decrease the tendency to replicate non-contextual religious practice and …
It’S “Hip Hop,” Not “Hip-Hop”, Tasha Iglesias, Travis Harris
It’S “Hip Hop,” Not “Hip-Hop”, Tasha Iglesias, Travis Harris
Journal of Hip Hop Studies
“It’s ‘Hip Hop,’ Not ‘hip-hop’” explains how two Hip Hop scholars, Tasha Iglesias and Travis Harris, collaborated to get the official academic spelling of Hip Hop changed from “hip-hop” to “Hip Hop.” While they were graduate students, they grew frustrated with reading numerous academic texts that did not represent Hip Hop in the same way the culture did outside of academia. Iglesias and Harris are Hip Hop and involved with the culture outside of the classroom. The clash between these two worlds led them to petition the American Psychological Association and eventually speak with Merriam Webster dictionary to change the …
Funk What You Heard: Hip Hop Is A Field Of Study, Journal Of Hip Hop Studies
Funk What You Heard: Hip Hop Is A Field Of Study, Journal Of Hip Hop Studies
Journal of Hip Hop Studies
The complete general issue of volume 9 issue 1.
Foreword, Travis Harris
Hustle In H-Town: Hip Hop Entrepreneurialism In Houston, Brittany L. Long
Hustle In H-Town: Hip Hop Entrepreneurialism In Houston, Brittany L. Long
Journal of Hip Hop Studies
Imagine a sprawling, overheated American megalopolis that epitomizes diversity and segregation in one of the world’s youngest countries. Despite Houston’s history of structural racism and segregation, Houston Hip Hop entrepreneurs built communities and created storied businesses that culminate in a sense of local pride and Hip Hop identity that has not been replicated in the same manner in any other city. An examination of thought-provoking existing scholarship about the Hip Hop South and Hip Hop in Houston, as well as an examination of existing and collected primary sources (interviews) allow me to demonstrate two things: Hip Hop entrepreneurialism is a …
Funk What You Heard: Hip Hop Is A Field Of Study, Travis Harris, Scott "Lyfestile" Woods, Dana Horton, M. Nicole Horsley, Shayne Mcgregor
Funk What You Heard: Hip Hop Is A Field Of Study, Travis Harris, Scott "Lyfestile" Woods, Dana Horton, M. Nicole Horsley, Shayne Mcgregor
Journal of Hip Hop Studies
“Funk What You Heard” is a beaconing call to all scholars who engage with Hip Hop studies. This article lays out the ways in which Hip Hop studies should properly respond to the wave of oppressions currently pounding the world. With several key date markers in place for Hip Hop studies, Tricia Rose’s Black Noise in 1994 and Murray Foreman and Mark Anthony Neal’s That’s the Joint in 2004, “Funk What You Heard” charts the path forward for the future of Hip Hop studies. Black Noise provided the original blueprint for studying Hip Hop and That’s the Joint! stamped “hip-hop …
Hip Hop And Spoken Word Therapy In School Counseling: Developing Culturally Responsive Approaches Book Review, Kalyn T. Coghill
Hip Hop And Spoken Word Therapy In School Counseling: Developing Culturally Responsive Approaches Book Review, Kalyn T. Coghill
Journal of Hip Hop Studies
Hip Hop and Spoken Word Therapy in School Counseling: Developing Culturally Responsive Approaches by Ian Levy maps out the ways in which school counselors can incorporate Hip-Hop into their counseling practices in the K-12 school system. Levy provides examples of lessons they crafted specifically for this type of pedagogy and breaks down Hip Hop's contribution to education and counseling.
“This Ain’T Just A Rap Song”: 2pac, Sociopolitical Realities, And Hip Hop Nation Language, Leah Tonnette Gaines
“This Ain’T Just A Rap Song”: 2pac, Sociopolitical Realities, And Hip Hop Nation Language, Leah Tonnette Gaines
Journal of Hip Hop Studies
2Pac’s music was not merely rap songs. His music was and continues to be a platform for communicating important messages and concerns with his audiences. To relay these messages, he often used Hip Hop Nation Language (HHNL). In this research, I will conduct a linguistic analysis to illustrate how 2Pac’s music communicated sociopolitical realities through his use of HHNL. To construct possible answers for the questions that guided this work, the researcher transcribed, coded, and analyzed a sample size of 2Pac’s music. From the sample of songs used, the researcher was able to detect three common themes throughout, namely relaying, …
Full Issue, Palara Guest Editors
Full Issue, Palara Guest Editors
PALARA: Publication of the Afro-Latin/American Research Association
No abstract provided.
Being La Dominicana: Race And Identity In The Visual Culture Of Santo Domingo, Lydia Platón Lázaro
Being La Dominicana: Race And Identity In The Visual Culture Of Santo Domingo, Lydia Platón Lázaro
PALARA: Publication of the Afro-Latin/American Research Association
Rachel Afi Quinn Review by Lydia Platón Lázaro
Front Matter, Palara Guest Editors
Front Matter, Palara Guest Editors
PALARA: Publication of the Afro-Latin/American Research Association
No abstract provided.
Introduction, Palara Guest Editors
Introduction, Palara Guest Editors
PALARA: Publication of the Afro-Latin/American Research Association
No abstract provided.
Entre La Dignidad Y La Muerte: Mujures Negras Dominación Patriarcal Y Estragias Espaciales De Resistencia En El Oriente De Cali, Libia Diaz-Ulabares
Entre La Dignidad Y La Muerte: Mujures Negras Dominación Patriarcal Y Estragias Espaciales De Resistencia En El Oriente De Cali, Libia Diaz-Ulabares
PALARA: Publication of the Afro-Latin/American Research Association
Grupo de Investigadoras Populares Asociación Casa Cultural El Chontaduro. Review by Libia Diaz-Ulabares
Call For Alara Fall 2024, Palara Guest Editors
Call For Alara Fall 2024, Palara Guest Editors
PALARA: Publication of the Afro-Latin/American Research Association
No abstract provided.
Author Bios, Palara Guest Editors
Author Bios, Palara Guest Editors
PALARA: Publication of the Afro-Latin/American Research Association
No abstract provided.
Social Justice Autobiography, Jeffrey Mckee
Social Justice Autobiography, Jeffrey Mckee
Writing Beyond the Prison Living Archive
Essay
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
The Flow Of (Re)Memory In African American And Nubian Egyptian Literature: Morrison, Oddoul, And Mukhtar, Bushra Hashem
Theses and Dissertations
The purpose of this thesis is to define the term rememory, which Toni Morrison coins in her novel Beloved, and explore its interplay with water imagery in the novel and in two Nubian short stories, namely Haggag Oddoul’s “The River People” and Yahya Mukhtar’s “The Nile Bride.” The three narratives have core common features: they centralize water bodies as key sites of events, they depend heavily on the retelling of history and mythology, and they are told predominantly from the perspective of women. How do the writers weave rememory, history, and mythology to produce these narratives? Are they attempting to …
Ephemeral Elsewheres: Locating Narratives Of Resignation, Resistance, And Refusal In The Poetry Of Black Cuban And Black Brazilian Women, Aidan Keys
Comparative Literature M.A. Essays
This essay dissects the language of Latin American revolution and nationalism to locate the body of the black woman and the appropriation of her image. In two seemingly incommensurable radical movements—the Cuban Revolution (1952-1959) and the Brazilian Unified Black Movement (1978-)—the contributions of Black women are unevenly recognized. Reading the poetry of cubanas Nancy Morejón and Georgina Herrera and brasileiras Sônia Fátima and Esmeralda Ribeiro, this essay claims that in both contexts, the Black woman is marginalized to a geographic “elsewhere.” Expanding on this term, coined by scholar Carol Boyce Davies, this essay further identifies temporal and ephemeral “elsewheres.” The …
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames
Dissertations, Theses, and Capstone Projects
Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …
Authentically (Un)Real Assessing Vh!'S Basketball Wives And Its Violent & Colorist Portrayals Of Black Women., Wilma Denae Powell
Authentically (Un)Real Assessing Vh!'S Basketball Wives And Its Violent & Colorist Portrayals Of Black Women., Wilma Denae Powell
Electronic Theses and Dissertations
Does reality television serve as solely a form of entertainment, or could reality television also be maintaining hegemonic beliefs and reinforcing biased views of Black women? Since 2010, Vh1’s Basketball Wives has given audiences the opportunities to entertain themselves by watching women who are/were married to, dating, or are the mothers of children fathered by professional basketball players. Despite the show’s name, few members of the cast are currently married and audiences only get mere glimpses of the cast in motherly or marital interactions. So, what does Basketball Wives offer audiences who tune in to watch Black women for entertainment? …
International Connection, Domestic Radicalization: The Connection Between East Asia And Black Radicals, Randy O. Felder
International Connection, Domestic Radicalization: The Connection Between East Asia And Black Radicals, Randy O. Felder
War, Diplomacy, and Society (MA) Theses
Utilizing newspapers, journals and pamphlets, this thesis examines the ways that the Black Power movement, primarily in the 1960’s connected with East Asian countries.
Differentiating between the Black Power and the Civil Rights groups, this thesis will show why and how the Black Power movement needed international allies such as China and Vietnam.
Showing that the connection between the East Asia and Black Power groups was due to racism, imperialism, and Maoism, I argue that Black Power individuals/groups were influenced by East Asia and saw these countries as a blueprint for revolution in America. This thesis also analyzes the significance …
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey
Mourning The Marathon: Black Men Rappers, Homicide Survivorship Bereavement, And The Rap Tribute Of Nipsey Hussle, Melvin L. Williams, Justin K. Winley, Justin Causey
Far West Popular Culture Association Annual Conference
Eritrean-American rapper Ermias “Nipsey Hussle” Asghedom’s murder represented a cultural cataclysmic event that startled the hip-hop community and triggered previous memories of Black men’s homicidal deaths in rap and Black American urban communities. Nipsey Hussle’s death inspired touching rap tribute songs by Black men rappers, who sought to commemorate his cultural legacy and express their bereavement pains as homicide survivors. Rap tribute songs occupy a significant history, as rappers historically employed them to honor hip-hop’s fallen soldiers, communicate their homicide survivorship bereavement processes, and speak about social perils in the Black community. Framed by critical race (CRT) and gender role …