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Full-Text Articles in African Languages and Societies

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela Dec 2018

La Leçon De Ouologuem Ou Le Portrait De L'Artiste En « Pisse-Copie, Nègre D'Écrivains Célèbres », Désiré Nyela

Présence Francophone: Revue internationale de langue et de littérature

The transformation of the African griot/storyteller into a writer was built on the sacredness of his mission, animated by the flame of engagement, inspired by blackness. However, the irruption of Ouologuem into the literary scene brought about a Copernican revolution of sorts by paving the way for a parodic reversal in the conception of the writer. Indeed, Ouologuem's knowledge of the asperities of the literary system surrounding the African novelist leads him to deconstruct the sacred character of the writer's figure; a desecration that places the figure of the writer and the fictional characters of his novel on the same …


Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent Jun 2007

Une Révolution Boudjedrienne Des Concepts Historiques : Un Regard De L’Histoire (Fictionnelle) Sur L’Histoire, Laetitia Vincent

Présence Francophone: Revue internationale de langue et de littérature

Rachid Boudjedra binds ingeniously fictional and real history and, beyond historic forgery, this author succeeds in transcribing the authentic events of his country. This article exposes one of the novelist’s historic conceptions through which the reader apprehends History : detailed visions alternate and blend with globalizing visions. For this author, nothing must be abandoned or put aside; by analyzing his novelistic writing, a fictional mosaic, we will come to understand his perspective on History.


L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi Dec 2006

L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.