African Languages and Societies Commons^™

“Other Modernities”: Art, Visual Culture And Patrimony Outside The West. An Introduction, Silvia Naef, Irene Maffi, Wendy Shaw

Artl@s Bulletin

The notion of modernity as a tabula rasa phenomenon that destroys the present in order to build the future is particularly complicated in the case of non-Western settings, where modernization was often understood as erasing local culture in favor of a template borrowed from the West. Historiographies of non-Western arts have mostly followed such a model, viewing fine arts, associated with modernity, as opposed to “traditional” arts, often commodified in the production of nostalgia or marketed for tourists. This article discusses the complexity of art production in non-Western contexts, beyond such reductive classifications.

Latinos And Afro-Latino Legacy In The United States: History, Culture, And Issues Of Identity, Refugio I. Rochin

Professional Agricultural Workers Journal

Introduction

Since my first visit to the campus in 1992, I have looked forward to this event. Tuskegee University is a world famous campus with many firsts in science and higher education. And it gives me great pleasure to speak about Latinos and Afro-Latinos.

My presentation has three objectives: first, to address the historical origins, and challenges facing U.S. Latinos; second, to expand on the national interest in U.S. Latinos and the surfacing issues of our relations with African-Americans, and, third, to advocate coalition building and suggest ways of working together.

I wish to begin by citing a few caveats …

Ethnographic Surrealism: Authorship And Initiation In The Works Of Alejo Carpentier And Lydia Cabrera, Jonathan Torres

Dissidences

JT Torres

Ethnographic Surrealism: Authorship and Initiation

Abstract

This research examines the ways in which two writers, Alejo Carpentier and Lydia Cabrera, assume the roles of author and ethnographer to compose fictional works that also preserve elements of an oral tradition. That tradition is a literacy expressed by the Afro-Cuban drum. Both Carpentier and Cabrera incorporate percussive techniques within their prose to accomplish a mimesis that is just as important aesthetically as it is culturally. Relying mostly on primary sources—the works of Carpentier and Cabrera—and secondary criticism to expand and clarify their dual roles, this research explores how, as artists, …

« Banlieue Noire » : La Question Noire Dans La Littérature Urbaine Contemporaine, Stève Puig

Présence Francophone: Revue internationale de langue et de littérature

Just as the “beur” movement started to flourish in France in the 80’s and the 90’s, a new question has emerged in French society in the last decade: the “black question”, which deals with the place of Africans and Antilleans in French society today. At the same time, a new literary genre has emerged: urban literature, which largely tackles themes related to the presence of Afro-caribbean people in metropolitan France. This article seeks to analyze three urban novels which take place in France, and more specifically how characters situate themselves regarding their Frenchness as the French government attempted to redefine …

Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan

Présence Francophone: Revue internationale de langue et de littérature

Aime Cesaire is a popular writer in Benin. Evidence lies in the increasing number of writers and scholars who have been supporting his ideas since the 60s. His books are on secondary school as well as university curricula. He has enjoyed more attention in the 1990s with the advent of democracy and the notable influence of then Head of State N. D. Soglo who is a keen admirer of his political career. Cesaire is held in such an esteem in Benin because he is capable of going beyond his natal Caribbean and willingly express the sad destiny of Africa ever …

Soleil, Sexe Et Vidéo: La Comédie Populaire Aux Antilles, Françoise Naudillon

Présence Francophone: Revue internationale de langue et de littérature

The comedy of manners presented in the form of play or in the form of sketches or playlet by the medium of videos and DVDs is a phenomenon that develops in Guadeloupe, Martinique and Guyana, but also in France. These productions are the link between communities in the Creole area (Guadeloupe, Martinique and Guyana) and the outside (metropolitan France and diaspora). They will be analyzed for their popular and scholarly features between erudite comedy and farce, between traditional and postcréolitaire cultural affirmation, between Creole and French, between Italian theatre and yardplay, between creole comedy and vaudeville, between negropolitan diaspora and …

Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho

Présence Francophone: Revue internationale de langue et de littérature

The proliferation of fools in independent African nations’ capitals and major cities should have entailed profound analyses. The period after 1804 in Haiti and after 1960 for Africa is marked by irrationality. From this point of view, Aimé Césaire, doom prophet, uses the Haitian past to warn newly independent African nations. The attempt to understand the phenomena has so far been based on psychoanalysis and other euro-centric methods. In this paper, we will attempt to centre our approach on the gaze and thought of the lunatics themselves in order to understand the madness that has taken hold of post-colonial periods. …

Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio

Présence Francophone: Revue internationale de langue et de littérature

The article looks at the causes of large migratory movements in Haiti. Anthropologist Gérard Barthélemy suggests that emigration from the countryside stems from aspects of rural society, namely the need to accumulate wealth to start one’s own production unit and the need to chase out those who will not stick to and perpetuate the rules of the community. However, according to Jean Métellus and Jean-Claude Icart, migration movements are tightly linked to political and historical upheavals, which force people out of the country in search of safety and survival. For many migrants, the consequence is a feeling of loss and …

Du Bateau Négrier À L’Avion Négrier : Haïti, Les Puissances Esclavagistes Et Le Monde Noir, Cilas Kemedjio

Présence Francophone: Revue internationale de langue et de littérature

The main argument of this study may be outlined as follows: colonized communities in the world economy being integrated by means of “historical fatality” from slavery to colonialism and neo-colonialism. The counter-movement of decolonization, as exemplified in the Haitian revolution, was meant to propose a more humane outbreak of enslaved peoples on the world scene. The account of globalization reveals that Haiti was forced into the world economy through the modality of extortion, which denied the most vulnerable members of Haitian society their basic humanity. The failure of the Haitian revolution to reverse the course of historical fatality opened the …

Haïti Et L’Afrique Noire : De La Primauté À La Marginalité, Du Modèle Au Contre-Modèle, André Ntonfo

Présence Francophone: Revue internationale de langue et de littérature

As we know, Haiti, the first Black republic in the world, commemorated the bicentennial of its independence in 2004. This paper examines how that unique experience has been received by the Black world in general and by independent African states in particular, as well look at the place that Haiti occupies in their imagination. This paper will examine Haiti’s role as an ideological place of structuring and as a real space for experimentation with post-colonial strategies applied to independent Black nations, especially in sub-Saharan Africa. The author will demonstrate how Haiti, from its position as a pioneer for these nations, …

Rhétorique De La Réception Des Oeuvres Francophones Dans Présence Africaine, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

This article analyses the Reception discourse towards African and Caribbean Literatures in French. We will analyse some articles published in Présence africaine to show how this journal played a leading part in the promotion of African and Caribbean Literatures in French since its beginning in 1947 to now.

La « Littérature Francophone » En Question, Roberta Hatcher

Présence Francophone: Revue internationale de langue et de littérature

While literatures from Africa, the Caribbean and Québec have been taught in U.S French programs since at least the 1970s, the widespread incorporation of «francophone» literature and culture into all levels of the curriculum is a relatively recent phenomenon. Yet the organization of these heterogeneous fields under the umbrella of Francophone Studies has generated little discussion concerning the field’s definition and its relation to French Studies as a whole. This essay examines the category of Francophone Literature, arguing that it is no longer adequate for understanding today’s complex literary and cultural terrain.