Littérature Congolaise : Imaginaire Et Miroir De L’Urgence Sociale, Ngwarsungu Chiwengo

Présence Francophone: Revue internationale de langue et de littérature

Congolese literature of urgency is the historical conscience which informs the conscience of history, a therapeutic medium which allows the reader to transcend national trauma and to articulate the future. As the foundation of the metadiscourse of Congolese realities, it is the counter-discourse of Western and national cultural domination, the erasure of the national voice, the traumatism of dictatorships, invasions, and political and social conflicts maintained. It therefore condemns theological, political domination and advocates for nationalism, the reconstruction of Congolese identity while affirming Congolese desire to auto-determine their future in a country where truth is extirpated from political euphemisms.

Quelle Modernité Congolaise ? Et Quelle(S) Modalité(S) Pour La Dire ?, Charles Djungu-Simba K

Présence Francophone: Revue internationale de langue et de littérature

This study examines literary production in DR Congo especially with regard to the short story genre. This is based on the work of a generation of young writers who conceive their engagement with a literary field still under the sway of their elders as an avenue for self-assertion in a declining society portrayed through characters that find it difficult to carve a place in the sun. Their works showcase uncommon possibilities of expression that harness the virtues of economy and authenticity, suggesting the traits of what Congolese modernity should not be, given that authors seem to be more concerned with …

What Is The Difference Between “Muslim” And “Islamic”?, Ahmed E. Souaiaia

Ahmed E SOUAIAIA

Positionality And Feminisms Of Women Within Sufi Brotherhoods Of Senegal, Georgia Collins

IdeaFest: Interdisciplinary Journal of Creative Works and Research from Cal Poly Humboldt

No abstract provided.

Nit Nitay Garabame: Analyzing Mental Illness And Art Therapy Within Dakar’S Atelier D’Ex-Pression Artistique, Alaina Orr

Independent Study Project (ISP) Collection

As mental health issues are usually given low priority in countries of sub-Saharan Africa, including Senegal, mental illness continues to be an emerging topic of discourse (Rand 2015). In Dakar, the practice of art therapy has been used for decades to provide those living with mental illness or going through trauma with a method for selfexpression when words fail to articulate their situations or mental states. Situated within Hôpital Fann’s psychiatric hospital, Clinique Moussa Diop, is an art therapy workshop known as l’Atelier d’EX-PRESSION Artistique1, which provides the space, structure, and material for persons with mental illness to work with …

Outliving Love: Marital Estrangement In An African Insurance Market, Casey Golomski

Anthropology

Marital estrangement and formal divorce are vital conjunctures for married women’s kinship relations and life course, where a horizon of future possibilities are revalued and negotiated at the interstices of custom, law, and social and ritual obligations. In this article, after delineating the forms of customary and civil marriage and the possibilities for divorce or estrangement from each, I describe how some married women in Swaziland and South Africa mediate this complex social field for their children and families through pensions and continuing to pay for their partners’ insurance coverage. This was not solely out of avarice to reap future …

Peacebuilding In The Context Of Displacement: Women’S Groups In Internally Displaced Persons (Idps) Settlements In Kenya, Catherine A. Odera

Doctor of International Conflict Management Dissertations

Abstract

Following the 2007-2008 post-election violence in Kenya, 650,000 people, comprising men, women, youth, and children, fled their communities, and found refuge in internally displaced persons (IDPs) camps. Although the Kenyan Government resettled some of the IDPs later in eco-villages and inner city settlements, seven years later there were still 309,200 in IDPs camps across the country. The objective of this qualitative multi-sited single case study is to explore the role of women’s groups in peacebuilding efforts following the post-election conflict. The study focuses on four grassroots-level local women’s groups in the Bankala and Mambira eco-villages and an inner-city settlement …

Tapez Le Tam-Tam And The People Will Come: A Study Of Theater For Social Justice In Kaolack, Senegal, Emily Schwerdtfeger

Independent Study Project (ISP) Collection

This purpose of this study is to examine the effectiveness of theater to create social change and raise awareness of social issues as used by the troupe Bamtaare in Kaolack, Senegal. Further study was done to determine why theater was successful and whether this type of theater can be implemented in the United States. I spent four weeks in Kaolack working with the troupe to understand their methods. While in Kaolack, I observed rehearsals and performances, conducted interview with actors and audience members, and reviewed relevant literature. My research showed that Bamtaare’s performances in urban neighborhoods and rural villages did …

Young, Urban, Professional, And Kenyan?: Conversations Surrounding Tribal Identity And Nationhood, Charlotte Achieng-Evensen

Educational Studies Dissertations

By asking the question “How do young, urban, professional Kenyans make connections between tribal identity, colonialism, and the lived experience of nationhood?,” the researcher engages with eight participants in exploring their relationships with their tribal groups. From this juncture the researcher, through a co-constructed process with participants, interrogates the idea of nationhood by querying their interpretations of the concepts of power and resistance within their multi-ethnic societies. The utility of KuPiga Hadithi as a cultural responsive methodology for data collection along with poetic analysis as part of the qualitative tools of examination allowed the researcher to identify five emergent and …

The Effect Of Past Institutional Structures On Current Economic Development Levels: The Former French African Colonies, Ana May Jerolamon

Senior Honors Projects

By the early 1960’s, most of the French colonies in Africa had gained independence. Since then, these former colonies have reached economic development levels that vary widely by country. This project will argue that while most of these countries were official colonies for less than one hundred years, the institutions that were created during the colonial period still have an effect on the current economic development of such countries. Since political institutions become intertwined with the culture and structure of a country,

they are extremely hard to modify; therefore, we can expect to find the presence of institutions that are …

Ebusua Fie, Dahlia Roberts Nduom

ATL

Honorable Mention

Inspired by the Fanti of Ghana.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Growing up in the Caribbean and currently living in Ghana, I‘ve been interested in the conversation surrounding the development and definition of both a Caribbean‘ style and African‘ style and the cultural, social, political and historical issues that surround this. The competition seemed like a perfect avenue to continue to investigate these interests.

What did you find most interesting or challenging during the research and development of your prototype?

Trying to study and investigate the traditional …

Sakhile, Nicole Nomsa Moyo

ATL

Honorable Mention

Inspired by the culture of the Ndebele and Zulu of South Africa.

Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?

Homeownership and identity are strongly linked. The Sakhile house design embraces and celebrates the present and the past. It is affordable and gives opportunity for growth. The house provides functions that make it sustainable and requires a minimal cost to maintain as the architecture serves and provides from the environment to the family. The house gives the owner independence as the walls act as a …

The Mudina, Kseniya Mamaeva

ATL

Honorable Mention

Symbiosis of African traditional design and modern technology.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I am a student, and so for me it was the opportunity to experiment. The process of creating this project was part of my training. I was interested in exploring the culture of African countries and the peoples of Africa, the nature Africa.

What did you find most interesting or challenging during the research and development of your prototype?

The most difficult part in the development of my prototype was to create home elements, …

Umoja, Mark Gomina

ATL

Honorable Mention

Promoting a synthesis of African design.

What did you find most interesting or challenging during the research and development of your prototype?

It was challenging sorting out the so many research materials gathered from diverse sources, yet it was most interesting and fulfilling to find they all corroborated Umoja‘s values of unity, proportion and functionality.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I was inspired by CPDI‘s laudable initiative towards the development of sustainable/successful African Neighborhoods and communities coupled with my passion for promoting African indigenous Art and Architecture …

The Mask, Marina Ryleeva

ATL

Honorable Mention

Inspired by the symbolism of the African Mask.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The ancient culture of the ethnic groups of Africa. Bright stylized art. Nature. People and indigenous cultures. African masks.

What did you find most interesting or challenging during the research and development of your prototype?

Tracing the history of tribal masks, hard to find good material. Implementing the idea to style.

Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?

I think …

Jali, Miracle David-Adjah, Bismark Achodo

ATL

Honorable Mention

Inspired by the music of Africa.

What inspired you to enter this special competition to create a modern architectural language for Africa?

We are interested in creating an African built environment that will intrigue and attract the world at large.

What did you find most interesting or challenging during the research and development of your prototype?

It was interesting to find out that Africans are deeply connected. In search of land, indigenous people migrated and exchanged aspects of culture. One challenge was that African cultural heritage is not extensively documented. And although we as Africans can get information …

The Gojo, Kalkidan Tesfaye, Filimon Teshome, Hundaol Girma

ATL

Honorable Mention

Inspired by the Sidama of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

We believe that Africa is the most diverse continent in the world, and with all the different cultures, architecture can be practiced with much more creative expression than the rest of the world.

What did you find most interesting or challenging during the research and development of your prototype?

African spaces are the reflection of nature, and so it was interesting to design something that is in a direct connection with nature.

Why do you believe …

Amai, Gratio Ray, Kevin Yamaputra, Cynthia Javanny

ATL

Honorable Mention

Inspired by the people and culture of Zimbabwe.

What inspired you to enter this special competition to create a modern architectural language for Africa?

We are interested to involving ourselves to design prototype of modern architecture of Africa by research on the cultural and philosophical approach.

Why do you believe African home-owners will be interested in building a home such as the one you have submitted today?

We offer a compact living with a flexible space to hold a social activities and emphasizing a sustainability system in water usage.

What did you find most interesting or challenging during …

Noktecture, Ojile Ameh Godswill

ATL

Honorable Mention

Inspired by the Nok terracotta.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I am of the opinion that original African culture has not been fully portrayed especially in our Architecture, at least that is the reason we still run helter-skelter using / adopting Roman classical forms of cornices (concrete fascia), entablatures in a bit to coining ours. I believe if we could only make move to look inwards; there is richness in African originality that if harnessed would yield unfathomable impact. CPDI Africa is a platform we have craved …

The Mena, Julia Mauser, Girum Solomon, Minasie Terefe

ATL

Honorable Mention

Inspired by the art of the Konso people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Our Africa is a continent with unparalleled cultural richness and stories to be told. However, what we are witnessing today is only the smallest fraction of the vast potential we have got. So much resource just sitting by, time moving fast and we seem to be stuck in the present while the whole world speeding pass by us. Instead of laying back and complaining we took it upon ourselves to do something …

Desert Wave, Omelchenko Alisa, Ksenia Bilyk

ATL

Honorable Mention

Inspired by the vernacular architecture of Northern Nigeria.

What did you find most interesting or challenging during the research and development of your prototype?

The most unexpected thing was the huge variety of African architectural typology and forms. Just like any other culture typical for certain area it has its recognizable features, but having examined it deeply we cognized its diversity.

What inspired you to enter this special competition to create a modern architectural language for Africa?

We have always been captivated by Africa’s ancient history and its authentic design, multifaceted culture and the ability to observe it …

Northern Pafta, Gebrekidan G. Debre

ATL

Honorable Mention

Inspired by the culture of the Konso people of Ethiopia.

What inspired you to enter this competition to create a modern architectural language for Africa?

For the past three years I was working on research called Ethioplugin Add-on Library at my campus (EiABC). There the objective, was digitalizing the heritages of Ethiopia such as furniture and fixtures, patterns and textures, construction details, so that they will be accessible by the professionals like interior designers, architects electronically. This made me familiar with working on cultural elements and extracting designed product out of them. I was excited (about the competition) …

Shebaxumite, Liuel Hizikias Ketema

ATL

Honorable Mention

Inspired by the Axumite people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The evolution of African architecture has almost come to a standstill due to western influence. The potential of construction materials used in African designs have a far greater utility in their specific climates or natural conditions as opposed to western materials. It‘s easy to say my inspiration came from my deep passion to explore the potential of African construction materials for what they are truly worth.

What did you find most interesting or challenging during …

Tata, Tan Boon Chiou

ATL

Honorable Mention

Inspired by the vernacular architecture of the Benin people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The culturally rich and diverse nature of the African continent has always fascinated me. The long history of construction skills and know-how displayed by different ethnic groups that reflect the harmonious symphony with the various landscapes and terrains have and would continue to exert the potentials to inspire the architecture of the next generations. For example, the use of fractal geometries, which is native to various tribes of the continent, serves an important …

K'Jong, Nakimuli Thatcher, Lawrence Okoth, Brian Murungi

ATL

Honorable Mention

Inspired by the Karamojong people of Northern Uganda.

What inspired you to enter this special competition to create a modern architectural language for Africa?

Studio Manyatta was created with this very vision in mind. As a team of young designers from various design disciplines, and inspired by the Karamojong one of Africa's most intriguing cultures, we set out to explore what kind of environments Africa would have created with minimal influence from the colonization era. This competition was a chance to carry out his goal on a larger platform.

Why do you believe African homeowners will be interested …

The Ije, Izuchukwu M. Amadi

ATL

Honorable Mention

Inspired by the pyramids of Egypt.

What inspired you to enter this special competition to create a modern architectural language for Africa?

The need to promote and create an indigenous African architectural language using our local materials, methods and also to express the rich heritage of the African people both in design and life style.

What did you find most interesting or challenging during the research and development of your prototype?

The most challenging point of my research was how to use recycled pet bottle for the facade cladding in another innovative way, having used it for my …

Afar Sidama, Amanuale Brook

ATL

Honorable Mention

Inspired by the Afar and Sidama people of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I am interested in vernacular African architecture especially from my home region, Eastern Africa. Its obvious Vernacular architecture is dear to me. How the people have evolved from historical and diverse socio-cultural, climatic conditions and civilizations. Our built environment is a good way to appreciate our progress.

What did you find most interesting or challenging during the research and development of your prototype?

My research into how people survive in the most uninhabitable …

Assita, Jun Yanagimuro, Hayashi Yoichiro, Ignacio Darras

ATL

Honorable Mention

Inspired by the culture of the Burkina Faso.

Why do you believe African homeowners will be interested in building a home such as the one you have submitted today?

In our design, as mentioned before, we focused in one main aspect: giving new perspectives around their existing ways of constructing. We believe to have got in contact with very main aspects of their construction that needed a change and many others that didn´t so, at least for now, we gave priority to the ones we think they should be changed/improved for a better quality of living, of their …

The Irele, Adeyemi Akande

ATL

Honorable Mention

Inspired by the art and architecture of the Yoruba and Hamer people.

What inspired you to enter this special competition to create a modern architectural language for Africa?

I have been tremendously overtaken by the desire to explore a modern cultural identity and outlook for contemporary Africa. A visual identity that MUST stem out of the continent‘s deepest philosophy and interpretation of self. So to find the CPDI competition was a perfect platform for me to finally begin to articulate all the ideas I have been brewing for some time. The CPDI‘s ideology perfectly mirrored my most profound …

Cetiana, Nahom Bekele

ATL

Honorable Mention

Inspired by the people and nations of Ethiopia.

What inspired you to enter this special competition to create a modern architectural language for Africa?

This competition is a chance for young Africans to build their own future, I for that matter was highly inspired to set my footprint on the history of Africa to be made!

What did you find most interesting or challenging during the research and development of your prototype?

The biggest challenge was the availability of accurately recorded historic data. It made the research more intensive

Why do you believe African homeowners will be interested …