Open Access. Powered by Scholars. Published by Universities.®
African Languages and Societies Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Black Panther (7)
- Marvel (7)
- Race (7)
- Superheroes (7)
- Colonialism (2)
-
- Africa (1)
- African-American (1)
- America (1)
- British Empire (1)
- Catholic Church (1)
- Disney (1)
- Documentary (1)
- Education (1)
- Episcopal Church (1)
- Evangelical (1)
- Evangelical Christianity (1)
- Fetish (1)
- Genocide (1)
- Historical memory (1)
- Homophobia (1)
- Homosexuality (1)
- Immaculée Ilibagiza (1)
- Indexes (1)
- Indigenous religion (1)
- Nollywood Films (1)
- Nonfiction film (1)
- Partisan documentary (1)
- Relics (1)
- Rwanda (1)
- Semiotics (1)
Articles 1 - 18 of 18
Full-Text Articles in African Languages and Societies
Cinema, Black Suffering, And Theodicy: Modern God, Terry Lindvall
Cinema, Black Suffering, And Theodicy: Modern God, Terry Lindvall
Journal of Religion & Film
This is a book review of Shayne Lee, Cinema, Black Suffering, and Theodicy: Modern God (Rowman and Littlefield, 2022).
Bravo Burkina!, John C. Lyden
Bravo Burkina!, John C. Lyden
Journal of Religion & Film
This is a film review of Bravo, Burkina! (2022), directed by Walé Oyéjidé.
Mami Wata, John C. Lyden
Mami Wata, John C. Lyden
Journal of Religion & Film
This is a film review of Mami Wata (2023), directed by C.J. "Fiery" Obasi.
The Bible As Relic, Fetish Or Talisman In Nollywood Films: A Semiotic Perspective, Floribert Patrick C. Endong
The Bible As Relic, Fetish Or Talisman In Nollywood Films: A Semiotic Perspective, Floribert Patrick C. Endong
Journal of Religion & Film
Many Nollywood Christian films tap into a plurality of myths and idiosyncrasies prevailing in Nigeria in particular and the Christendom in general. Some of these myths and idiosyncrasies revolve around the perceived magical powers of the Bible, particularly the Holy Book’s ability to neutralize or prevent the designs of paranormal and satanic entities. In line with such Christian myths, many Nollywood Christianity-based films deploy various typologies of artifacts, signs and special effects to represent the Bible as an object which is more than a mere carrier of holy scriptures and the voice of God. In this paper, attention is given …
Films For The Colonies: Cinema And The Preservation Of The British Empire, Thomas Barker
Films For The Colonies: Cinema And The Preservation Of The British Empire, Thomas Barker
Journal of Religion & Film
This is a book review of Tom Rice, Films for the Colonies: Cinema and the Preservation of the British Empire (University of California Press, 2019).
Farewell Amor, John C. Lyden
Farewell Amor, John C. Lyden
Journal of Religion & Film
This is a film review of Farewell Amor (2020), directed by Ekwa Msangi.
This Is Not A Burial, It's A Resurrection, John C. Lyden
This Is Not A Burial, It's A Resurrection, John C. Lyden
Journal of Religion & Film
This is a film review of This Is Not a Burial, It's a Resurrection (2019), directed by Lemohang Jeremiah Mosese.
Reel Pleasures: Cinema Audiences And Entrepreneurs In Twentieth Century Urban Tanzania, Katie Young
Reel Pleasures: Cinema Audiences And Entrepreneurs In Twentieth Century Urban Tanzania, Katie Young
Journal of Religion & Film
This is a book review of Laura Fair's Reel Pleasures: Cinema Audiences and Entrepreneurs in Twentieth Century Urban Tanzania.
Dialectics Of Tradition And Memory In Black Panther, Sailaja Krishnamurti
Dialectics Of Tradition And Memory In Black Panther, Sailaja Krishnamurti
Journal of Religion & Film
This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.
“Hi Auntie”: A Paradox Of Hip Hop Socio-Political Resistance In Killmonger, Daniel White Hodge
“Hi Auntie”: A Paradox Of Hip Hop Socio-Political Resistance In Killmonger, Daniel White Hodge
Journal of Religion & Film
This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.
The Semi-Anti-Apocalypse Of Black Panther, Ken Derry
The Semi-Anti-Apocalypse Of Black Panther, Ken Derry
Journal of Religion & Film
This is one of a series of films reviews of Black Panther (2018), directed by Ryan Coogler.
Black Panther As Spirit Trip, Laurel Zwissler
Black Panther As Spirit Trip, Laurel Zwissler
Journal of Religion & Film
This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler. This review analyzes engagement with the movie as a religious experience and considers some political implications of both its storyline and reception. In particular, the piece focuses on constructions of race, especially in relationship to Africa and African Americans, as well as practical tensions around commodifying dissent.
Racism And Capitalism In Black Panther, Kyle Derkson
Racism And Capitalism In Black Panther, Kyle Derkson
Journal of Religion & Film
This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.
The Ancestral Lands Of Black Panther And Killmonger Unburied, A. David Lewis
The Ancestral Lands Of Black Panther And Killmonger Unburied, A. David Lewis
Journal of Religion & Film
This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.
Ancestors Change Constantly: Subversive Religious Colonial Deconstruction In The Religion Of Black Panther, Jon Ivan Gill
Ancestors Change Constantly: Subversive Religious Colonial Deconstruction In The Religion Of Black Panther, Jon Ivan Gill
Journal of Religion & Film
This is one of a series of film reviews of Black Panther (2018), directed by Ryan Coogler.
I Am Not A Witch, William L. Blizek
I Am Not A Witch, William L. Blizek
Journal of Religion & Film
This is a film review of I am not a Witch (2017), directed by Rungano Nyoni.
A Fight Over Souls: Documentary Films On The Rwandan Genocide With A Christian Theme, Tommy Gustafsson
A Fight Over Souls: Documentary Films On The Rwandan Genocide With A Christian Theme, Tommy Gustafsson
Journal of Religion & Film
The 1994 genocide against the Tutsis in Rwanda have spawned over 150 feature films and feature-length documentaries, making it into the second most audio-visually recreated genocide after the Holocaust. Within this large body of historical films a subgenre have emerged with a distinctive Christian theme. This article explores these Christian themed documentary films about the Rwandan genocide and positions them within a film historical perspective as well as analyzes and contextualizes them as a subgenre of films about the Rwandan genocide within films about genocide in general. Of note are how memory and historiography are used, and the links between …
God Loves Uganda, John C. Lyden
God Loves Uganda, John C. Lyden
Journal of Religion & Film
This is a film review of God Loves Uganda (2013) directed by Roger Ross Williams.