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Full-Text Articles in African Languages and Societies
Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo
Revisiting "Home" In Ghanaian Poetry: Awoonor, Anyidoho And Adzei, Gabriel Edzordzi Agbozo
CLCWeb: Comparative Literature and Culture
The idea of “home” is a significant occurrence in postcolonial literature, as it connects to other ideas as identity, nationhood, and culture. This paper discusses “home” in Ghanaian poetry focusing on three well-regarded poets: Kofi Awoonor, Kofi Anyidoho, and Mawuli Adzei. These poets come from the Ewe ethnic group, and engage with the Pan-African project in both their scholarly and creative expressions. Drawing on John Berger, Sara Dessen, and Ewe thought on the afterlife, this paper suggests two major types of “home” in the works of these three poets: the physical, and the metaphysical. Physical “home” refer to the Wheta …
The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye
The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye
Africana Studies Faculty Publication Series
This paper argues that, contrary to widespread opinion, the poetry of first generation, postcolonial, modernist Nigerian poet, Michael J. C. Echeruo, draws some of its core and defining tropes from indigenous African system of thought and symbolism. The much maligned early poem "Sophia" is subjected to line-by-line close-reading to illustrate this argument. The analysis suggests that, as a matter of fact, "Sophia" can be read as a portal to Echeruo's poetic corpus as a whole.
O Lenço Da Minha Mãe...A Reflection, Alicia Veiga
O Lenço Da Minha Mãe...A Reflection, Alicia Veiga
The Griot
A young Cape Verdean woman reflects on the head scarf worn by her mother. The head scarf serves as a symbol of her mother's strength, culture and constant presence in her life despite a move from Cape Verde to the United States.