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Full-Text Articles in African Languages and Societies

Ogbuu-Kay! The "After Laugh" Lingers On, Chukwuma Azuonye Jan 2010

Ogbuu-Kay! The "After Laugh" Lingers On, Chukwuma Azuonye

Africana Studies Faculty Publication Series

Memorial Tribute to Ogbu Uke Kalu, 1942-2009.


Achebe's Igbo Poems: Oral Traditional Resources And The Process Of ‘Deschooling’ In Modern African Poetics, Chukwuma Azuonye Jan 2010

Achebe's Igbo Poems: Oral Traditional Resources And The Process Of ‘Deschooling’ In Modern African Poetics, Chukwuma Azuonye

Africana Studies Faculty Publication Series

The present paper examines the diction, imagery and other features of language and style in Chinua Achebe's two Igbo poems ("Uno Onwu Okigbo" and "Akuko Kpulu Uwa Iru"). Disposing of charges of plagiarism levied on Achebe on account of his modeling of the poems on well-known Igbo folk songs, the paper argues that what is rather involved in the compositional process is a process of "deschooling" from the strictures of European or Eurocentric conventions of versification. It concludes that a process of "deschooling" of this kind is one way in which African writers can begin their journey back with undivided …


The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye Jan 2010

The African Roots Of Michael Echeruo’S Poetry: A Close-Reading Of ‘Sophia’, Chukwuma Azuonye

Africana Studies Faculty Publication Series

This paper argues that, contrary to widespread opinion, the poetry of first generation, postcolonial, modernist Nigerian poet, Michael J. C. Echeruo, draws some of its core and defining tropes from indigenous African system of thought and symbolism. The much maligned early poem "Sophia" is subjected to line-by-line close-reading to illustrate this argument. The analysis suggests that, as a matter of fact, "Sophia" can be read as a portal to Echeruo's poetic corpus as a whole.