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Full-Text Articles in African Languages and Societies

Trickster Ambivalence In Kwaw Ansah’S Praising The Lord Plus One, Adwoa Opoku-Agyemang Dec 2018

Trickster Ambivalence In Kwaw Ansah’S Praising The Lord Plus One, Adwoa Opoku-Agyemang

Journal of Religion & Film

Kwaw Ansah’s film Praising the Lord Plus One revolves around a crooked charismatic preacher. This paper examines him as one of the manifestations of the West African trickster. Though the figure of the trickster is bound to West African folktales, his familiar, contradictory and ultimately funny features transcend the oral tale to manifest in other media. The article examines Gabriel’s self-transformation into a miracle-maker, his utilization of that identity, and his unmaking. It looks at how biblical exegesis and Christian rites, while apparently major aspects of the film, are reduced to marketing tools for sustaining the trickster ethos. The paper …


Can I Get An “Amen”? Affirming The Contemporary Ghanaian Usage Of Amen, Agana-Nsiire Agana Jul 2018

Can I Get An “Amen”? Affirming The Contemporary Ghanaian Usage Of Amen, Agana-Nsiire Agana

Journal of Adventist Mission Studies

"Altogether then, the claim that amen as used in the instances we have discussed is inappropriate is found to lack firm biblical or etymological foundation. Neither does the suggestion that if it is a vestige of African worship culture then that provides a reasonable ground for thus condemning it. While it is recognized that amen is often babbled from mental laxity, it is suggested that the problem lies not in amen, as a word, but in the person, as a worshipper. Amen is a rich word, capable of communicating a spectrum of positive human intellectual and emotional responses to worship; …


Critical Contextualization: A Case Study Of Lobi Funeral Rites In Burkina Faso, Boubakar Sanou Jul 2018

Critical Contextualization: A Case Study Of Lobi Funeral Rites In Burkina Faso, Boubakar Sanou

Journal of Adventist Mission Studies

"It is very difficult to be relevant in our Christian witness if we do not know and address the issues with which the people we are trying to reach are wrestling. For the gospel to meaningfully engage recipients with the purpose of transforming their worldviews, Christian witnesses must always encode the biblical message in such a way that its content remains faithful to biblical principles but also makes sense to its receptors in terms of its relevance. Such new experiences often challenge them in their social location. The rationale for this is that because the gospel is always received from …


Luther's Understanding Of Grace And Its Implications For Administration Of The Lord's Supper In The Lutheran Church Of Christ In Nigeria (Lccn), Yelerubi Birgamus Jan 2018

Luther's Understanding Of Grace And Its Implications For Administration Of The Lord's Supper In The Lutheran Church Of Christ In Nigeria (Lccn), Yelerubi Birgamus

Master of Theology Theses

This thesis will describe Luther’s understanding of grace and its centrality for the Lutheran understanding of the Lord’s Supper. The thesis will also describe and analyze theological and pastoral problems of withholding the sacraments to non-communicant members by the LCCN, which claims to follow after Luther’s teaching. This thesis is not anti-church discipline, but rather, will argue for a better form of church discipline than withholding the Lord’s Supper from the excluded members of the church. The thesis will also provide some suggestions for a better form of church discipline than withholding communion from excluded members of the church. This …


Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner Jan 2018

Living Tradition: Contemporary Ethiopian Christian Art From The Sobania Collection, Neal Sobania, Charles Mason, Nina Kay, Andie Near, Raymond Silverman, Tom Wagner

Kruizenga Art Museum Exhibition Catalogs

Produced by Storming the Castle Pictures for the Kruizenga Art Museum as a catalog for the exhibition “Living Tradition: Contemporary Ethiopian Contemporary Art from the Sobania Collection,” September 21 – December 15, 2018. Photography by the Kruizenga Art Museum, Neal Sobania, Raymond Silverman and Tom Wagner. Design by Tom Wagner.