African Languages and Societies Commons^™

The Militarization Of Prayer In America: White And Native American Spiritual Warfare, Elizabeth Mcalister

Elizabeth McAlister

This article examines how militarism has come to be one of the generative forces of the prayer practices of millions of Christians across the globe. To understand this process, I focus on the articulation between militarization and aggressive forms of prayer, especially the evangelical warfare prayer developed by North Americans since the 1980s. Against the backdrop of the rise in military spending and neoliberal economic policies, spiritual warfare evangelicals have taken on the project of defending the United States on the “spiritual” plane. They have elaborated a complex theology and prayer practice with a highly militarized discourse and set of …

Citizenship Without Borders: Understanding Empathy And Domestic Direct Service As Powerful Approaches To Making Global Connections That Matter, Courtney Tielking

Honors College Theses

By unraveling a case study on Georgia Southern University's Alternative Break program, this research examines the relationship between empathy and globalization. Alternative Breaks are week-long trips, during University holidays, which facilitate and encourage direct service, immersion in a specific social issue, and guided reflection sessions. Four active Alternative Break participants and advisors were interviewed to outline accurately and depict their experience with culture-based Alternative Break trips. Their stories demonstrate an alternative to traveling abroad in order to achieve a sense of global citizenship. The research suggests that through empathy and direct service, one can become a global citizen without ever …

Historic Black Lives Matter: Archaeology As Activism In The 21st Century, Kelley F. Deetz, Ellen Chapman, Ana Edwards, Phil Wilayto

African Diaspora Archaeology Newsletter

May 19, 2015 would have been Malcolm X’s 90th birthday, and fifty years after his assassination we are still dealing with the ghosts of slavery, Jim Crow, and the manifestations of institutionalized racism. While much progress was made from the Civil Rights Movement, we still have far to go. This past year brought the topics of slavery, civil rights, and racism back into the mainstream. These stories are not new for those of us who work tirelessly to chronicle these historical and contemporary narratives in an attempt to educate the public about Black history. The “New Civil Rights Movement” launched …

Education, Crystal C. Gray

Eddie Mabry Diversity Award

Education is a spoken word poem that explores many aspects of the African American struggle within (self-knowledge). It starts with an African American college student who is disappointed with the lack of courses about her culture. Most curricula in the United States tend to be from a Eurocentric perspective, leaving out a multitude of information about people of color. All groups of people of color have unique experiences, however, African Americans have the most known (or perhaps I should say, unknown) history. The standard explanation of their existence is often limited to the start of the Trans-Atlantic Slave Trade, when …

Fearless Friday: Justina Molokwu, Christina L. Bassler

SURGE

Justina Molokwu ’17 has been fearlessly involved on campus in her first two years at Gettysburg contributing to the College’s goals of diversity, equity, and inclusion. A Psychology and Organization and Management Studies double major and a writing minor, the list of Molokwu’s extracurricular involvement is impressive: Diaspora House house leader, Diversity Peer Educator, Vice President of GASA, and Career Development Liaison for BSU. In addition, she works at the Den, with Residence Life, for the Psychology Department, with the Women’s Center, and is a member of the Gettysburg Cheerleading squad. [excerpt]

Richmond’S Archaeology Of The African Diaspora: Unseen Knowledge, Untapped Potential, Ellen Chapman

African Diaspora Archaeology Newsletter

No abstract provided.

Don’T Call It A Comeback, We’Ve Been Here For Years: Reintroducing The African Diaspora Archaeology Newsletter, Kelley Deetz

African Diaspora Archaeology Newsletter

No abstract provided.

Related Media And Additional Reading

African Diaspora Archaeology Newsletter

No abstract provided.

The Significance Of Richmond's Shockoe Bottom: Why It's The Wrong Place For A Baseball Stadium, Ana Edwards, Phil Wilayto

African Diaspora Archaeology Newsletter

No abstract provided.

The Thread: Reflections On #Blacklivesmatter And 21st Century Racial Dynamics, Kelley Deetz

African Diaspora Archaeology Newsletter

No abstract provided.

Creating Knowledge, Volume 8, 2015

Creating Knowledge

Dear reader,

I am delighted to introduce this eighth volume of Creating Knowledge: The LAS Journal of Undergraduate Scholarship. This volume features 19 essays and 14 art works, representing advanced coursework produced in twenty different departments and programs during the 2014-2015 academic year. Several of the essays have been honored with department awards and several draw on research supported by undergraduate research grants. Many were originally written in senior capstone seminars, research-intensive seminars, and independent studies, and many were presented in some form at one of the numerous conferences and showcases sponsored by departments and programs throughout the year. All …

And I Heard 'Em Say: Listening To The Black Prophetic, Cameron J. Cook

Pomona Senior Theses

This thesis aims to explore how conceptions of the black prophetic tradition, as discussed by thinkers Cornel West and George Shulman, might be expanded into the realm of African American musical traditions and genres. I argue that musical genres like the blues and hip-hop function as an affective discourse that aesthetically, politically and religiously function as sites of resistance to white supremacy and provide alternate pathways to liberation as compared to more canonical instantiations of the black prophetic. In particular I provide close readings of performances and art by Nina Simone and Kanye West.