Arts and Humanities Commons^™

Review Of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century, By Margaret J. M. Ezell, Karen Griscom

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of The Oxford English Literary History: Volume 5: 1645–1714: The Later Seventeenth Century by Margaret J. M. Ezell.

Clarice Lispector: From Brazil To The World, Earl Fitz

Purdue Studies in Romance Literatures

Clarice Lispector: From Brazil to the World explains why the Brazilian master was so transformative of modern Brazilian literature and why she has become such a celebrity in the world literature arena. This book also shows why Lispector is not one writer, as many think, but many writers. By offering close readings of her novels, stories, and nonfiction pieces, Earl E. Fitz shows the diverse sides of her literary world. Chapters cover Lispector’s devotion to language and its connection to identity; her political engagement; and her humor, eroticism, and struggle with the concept of God. The last chapter seeks to …

From Initial Opportunities To The Awakening: A Paradoxical View Of The Rise Of Women's Literature, Rebecca Christensen

The Thetean: A Student Journal for Scholarly Historical Writing

The 1800s saw the broadening of the female press with an expanded audience and increasing numbers of women writers. These women, following the admonition of Sarah Hale, emphasized the role of women as defenders of morality. Women, they believed, functioned in a separate sphere and their writing stressed women's proper place in family and home environments. The strong literary foundation created by the success of these women, however, paradoxically lead to the emergence of Kate Chopin, whose works reject the conventional model of women as the ideal of virtue and demonstrate women's needs as an individuals.

Review Of Berke, Their Own Best Creations, Cynthia Meyers

Journal of 20th Century Media History

Review of Their Own Best Creation: Women Writers in Postwar Television, by Annie Berke.

Broadcast History Gaps When Archival Material Exists: Inserting Peg Lynch And Ethel And Albert Into Sitcom History, Lauren Bratslavsky

Journal of 20th Century Media History

Lucy and Desi. Burns and Allen. Ozzie and Harriet. Ethel and Albert? The first three television couples tend to be the familiar husband-wife pairs that typify American 1950s sitcoms. These characters and their namesake programs, along with the Andersons in Father Knows Best and the Cleavers in Leave it to Beaver, are credited as templates for the domestic sitcom genre, where the narrative logic oscillates between morality lessons and outlandish plots to escape domestic life. When we study or reminisce about 1950s television, Ethel and Albert and their namesake program do not readily come to mind. However, the popularity …

Smarginatura: The Art And Politics Of Elena Ferrante, Ryan A. Lillestrand

Claremont-UC Undergraduate Research Conference on the European Union

In the Neapolitan Quartet, a sprawling epic following the lives of two women in post-war Italy, the author, Elena Ferrante, explores the intimate relationship between politics and art, pushing at the borders we often construct between the two. At a particularly critical moment in the novels, the central character, Elena Greco, a poor girl from Naples who rises to the position of a successful novelist, is told by her more politically radical friends that she is not doing enough, that “this, objectively, is not the moment for writing novels.” But then, when is? The current political climate in Italy is …

Introduction To The Special Issue: Celebrating Unheard Voices Of Charismatic Women In Indian Writing In English, Smita Jha, Bhushan Sharma, Aruni Mahapatra

Journal of International Women's Studies

No abstract provided.

Hanakatsura: The Works Of Famous Literary Women In Japan, Tei Fujiu (Trans.), Kaho Miyake, Ichiyo Higuchi, Usurai Kitada, Otsuka Kusuo, Paul Royster (Ed.)

Zea E-Books Collection

Originally published in Tokyo in 1903, Hanakatsura (literally “garland of flowers”) features a biographical sketch of the activist and author Kishida Toshiko (Baroness Nakajima) plus four short stories by Japanese women writers of the Meiji era:

Akebonozome: A Cloth Dyed in Rainbow Colors, by Kaho Miyake

Ōtsugomori: The Last Day of the Year, by Ichiyo Higuchi

Onisenbiki: The Thousand Devils, by Usurai Kitada (Mrs. Kajita)

Shinobine, by Otsuka Kusuo

Compiled and translated by Tei Fujiu, four memorable and affecting stories depict women experiencing the frustrations of traditional family roles within an emergent commercial society at the turn of the century. …

Rosal De María By Soror Maria Do Céu: A Pedagogical Edition And Literary Analysis, Bailey Willden

Undergraduate Honors Theses

Soror Maria do Céu’s Rosal de María, second of the five plays published in her work Triunfo do Rosario, is an exemplary work of early modern convent drama because the didactic, allegorical purposes of the play interact with rich symbolism and mastery of the literary conventions of the day. Written to perform as part of the celebrations for the Feast of the Rosary, Rosal de Maria fulfills the same purpose of the Rosary itself, leading worshipers in their contemplation on the life of Christ. She creates a living Rosary on the stage by employing elements like floral imagery, transferred classicism …

“I, Too, Am An Occupied Territory”: Border Crossings And Personal Sovereignty In Three Novels By Dominican American Women, Leia M. Lynn

Electronic Theses and Dissertations

Border crossing(s) and personal sovereignty are intimately and complexly connected in novels by and about Dominican American women. Through readings of In the Name of Salomé by Julia Alvarez, Dominicana by Angie Cruz, and The Poet X by Elizabeth Acevedo, I argue that patriarchal forms of authority remove female autonomy by trespassing on personal boundaries, and that the renegotiation of that power is achieved through formations of community, especially with other women, through nonheteronormative relationships that are present inside and extend outside the text. The interplay of patriarchal authority, violence, and alienation on the four protagonists is examined at length, …

The Terrors Of Everyday Life: The Gothic Novel As A Woman's Conduct Guide To Survival, 1791-1817, Jessica Berg

Electronic Theses and Dissertations

The Gothic is often associated with the fantastical, with people and events that only take place within our darkest nightmares. In my thesis, I explore how, in the hands of Ann Radcliffe and Jane Austen, the Gothic exposes the hidden dangers of reality perpetuated by conduct literature. Within conduct manuals, thousands of regulations direct women’s behaviors and identify the perfect woman as one who exists passively within the safety of the domestic sphere. Radcliffe’s The Romance of the Forest (1791) and Austen’s Northanger Abbey (1817) engage in subterfuge against eighteenth-century conduct literature and expose the realities of the domestic sphere: …

Visions: Re-Historicizing Genre: Teaching Haywood’S The Adventures Of Eovaai In A Fantasy-Themed Survey Course, Megan E. Cole

ABO: Interactive Journal for Women in the Arts, 1640-1830

Eliza Haywood is an increasingly popular author to assign in eighteenth-century literature courses. But Haywood is also a prime figure to represent the eighteenth century in courses with a broader scope. This essay proposes teaching The Adventures of Eovaai in a fantasy-focused, introductory-level survey of British Literature. Identifying Eovaai as part of the fantasy tradition leverages students’ prior knowledge and facilitates teaching this complex novel to first-year students. Eovaai provides a wealth of topics for class discussions and activities, including the development of the novel as a genre, identity and othering in fantasy literature, and the use of fantasy conventions …

Figures Of Virtue: Margaret Fell And Aemilia Lanyer's Use Of Decorum As Ethical Good Judgment In The Construction Of Female Discursive Authority, Kirsten Marie Osmani

Theses and Dissertations

Understanding how the Renaissance rhetorical curriculum taught style as behavior makes it possible to unite the study of women writers' identities with formal criticism. Nancy L. Christiansen shows that early modern humanists built on the Isocratean tradition of teaching rhetoric as an ethical practice because they adopted and developed lists of rhetorical figures so extensive as to encompass all human discourse, thought, and behavior. For them, knowing, selecting, and applying these various forms was the ethical practice of good judgment, also called decorum. This type of decorum plays an important role in the rhetorical function of two key texts by …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Le Lyrisme Chrétien Chez Anne De Marquets : Étude Et Édition De Ses Divines Poesies De Marc Antoine Flaminius (Paris, Chez Nicholas Chesneau, 1568/1569), Annick Macaskill

Electronic Thesis and Dissertation Repository

This thesis proposes an analysis of the theorization and practice of “Christian lyricism” in Les Divines Poesies de Marc Antoine Flaminius, the second independently published collection by (and clearly attributed to) Anne de Marquets (1533?-1588), a French Dominican nun. Published in 1568 (Paris, Nicolas Chesneau) and reissued in a second edition in 1569 (Paris, Nicolas Chesneau), this volume includes not only translations of the Italian Neo-Latin poet Marcantonio Flaminio (1497/8-1550), some of whose works had already, by 1568, been put on the Vatican Index, but other translations by the Dominican nun, as well as original spiritual songs and sonnets. …

“We Are Working For A Caste-Free India”: An Interview With M. M. Vinodini, Bonnie Zare

Journal of International Women's Studies

The present interview with M.M. Vinodini extends the context of her two stories printed in this issue, “Block” and “Villain’s Suicide” and the contemporary context for Telugu Dalit women writers. It enables readers to consider the combination of factors that must align for a woman and therefore, a secondary citizen of a severely stigmatized community to take action and protest through activist organizing and creative storytelling. Discrimination, self-respect, and assertion are repeated themes in Vinodini’s body of work and here she discusses changing views of caste among young people, the reception of her work, the ongoing mistreatment of sanitation workers, …

Review Of Women Wanderers And The Writing Of Mobility, 1784-1814, By Ingrid Horrocks, Elizabeth Porter

ABO: Interactive Journal for Women in the Arts, 1640-1830

A review of Women Wanderers and the Writing of Mobility, 1784-1814 by Ingrid Horrocks. Written by Elizabeth Porter.

Hor Bouks: Or, Her Book: Finding Women Readers, Writers, & Producers In Early Modern Literature, Rebecca Fitzsimmons

Faculty and Staff Publications – Milner Library

The impact of women on the history of literature can be difficult to track, but they made important contributions to writing, publishing, and collecting. This short talk focuses on works in the Rare and Fine Book Collection in the Milner Library Special Collections department, with a particular emphasis on the writer Lady Mary Wroth and the collector Frances Wolfreston. Wroth was the first Englishwoman to publish a complete sonnet sequence and an original work of prose fiction and Wolfreston is considered one of the first notable women book collectors.

Strategies Of (In)Visibility And Resilience: Women Writers In A Digital Era, Miriam Borham-Puyal, Daniel Escandell-Montiel

CLCWeb: Comparative Literature and Culture

Women’s presence in literary history has been particularly conditioned by their place in society and by the limited spheres in which their production was expected to appear (e.g. the sentimental novel, romances or children’s literature). In today’s digital, open and connected society, women continue to face visibility problems in the publishing industry and in the online spaces that grant presence and agency. Their role in cultural creations is still hindered by vertical powers that operate as main censors. This circumstance takes place even in a rhizomatic and decentralized virtual space, where dissident discourses have highlighted it, although without enough discursive …

Escape Words: From Solitary Confinement To Female Solidarity In Lena Constante’S Post-Communist Prison Memoirs, Szidonia Haragos

All Works

This article argues that the representative post-Communist autobiographical texts by Romanian writer Lena Constante, based on the author’s personal experience of twelve years of incarceration in Communist Romania’s notorious political prisons, trace a gradual transformation from solitary confinement to female solidarity. While the first of the two memoirs, The Silent Escape, invokes the power of the literary and creative imagination in surviving eight years of solitary confinement, the second part, The Impossible Escape, reveals the growing sense of community among the imprisoned women, their shared sense of suffering that was often induced by torture and frequently endured as a hardship …

Between The Lines: Reflexive Misogyny And Remediated Forms In A Secret Online Group Of Women Poets, Rae Elizabeth Snobl

MSU Graduate Theses

This thesis examines an online, secret writing community for 1,800+ women-only poets called “The Retreat.” Analysis of two years of Facebook posts and interviews with group members revealed a noticeable membership split between those publishing through conventional literary venues, the “traditional poets,” and social media poets. These “Instapoets,” as labeled by popular media each had between 10,000 to 125,000+ followers on sites like Instagram and Facebook—significant numbers when seen in the context of readership and monetizing. Yet, their digital, snippet poems did not hold to the literary norms of poetry, both in form and publishing method. This led to a …

Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich

Honors Scholar Theses

Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …

“That Confusion Of Who Is Who, Flesh And Flesh”: Mothers, Daughters, And The Body In Postwar And Contemporary American Literature, Jennifer Renee Blevins

Theses and Dissertations

In “That confusion of who is who, flesh and flesh”: Mothers, Daughters, and the Body in Postwar and Contemporary American Literature, I investigate how the body limits, disrupts, ruptures, or recuperates the mother/daughter relationship in postwar and contemporary texts by twentieth-century US women writers. These narratives portray the construction of female subjectivity when the feminine self seems insufficiently distinct from the mother (or daughter). In four chapters arranged chronologically by decade, I examine texts by Flannery O’Connor, Eudora Welty, Sylvia Plath, Gwendolyn Brooks, Margaret Atwood, Toni Morrison, Jamaica Kincaid, and Edwidge Danticat. On the one hand, mothers in these texts …

The Chaotic Domestic: Tracing Affect In Representations Of Nation, Class, And Gender In Eighteenth-Century Laboring-Class Women’S Writing, Kelly J. Hunnings

English Language and Literature ETDs

My dissertation traces a term I call the “chaotic domestic” in the writing of a collection of eighteenth-century women laboring-class writers: Mary Barber, Mary Collier, Mary Leapor, Ann Yearsley, and Janet Little. The chaotic domestic in the hands of these writers is multi-layered and affect-driven, focusing as they do on issues regarding nation, class, and gender. As both a poetic trope and the seeming natural and dynamic state of the domestic sphere, the image of the domestic that this set of writers represents and defines is turbulent, unruly, and one that deals with the tangled web of local and global, …

Flora Tristan, Precursor Lecture By Magda Portal, Kathleen Weaver

Journal of International Women's Studies

A major figure in Latin American struggles for women's rights and social justice, Magda Portal (1900-1989) co-founded the revolutionary nationalist APRA Party of Peru and was the principal women's leader of that party. In her Chilean exile Portal discovered the nineteenth century writer and social reformer, Flora Tristan. In 1944 Portal offered her first lecture on Tristan (1803-1844)—a brilliant diarist and journalist as well as a seminal social theorist, labor organizer, champion of women's rights, and a significant precursor—arguably co-founder—of socialist internationalism. Expanding and revising her initial account, Portal continued into her later years to lecture on Tristan, whom she …

Maternal Criticism: Reading Two Middle Eastern Women Writers As Nonviolent Peace Activism, Charlyn Marie Ingwerson

Graduate Theses and Dissertations

This dissertation advocates for reading the literatures of two Middle Eastern women writers through a Maternal Critical lens that recognizes the demands of universal vulnerability in characters who resist violence, and responds in Maternal communities of Readers that connect readers to characters, readers to writers, and readers to other readers, carrying the struggle for equity forward. My unfolding argument, centered on Maternal Critical activity in the novels of Palestinian writer Sahar Khalifeh and Israeli writer Ronit Matalon, demonstrates how literature by these Middle Eastern women is part of a narrative context of women’s peacemaking and resistance to violence, a part …

“Marie” And “An Unusual Recourse”: English Translations Of German Early Romantic Stories, Meghan Leadabrand

Honors Theses

This project consists of English translations of two German early Romantic stories, “Marie” (1798) by Sophie Mereau and “Seltner Ausweg” (1823) by Luise Brachmann, as well as an introductory discussion of the authors, their significance in the Jena Circle of Romantic writers, and the translation process. The introduction incorporates research on both Mereau and Brachmann and German early Romanticism, as well as some research on translation theory. Overall, the project aims to make “Marie” and “Seltner Ausweg,” which have not previously been translated, available to an English-speaking audience and to highlight the work of two little known Romantic women writers. …

Progressive Foote? Gender Politics In An 1887 Letter From Mary Hallock Foote, Tara Penry

Tara Penry

Mary Hallock Foote is not known for progressive gender politics. Quite the opposite. As her biographer Darlis Miller observes, Foote and her longtime friend Helena DeKay Gilder agreed that woman’s most important work lay in the home, and suffrage would distract her from her primary duties. But Foote did not always practice her belief in the separate spheres of men and women perfectly. Not only did necessity compel her for a time to support her family, but an 1887 letter also shows that in her professional life, Foote did not always think of her work as feminine or separate from …

Lucie Cousturier: The Female Voice And Travel Narratives In Colonial West Africa, Ashley Gushulak

Foreign Languages & Literatures ETDs

In this thesis, I analyze Lucie Cousturier’s two major works, Des Inconnus chez eux (1920) and Mes Inconnus chez moi (1925) in which she navigates the discourses of imperialism, viewed as masculine, and of femininity. Through strategies of intimacy, Cousturier establishes her authority as a female travel writer. In her first work, Cousturier sets up an intimate relationship with the tirailleurs sénégalais by teaching them French and becoming a mother-figure to them. At the same time, Cousturier plays a role in France’s colonial agenda by teaching the soldiers French. In her second work, she establishes intimacy by adopting the local …

Genre, Representation, And Memory In Spanish Civil War Texts By Women From Spain And The United States, Jennifer Prince

Dissertations, Theses, and Capstone Projects

This dissertation seeks to addresses a lacuna in the androcentric Spanish Civil War literary canon by recovering women’s voices writing about the war from the 1930s to the present. It also examines the war stories women tell and how they represent themselves and others when writing about the Spanish Civil War. All of the seven authors examined here write through the lens of some distance—either as American citizens observing the war or as the descendants of the war’s survivors—but each with an intimate connection rooted in biology or ideology. The foundation of this dissertation is close reading and textual analysis …