Arts and Humanities Commons^™

The Importance Of Female Bass Players: How They Have Influenced And Shaped Our Conception Of Music, Jessica Sacks

Theses

Music allows us to think creatively, dream, and create a soundtrack for our lives. When we think of female artists, most people recognize singers, but I want to describe how women have shaped music for over sixty years with their fantastic playing abilities. This project will analyze how female bass players have contributed to American music and society.

Berlioz's Mysterious Amélie, Pascal Beyls, Peter Bloom

Music & Musical Performance

In September 1864, in a letter to his long-time confidante, the Princess Carolyne von Sayn-Wittgenstein, Berlioz mentioned the name of the woman with whom, as he had earlier confided to the Princess, he had conducted a brief but passionate affair: “her name was Amélie.” Until now, the Berlioz scholars have been unable properly to identify this mysterious person. From other letters and documents, including Ernest Legouvé’s Soixante ans de souvenirs, we have known the approximate dates of the beginning and ending of the relationship. But only now, on the basis of the birth and death certificates of the …

Journey, Movement, Affect And Rhythm: Migration Through North Indian Folk Songs, Sangeeta Gupta, Shambhavi Gupta

International Journal on Responsibility

This paper captures the lived experiences and affect associated with migration, through the folk songs of North India. While migration is usually studied as a larger demographic movement involving temporary or permanent displacement and departure, our project captures the pain and apprehension it entails. We have tried to retrieve the vital connection between gender and migration through an analysis of folk songs about the experiences of women. These songs passed down as a part of the oral tradition, articulate how a woman engages and interacts with migration – both due to her marriage and also when her husband leaves home …

"With The Butterfly Sleeves Naka Filipiniana": Contemporary Study Of Filipinx American Women In Popular Music, Georgette Luluquisin Patricio

Theses and Dissertations

This thesis examines contemporary Filipinx-American women artists and the ways in which they use their music to construct their identity against Western portrayals of the Filipinx/a woman. Unlike other Asian Americans, Filipinx Americans try to attain the status of the "model minority" because they were at one point in history considered US nationals with American training, but they also do not adhere to it in the same way that Japanese and Indian Americans do. The model minority myth is the notion that Asian Americans have to overcome a certain struggle or challenge in order to achieve the American Dream. Of …

Fatale, Fragile, And Furiosa: Redefining Female Tropes For A New Generation Of Feminism In Jeanne Shaffer's Three Faces Of Woman For Clarinet And Piano, Olivia Harrison

Music Undergraduate Honors Theses

Among the discipline of music, the representation of women in music professions and the artform itself reveals great disparities between gender identities. In spite of this, musician and composer Jeanne Shaffer approaches the ongoing fight for women’s representation and equity in music. Shaffer’s piece “Three Faces of Woman” for clarinet and piano (1995) depicts three delineations of femininity that women are reduced to. Influenced by cultural minimalization of women, Shaffer’s piece uses different compositional genres as vehicles to illustrate these ever-present stereotypes and the unyielding need to combat them. The first movement presents the trope of the Femme Fatale; the …

Identites Of Women In Indian Art And History, Nalini Rao

Monsoon: South Asian Studies Association Journal

The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …

Rediscovering Argentine Repertoire Written In The 1930s: A Performative Study Of Concert Piano Works By Lita Spena And Celia Torrá, Florencia Zuloaga

Glenn Korff School of Music: Dissertations, Theses, and Student Creative Work, and Performance

A survey of the piano repertoire written during the decade of 1930 in Argentina reveals the rising number of several works written by women composers. For the first time, the years that followed the inauguration of the National Conservatory of Music and Theater in 1924 witnessed a professionalization of women in the field of music composition, and two figures made great strides in this regard. Celia Torrá and Lita Spena stood out among the first female composition students at the National Conservatory and some of the first to succeed as professional composers. Furthermore, they were among the first women to …

A “Free Artist Of Color” In Late-Eighteenth-Century Saint-Domingue: The Life And Times Of Minette, Bernard Camier

Music & Musical Performance

This article sets forth, for the first time in detail, the life and career of Minette, who was the main female opera singer in Port-au-Prince at the end of the eighteenth century. The city was the capital of the thriving and wealthy French colony of Saint-Domingue (which, upon gaining independence in 1804, took the name Haïti). Theatrical activity in Port-au-Prince was comparable to what one could find in any large provincial city, and the success that Minette gained was all the more remarkable for her being categorized as colored (mestive). The details of Minette’s origins, life, and career …

Grand Rapids Musical Life At The Turn Of The 20th Century: An Archival Study, Thomas J. Stutz

Student Summer Scholars Manuscripts

This project focuses on outlining the vibrant musical soundscape and traditions of Grand Rapids Michigan at the turn of the 20th century. At the forefront of this research is the contrast between men’s and women’s clubs at the time. Our analysis indicates that the foremost women’s club–the St. Cecilia’s Society–took a more nuanced and intellectual approach to musical programming and performance whereas their male counterparts were more focused on the social and public view of their club; this view is in line with the historical trend of women’s clubs holding a great deal of power in the arts at the …

The Feminine Harp As Feminist Tool: Early Professional Footing For Women In Mid-Twentieth-Century America, Chelsea Lane

Dissertations, Theses, and Capstone Projects

In 1930s North America, women—for the first time—were accorded permanent principal positions in significant American orchestras. Edna Phillips, Alice Chalifoux, and Sylvia Meyer, all students of the legendary harp pedagogue Carlos Salzedo, have been celebrated as pioneers for the prestigious employment they obtained in the Philadelphia Orchestra, Cleveland Orchestra, and National Symphony Orchestra, respectively, between 1930 and 1933. Despite the impressiveness of these accomplishments, however, the narrative of their “firstness” is not wholly accurate. In actuality, female harpists have occupied orchestral posts as acting principals, substitutes, and second harpists since the very inception of orchestras. The cause for their early …

Freestyle's Forsaken, Sage D. Rivera

Theses and Dissertations

Freestyle is a genre of music born in the mid-1980s from Latino and Black communities in the urban epicenters of the United States. This project spotlights a freestyle music artist “Corina," and how she suffered a patriarchal construct but finally got the moment of significance she deserved.

Crooked Smile, Kaitlin Jacobson

Vázquez-Valarezo Poetry Award

As a songwriter, I love connecting my poetry to songs. There are so many similarities between life and music, and that is just beautiful to me. I wrote this poem about very real experiences I have had, about the idea of sugarcoating reality for the sake of what life really looks like under the surface. This is similar to my songs, when my melodies are seen as catchy but the lyrics are overlooked. As a queer woman, there have been many times where I have felt silenced, or where my pain has been overlooked and my lyrics haven't been taken …

The Muted Woman: A Lovey-Dovey Themed Recital, From A Man's Point Of View, Raven Williams

Honors Theses

This senior thesis consists of a vocal recital, accompanying program notes, and research regarding the struggles of women composers as music evolved through its Ancient, Baroque, Classic, Romantic and Contemporary periods. The recital includes a compilation of love songs by French, Italian, English, and German composers, in particular Gabriel Fauré, the often-forgotten Stefano Donaudy, Samuel Barber, Roger Quilter, Ralph Vaughan Williams, and Joseph Haydn. This paper incorporates biographical information, analysis, performance history and cultural insights into the overshadowed women composers that prospered around the same time period as the men of the former. Specifically, Nadia Boulanger, Nannerl Mozart, Alice Mary …

Unsung And Unheard: An Analysis Of The History And Impact Of Female American Vocal Composers, Shannon Marie Myers

Masters Theses

American female composers create music that is pedagogically valuable and should be included in the repertoire commonly used by undergraduate vocal students. The purpose of this research is to provide awareness of the existence and the contribution that American female composers have made to standard vocal repertoire and their pedagogical value. The essential question answered as part of this research is: how have the American women composers contributed to the development of standard vocal literature? Additional sub-questions addressed in this research include: 1) What historical factors (culturally, economically, etc.) have influenced the rise of female composers in America beginning in …

Law Library Blog (May 2021): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Women Composers: A Historical Survey Of Their Music And Its Validity For Use In The Vocal Studio, Amanda Anderson

Recital Papers

Though the accepted canon of vocal literature for classical singers is extensive, repertoire by female composers is largely overlooked or omitted when considering what comprises this canon. The lack of the female presence “does not mean that women have been silent as composers, performers, and participants in other facets of music” (Citron 2000, 41). The history of vocal music is peppered with female composers, many of whom were singers themselves, but the majority of these composers have been hidden in obscurity, overshadowed by their male counterparts, or dismissed due to their lack of public recognition. Though the limitations of social …

What Is The Relationship Between Representation And The Safety Of Women In Contemporary Scottish Traditional Music Performance In The Uk? - Annotated Bibliography, Sophie Ailsa Lewis

Musicology and Ethnomusicology: Student Scholarship

No abstract provided.

Gender-Specific Mentorship For Collegiate Female Band Directors, Laura M. Johnson, Douglas T. Owens

College of Arts and Letters Posters

The purpose of this study was to provide insight on the impact of gender-specific mentorship for aspiring female collegiate wind band conductors. The areas of focus included impactful mentorship methods, identifying mentors, and potential improvements for the wind band field. This research project was approved for an IRB exemption by the Old Dominion University College of Arts and Letters Human Subjects Review Committee. Two Qualtrics surveys were created for this study to reflect the differences in the level of experience of wind band conductors. Female collegiate/university band conductors and current/former music education or conducting graduate students completed Survey A (N …

Concerto For Violin And Orchestra And "Nevertheless, She Composed: A Contemporary Survey Of Women Composers Of The Twenty-First Century", Elizabeth Anne Knox

LSU Doctoral Dissertations

This dissertation consists of two parts: the first part includes an original composition titled, “Concerto for Violin and Orchestra.” This twenty-minute work is composed for traditional orchestral instrumentation and solo violin. Motivic variation is the primary focus of this piece with a goal to show evidence of a thorough understanding and use of this technique. In music composition, variation is a technique achieved by restating musical material in an altered form. Schoenberg describes a motive as, “a unit which contains one or more features of interval and rhythm [whose] presence is maintained in constant use throughout a piece.” Therefore, motivic …

Guide To The Helen Walker Hill Collection, Columbia College Chicago

CBMR Collection Guides / Finding Aids

The Helen Walker-Hill Collection is composed of musical compositions by black women composers throughout the United States and England. This collection was compiled by pianist and musicologist, Dr. Helen Walker-Hill. Duplicates and/or originals also held at University of Colorado at Boulder American Music Research Center.

Tell Me A Story; Hell Hath No Fury: A Set Of Voice Recitals On The Overlap Of Music, Literature, And Classics, And Their Treatment And Depiction Of Women, Alexandra Hobart Gilman

Senior Projects Spring 2020

Over the past four years, I have had the privilege of answering the question, “what is your major?” My reply exists in various degrees of specificity. I am a Music major. I am a Classical Voice major. I am a voice major who is concentrating in Medieval Studies. Layer upon layer is added. The more specific I am, the more niche it all seems to become. Yet, that which I love exists in these niches, the in-between spaces where different areas of academia come together to create something new. Something that I have always appreciated about art, in general, is …

In Her Own Hands: How Girls And Women Used The Piano To Chart Their Futures, Expand Women's Roles, And Shape Music In America, 1880–1920, Sarah F. Litvin

Dissertations, Theses, and Capstone Projects

American girls and women used the parlor piano to reshape their lives between 1880 and 1920, the years when the instrument reached the height of its commercial and cultural popularity. Newspapers, memoirs, biographies, women’s magazines, personal papers, and trade publications show that female pianists engaged in public-facing piano play and work in pursuit of artistic expression, economic gain, self-actualization, social mobility, and social change. These motivations drove many to use their piano skills to play beyond the parlor, by studying in conservatory, working as classical and popular music performers and composers, founding and teaching at schools, working as department store …

Reggaeton And Female Narratives, Melanie P. Pangol

Student Publications

Reggaeton has become a cultural factor all throughout Latin America and among the Latino population in the United States. Reggaeton is now a Latino music phenomenon that has become part of the mainstream not only in Latin American countries but also in the United States; many American artists such as Drake, Cardi B, Nicki Minaj, and Will Smith are collaborating with reggaeton artists such as J-Balvin, Bad Bunny, Ozuna, and others. Therefore, although most reggaeton artists come from Puerto Rico, reggaeton has established a visible presence in the Latino community in the United States where it has become prominent in …

A Survey To Investigate The Participation Of Female Jazz-Trained Instrumentalists At Waapa And In Perth’S Professional Music Scene, Talya Valenti

Theses : Honours

Traditionally, men have dominated jazz music in terms of participation and professional acknowledgement, but even in present times, female instrumentalists remain under-represented in jazz performance and education. Various studies such as Kathleen M. McKeage’s Gender and Participation in Undergraduate Jazz Ensembles: A National Survey and Erin L. Wehr’s Understanding the Experiences of Women in Jazz: A Suggested Model, have produced statistics that illustrate the low participation of female instrumentalists in jazz, and have also provided social-psychological theories to explain why these patterns continue to prevail.

As a working jazz-trained female instrumentalist myself, I have noticed the under-representation of female jazz …

We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden

Lawrence University Honors Projects

Despite its relatively small population, the city of Appleton has a large and thriving women’s choir community. Between the Lawrence Academy of Music Girl Choir, which serves hundreds of girls every year, and Cantala, the women’s choir at Lawrence University, opportunities for involvement in nationally-recognized female-voice ensembles range from second grade all the way through to college graduation. Using the theories of Foucault, Bourdieu, Butler, Green, and Bentham, this project explores the women’s choir culture of Appleton in an attempt to discover the core values of these two influential programs. I accomplished this by conducting ethnographic research in the form …

Women's Hit Cheating Songs: Country Music And Feminist Change In American Society, 1962-2015, Madeline Rachel Morrow

Electronic Theses and Dissertations

This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015. The study of a total of fifty qualifying songs included a focus on their lyrical and musical content, the performers' personae and careers, and the way the particular outside factors of feminism and changing gender relations in American society may have influenced them. These songs do not show a purely linear progression of or emphasis on social change, in spite of country music's pride in conveying the truth about the lives of its songwriters, …

Painted Faces & Printed Music: Women And Music In The Paintings Of Bartolomeo Veneto And Sebastiano Florigerio, Lauren N. Rosenblatt

Theses and Dissertations

The cultural views surrounding musical performances by women rapidly changed during the sixteenth century. The ideal of the preceding century advised ladies of the court to avoid displaying the frivolous and sinful ways of music-making, but the new notion of the female courtier praised women for performing music, for it could only serve to enhance their beauty and virtue. These two opposing concepts can be seen simultaneously in treatises, correspondences, and artwork of this era. Artists’ depictions of courtesans included music to convey what was considered sensual and immoral; yet other works displayed music instruments as representations of women’s nobility …

Women’S Perceptions Of The Usefulness Of Group Music Therapy In Addictions Recovery, Susan Gardstrom, Abigail Klemm, Kathleen M. Murphy

Music Faculty Publications

This study represents our attempt to uncover aspects of group music therapy that women with addictions perceive as useful toward recovery – factors that have yet to be clearly identified in existing literature. Women in residential treatment for addictions to heroin and other substances were surveyed following group music therapy sessions involving vocal and instrumental re-creation, listening, and improvisation. Qualitative content analysis of data revealed four major findings. We learned that treatment is, in fact, seen as useful by these particular women and that Yalom’s theory provides a meaningful framework for identifying, understanding, and fostering mechanisms within the group music …

Girls, Rock Your Boys: Female Tribute Acts And The Reclamation Of Rock, Sandra J. Canosa

Electronic Thesis and Dissertation Repository

Female musicians who perform in tribute acts to male rock artists are an increasingly popular form of live musical entertainment, from Lez Zeppelin (Led Zeppelin) to Hervana (Nirvana). The purpose of this thesis is to explore the motivations for or rewards derived through tributing for women. Original interviews with artists and participant observation at performances are used for analysis alongside published interviews, videos, and website information. Discussions reveal how female tribute acts subvert the patriarchal dominance of rock music’s history by re-imagining canonical figures as women, as well as how archetypal signifiers of masculinity can be separated from male bodies …

Cultural Subtexts And Social Functions Of Domestic Music-Making In Jane Austen’S England, Lidia A. Chang

Masters Theses

Barring a few notable exceptions, English music between the eighteenth and twentieth centuries earns scant notice in music history textbooks, despite overwhelming evidence that England enjoyed a vibrant musical culture, especially during the Georgian era. However, I will argue that the English of this period were, in many respects, even more committed to music than their continental counterparts. The problem, for England, was not that it made no music during this period, but that it made the wrong kind of music, and enjoyed it in the wrong ways. At a time when Germanic critics like E.T.A. Hoffmann and A.B. Marx …