Arts and Humanities Commons^™

Bamboo, Kathryn Hunt

CutBank

No abstract provided.

I Join The Women Of Churchchill College, Robin S. Chapman

CutBank

No abstract provided.

After Eden, Marilyn Nelson Nielson

BYU Studies

No abstract provided.

Women Poets And Anonymity In The Romantic Era, Paula R. Feldman

Faculty Publications

No abstract provided.

Mechanical Angel: Carolyn Forché And The Material Projection Of Messianic History, Alan Clinton

Reconstruction: Studies in Contemporary Culture

[First paragraph]

The work of Carolyn Forché has always retained a political edge, with works such as the exploration of her Czech background in Gathering the Tribes (1976) and her account of visits to El Salvador in The Country Between Us (1981). Forché has been one of the leading poets who, in her own words, has combatted the self-censorship operative among American poets and writers that seemed to preclude writing about...historical events when those events were still unsafe (qtd. in Stein 147). Her third book of poems The Angel of History (published 13 years later), however, represents a new turn …

Commonthought Vol. 13 (2002), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Zephyr: The Third Issue, Zephyr Faculty Advisor, Matthew Bibeau, Jocelyn Brown, Tiffany Cherry, Angela Dobson, Cecilia M. Duchano, Judith Haug, Andrew Shuttleworth, Charissa Wong, Heather Anne Wright

Zephyr

This is the third issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Moroni, Michael Hicks

BYU Studies

No abstract provided.

Review Of: Writing On Water (David Rothenberg & Marta Ulvaeus Eds.), James Steele

RISK: Health, Safety & Environment (1990-2002)

Review of the book: Writing on Water (David Rothenberg & Marta Ulvaeus, eds., MIT Press 2001). Introduction, Contributors, Sources. ISBN 0-262-18211-4 [288 pp. $24.95. Hardbound, New Jersey Institute of Technology, Newark, NJ 07102].

Vol. Xxxix, No. 1: R.S. Gwynn: A Southern Melancholic, Lewis Turco

The Hollins Critic

No abstract provided.

Kerry Shawn Keys Folio, Kerry Shawn Keys

Corresponding Voices

An English-language folio of poetry, entitled "Maya-Song," by Kerry Shawn Keys.

Corresponding Voices Volume 1 (Complete)

Corresponding Voices

The full issue of Corresponding Voices volume 1, featuring Michael Jennings, Edgar Paiewonsky-Conde, Suzanne Shane, Kerry Shawn Keys, Lila Zemborain, and edited by Pedro Cuperman.

Suzanne Shane Folio, Suzanne Shane

Corresponding Voices

An English-language folio of poetry, entitled "Indian Summer," by Suzanne Shane.

Michael Jennings Folio, Michael Jennings

Corresponding Voices

An English-language folio of poetry, entitled "Sometime Before Words Perhaps," by Michael Jennings.

Edgar Paiewonsky-Conde Folio, Edgar Paiewonsky-Conde

Corresponding Voices

An English-language folio of poetry, entitled "Thirteen Horses in Twelve Stables," by Edgar Paiewonsky-Conde.

Preface, Pedro Cuperman

Corresponding Voices

No abstract provided.

Kerr Memorial Methodist Church - Bowling Green, Kentucky (Mss 133), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and selected full scan documents (Click on "Additional Files" below) for Manuscripts Collection 133. Historical materials about Kerr Memorial Methodist Church in Bowling Green, Kentucky, including list of donors for original building (1891); printed histories; correspondence and commemorative programs from church anniversary celebrations; account book of the church's Young Adult Fellowship (1947-48); and deeds.

La Poésie Comme Terre D'Asile Dans L'Œuvre De Tahar Bekri, Sonia Lee

Présence Francophone: Revue internationale de langue et de littérature

In this essay, I propose to examine how in Tahar Bekri's poetry, the theme of exile is gradually negated through the poetic universe of the poet, thus acting as a replacement for the loss of the motherland.

The Owl Question, Faith Shearin

Swenson Poetry Award Winners

May Swenson Poetry Award Volume 6, with foreward by Mark Doty. The Owl Question underscores and relishes life's transitions from young girl to woman, from child to wife to mother, and from isolation to connection this poet's bright sense of abundance and awe, here expressed in finely tuned detail and refreshingly open observation, reads like a collective memory. Though private and closely held, these questionings are as familiar as our own souls, and in their transformation to poetry, Shearin has created the very "map" she wishes to guide her when she "can't learn the world fast enough."

Hymn From Deuteronomy 30:20, Casualene Meyer

BYU Studies

No abstract provided.

New Under The Sun: Awaiting A Birth, Dixie Partridge

BYU Studies

No abstract provided.

Tribute To Dr. Harold Horton, Trevor L. Clement

Trotter Review

Poem by Trevor Clement on the passing of Dr. Harold Willard Horton, Sr., to whom this issue of the Trotter Review is dedicated.

Everyone, Barry Ballard

Bryant Literary Review

Everyone is born. Everyone grows, wonders,

In A November Woods, David James

Bryant Literary Review

Along the ridges
A white moth

North Korea Threatens To End Talks, Test Missile, Ace Boggess

Bryant Literary Review

Westerners point fingers;
Japanese wave their arms

Swell, Gary Maggio

Bryant Literary Review

If
all he could move were
his eyes

Study/Leaves, Leonard Gontarek

Bryant Literary Review

I once understood it.
It was something you scraped off.

The Mad Girl Can't Bear Change, Lyn Lifshin

Bryant Literary Review

In a year where
that's all there is.

May Day, Ken Mccullough

Bryant Literary Review

It happens when I feel myself
turning into a cottonwood

Flush, David Jauss

Bryant Literary Review

My father didn't throw the hammer at me,
just toward me. I told myself it didn't hurt