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Articles 6421 - 6450 of 13388
Full-Text Articles in Arts and Humanities
[Crematorium At Sierra View Cemetery Next To The Highschool, Regarding The], D. A. Powell
[Crematorium At Sierra View Cemetery Next To The Highschool, Regarding The], D. A. Powell
CutBank
No abstract provided.
From Key Bridge, Ken Rumble
Negatives Spaces I, Ii, Iii, Iv, Eileen R. Tabios
The Heaven-Sent Leaf, Katy Lederer
Rilke, Gina Myers
Flings, Cindy Savett
Reindeer Round, Lisa Jarnot
Olympia (3), Jaye Bartell
I Asked The Mind For A Shape / And Shape Meant Nothing, Britta Ameel
I Asked The Mind For A Shape / And Shape Meant Nothing, Britta Ameel
CutBank
No abstract provided.
Translations [1], [2], [3], Kate Greenstreet
Women, Literary Annuals, And The Evidence Of Inscriptions, Paula R. Feldman
Women, Literary Annuals, And The Evidence Of Inscriptions, Paula R. Feldman
Faculty Publications
No abstract provided.
A Poem, Molly C. Masich
Parisian Traveler, Amy E. Butcher
Mascara Tears, Heather N. Walsh
Christmas Morning, Brendan M. Sheehan
Trying To Sleep, Christopher Croft
And They Call It Truth, Jason H. Parker
Rusty Lovers, Molly C. Masich
The Red State, Anna J. Markowitz
All-The-Time-Wine, Samuel P.C. Martin
Dying In September, Ryan M. Mitchell
Run-Up-The-Hill Windmill, Christopher Croft
Symmetrical Womanhood: Poetry In The Woman's Building Library, Angela Sorby
Symmetrical Womanhood: Poetry In The Woman's Building Library, Angela Sorby
English Faculty Research and Publications
Late-nineteenth-century women poets shed midcentury sentimentality unevenly and at some cost, losing a sense of privacy, a (Christian) frame of reference, and an "imagined community" of women who shared their worldview. They also gained more public, secular, and professional sources of identity. The exact nature of this postsentimental self was unclear. Postsentimental poets often wrote in the "genteel tradition," which trumpeted eternal truth and beauty while working from a position of subjective instability. Ultimately, their verses must be seen as powerfully fluid and transitional, registering (like the Woman's Building Library) women's struggle to inhabit more public forms of authority.
The Bridge, Volume 3, 2006, Bridgewater State College
The Bridge, Volume 3, 2006, Bridgewater State College
the bridge
Volume 3 Staff
Cheryl Tullis, Editor-in-Chief
Victoria Large, Editor-in-Chief
David Bevans
Christelle L. Del Prete
Derek T. Hambly
Joseph Kolczewski, Jr.
Angelique Paparella
Ryan Perry
Patricia Portanova
Christopher Rego
Georgia Savory
Shaylin Walsh
Mary Dondero, Faculty Advisor
Jerald Walker, Faculty Advisor
Linda Hall, Alumni Consultant
Rosann Kozlowski, Alumni Consultant
Zachary Richard's "Faire Récolte": A Translation From The French, Michael D. Bierschenk
Zachary Richard's "Faire Récolte": A Translation From The French, Michael D. Bierschenk
LSU Master's Theses
In the second half of the twentieth century, the Cajun language, which had been entirely oral for most of its history, began to emerge as a productive literary language. One of the prominent new authors of the period was Zachary Richard, also an important Cajun musician. One of his collections of poetry, Faire récolte (Les Éditions Perce-Neige, 1997), is translated here. This thesis also includes a translator's note that briefly explores the broad themes of the poems and the methods used in translating them.
Haiku For Mike Roche, Frank Pommersheim
Lights And Shadows - 2006, University Of North Alabama
Lights And Shadows - 2006, University Of North Alabama
Lights and Shadows
Art and Literature Magazine
Prairie Suite: A Celebration, Twyla Hansen, Paul A. Johnsgard
Prairie Suite: A Celebration, Twyla Hansen, Paul A. Johnsgard
Paul Johnsgard Collection
25 poems by Twyla Hansen, with illustrations by Paul A. Johnsgard, including:
Walk on the Prairie
There is mystery here, in the shapes of grass,
in the dim movements of an inland sea,
connections to an earlier time. Wander barefoot,
hypothesize the dance of millennia, the unbearable
carvings of the built environment, this ragtag escape.
Let its divine simplicity ooze into your pores.
Comb the steel from your hair, blanket your
tongue with orange. Your breathing will slow.
Breathing slow, unbutton the child within.
Give her permission to go fly a kite.
Danish Poets Today
The Bridge
The Danish poet, playwright and novelist Pia Tafdrup read from her work Queen's Gate and presented some of her other poems at the session Danish Poets Today With the author's permission we are able to present one of the poems from Queen's Gate.